Difference between revisions of "Jannie Hofmeyr"
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| − | HOFMEYR, Jan-Hendrik Servaas ("Jannie"). (1953). Professor and internationally renowned biochemist and systems biologist, composer, musician, cabaret artist and amateur actor. Born in Durban, studied at the [[University of Stellenbosch]], where he became a lecturer and later professor and chair of the Department of Biochemistry at Stellenbosch. Besides his distinguished academic career in this field, Hofmeyr is a classically trained flautist and also plays the baroque flute, guitar and banjo. He was one of the composers and performers who helped launch the Afrikaans "Kabaret" tradition in the 1980s in South Africa through his work with authors, composers and directors such as [[Etienne van Heerden]], [[Hennie Aucamp]], [[Anthony Costandius]], [[Herman Pretorius]] and [[Zoettje Hofmeyr]] in Stellenbosch. His classic scores for [[Hennie Aucamp]] and [[Etienne van Heerden]] lyrics, for example ''[[Die Lewe is 'n Grenshotel]]'' and ''[['n Kwela vir Mandela]]'', have become standard items in Afrikaans popular music. He performed his compositions in the popular TV-series ''Musiek en Liriek'' and ''Elke Liedjie vertel 'n Storie''. Among the most notable cabaret productions he was involved with were ''[[Met Permissie Gesê]]'' ([[Hennie Aucamp]], 1979), ''[[Onder Ekstreme Provokasie]]'' ([[Etienne van Heerden]], 1982), ''[[Ekskuus vir die Wals]]'', ([[Etienne van Heerden]], 1983), ''[[3-D]]'' ([[Anthony Constandius]], 1984), and ''[[Koos innie Doos]]'' ([[Anthony Constandius]], 2005). He was also an active member of the [[Libertas Theatre Club]] from 1974 (and chairman in the late 1980s), acted in a host of their productions over the years, and on occasion played older characters for the [[University of Stellenbosch Drama Department]], where his wife [[Zoettje Hofmeyr]] | + | HOFMEYR, Jan-Hendrik Servaas ("Jannie"). (1953). Professor and internationally renowned biochemist and systems biologist, composer, musician, cabaret artist and amateur actor. Born in Durban, studied at the [[University of Stellenbosch]], where he became a lecturer and later professor and chair of the Department of Biochemistry at Stellenbosch. Besides his distinguished academic career in this field, Hofmeyr is a classically trained flautist and also plays the baroque flute, guitar and banjo. He was one of the composers and performers who helped launch the Afrikaans "Kabaret" tradition in the 1980s in South Africa through his work with authors, composers and directors such as [[Etienne van Heerden]], [[Hennie Aucamp]], [[Anthony Costandius]], [[Herman Pretorius]] and [[Zoettje Hofmeyr]] in Stellenbosch. His classic scores for [[Hennie Aucamp]] and [[Etienne van Heerden]] lyrics, for example ''[[Die Lewe is 'n Grenshotel]]'' and ''[['n Kwela vir Mandela]]'', have become standard items in Afrikaans popular music. He performed his compositions in the popular TV-series ''Musiek en Liriek'' and ''Elke Liedjie vertel 'n Storie''. Among the most notable cabaret productions he was involved with were ''[[Met Permissie Gesê]]'' ([[Hennie Aucamp]], 1979), ''[[Onder Ekstreme Provokasie]]'' ([[Etienne van Heerden]], 1982), ''[[Ekskuus vir die Wals]]'', ([[Etienne van Heerden]], 1983), ''[[3-D]]'' ([[Anthony Constandius]], 1984), and ''[[Koos innie Doos]]'' ([[Anthony Constandius]], 2005). He was also an active member of the [[Libertas Theatre Club]] from 1974 (and chairman in the late 1980s), acted in a host of their productions over the years, and on occasion played older characters for the [[University of Stellenbosch Drama Department]], where his wife [[Zoettje Hofmeyr]] is a lecturer; these include Escalus in Shakespeare's ''[[Measure for Measure]]'' (1981), Jack de Wet in Hennie Aucamp's ''[[Punt in die Wind]]'' (1987) and Martin Dysart, the psychiatrist in Schaffer's ''[[Equus]]'' (1988). |
Revision as of 10:24, 9 November 2012
HOFMEYR, Jan-Hendrik Servaas ("Jannie"). (1953). Professor and internationally renowned biochemist and systems biologist, composer, musician, cabaret artist and amateur actor. Born in Durban, studied at the University of Stellenbosch, where he became a lecturer and later professor and chair of the Department of Biochemistry at Stellenbosch. Besides his distinguished academic career in this field, Hofmeyr is a classically trained flautist and also plays the baroque flute, guitar and banjo. He was one of the composers and performers who helped launch the Afrikaans "Kabaret" tradition in the 1980s in South Africa through his work with authors, composers and directors such as Etienne van Heerden, Hennie Aucamp, Anthony Costandius, Herman Pretorius and Zoettje Hofmeyr in Stellenbosch. His classic scores for Hennie Aucamp and Etienne van Heerden lyrics, for example Die Lewe is 'n Grenshotel and 'n Kwela vir Mandela, have become standard items in Afrikaans popular music. He performed his compositions in the popular TV-series Musiek en Liriek and Elke Liedjie vertel 'n Storie. Among the most notable cabaret productions he was involved with were Met Permissie Gesê (Hennie Aucamp, 1979), Onder Ekstreme Provokasie (Etienne van Heerden, 1982), Ekskuus vir die Wals, (Etienne van Heerden, 1983), 3-D (Anthony Constandius, 1984), and Koos innie Doos (Anthony Constandius, 2005). He was also an active member of the Libertas Theatre Club from 1974 (and chairman in the late 1980s), acted in a host of their productions over the years, and on occasion played older characters for the University of Stellenbosch Drama Department, where his wife Zoettje Hofmeyr is a lecturer; these include Escalus in Shakespeare's Measure for Measure (1981), Jack de Wet in Hennie Aucamp's Punt in die Wind (1987) and Martin Dysart, the psychiatrist in Schaffer's Equus (1988).
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