Difference between revisions of "National Opera Company"

From ESAT
Jump to navigation Jump to search
Line 1: Line 1:
 
[[National Opera Company]] refers to two companies in South Africa.
 
[[National Opera Company]] refers to two companies in South Africa.
  
The first was founded by [[John Connell]], [[Alessandro Rota]] and [[William Pickerill]] in 1940 and performed three opera seasons before closing.
+
The first was founded by [[John Connell]], [[Alessandro Rota]] and [[William Pickerill]] in 1940 and performed three opera seasons before closing. The organisation floundered due to Rota's internment when Italy joined the Second World War.
  
 
The second was proposed by the [[Opera Organisation of South Africa]] ([[OPEROSA]]) in the late 1950s to encourage opera associations from Johannesburg, Durban and Cape Town to join forces.
 
The second was proposed by the [[Opera Organisation of South Africa]] ([[OPEROSA]]) in the late 1950s to encourage opera associations from Johannesburg, Durban and Cape Town to join forces.
Line 10: Line 10:
  
 
Antoinette Johanna Olivier. 2014. 'Exploring contributions to opera by The Black Tie Ensemble: a historical case study'. Mini-dissertation submitted in partial fulfilment of the requirements for the degree Master‟s in Music at the Potchefstroom Campus of the North-West University.
 
Antoinette Johanna Olivier. 2014. 'Exploring contributions to opera by The Black Tie Ensemble: a historical case study'. Mini-dissertation submitted in partial fulfilment of the requirements for the degree Master‟s in Music at the Potchefstroom Campus of the North-West University.
 +
 +
[[Hilde Roos]]. 2012. 'Indigenisation and history: how opera in South Africa became South African opera'. ''Acta Academica Supplementum''. 2012(1).
  
 
== Return to ==
 
== Return to ==

Revision as of 21:15, 19 July 2024

National Opera Company refers to two companies in South Africa.

The first was founded by John Connell, Alessandro Rota and William Pickerill in 1940 and performed three opera seasons before closing. The organisation floundered due to Rota's internment when Italy joined the Second World War.

The second was proposed by the Opera Organisation of South Africa (OPEROSA) in the late 1950s to encourage opera associations from Johannesburg, Durban and Cape Town to join forces.

Sources

Wayne Muller. 2018. A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015). Unpublished PhD thesis.

Antoinette Johanna Olivier. 2014. 'Exploring contributions to opera by The Black Tie Ensemble: a historical case study'. Mini-dissertation submitted in partial fulfilment of the requirements for the degree Master‟s in Music at the Potchefstroom Campus of the North-West University.

Hilde Roos. 2012. 'Indigenisation and history: how opera in South Africa became South African opera'. Acta Academica Supplementum. 2012(1).

Return to

Return to South African Theatre Venues, Companies, Societies, etc

Return to The ESAT Entries

Return to Main Page