Difference between revisions of "ESAT Bibliography L-Laz"

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[[Peter Larlham|Larlham, Peter]] 1981. Festivals of the Nazareth Baptist Church. ''[[TDR]]'', 25(4):59-74.
 
[[Peter Larlham|Larlham, Peter]] 1981. Festivals of the Nazareth Baptist Church. ''[[TDR]]'', 25(4):59-74.
  
[[Peter Larlham|Larlham, Peter]] 1981. ''[[isicathamiya]]'' competition in South Africa. ''The Drama Review'', 25(1):108-112.
+
[[Peter Larlham|Larlham, Peter]] 1981. ''[[Isicathamiya]]'' competition in South Africa. ''The Drama Review'', 25(1):108-112.
  
 
[[Peter Larlham|Larlham, Peter]] 1985. ''Black Theater, Dance, and Ritual in South Africa''. Ann Arbor: UMI Research Press.
 
[[Peter Larlham|Larlham, Peter]] 1985. ''Black Theater, Dance, and Ritual in South Africa''. Ann Arbor: UMI Research Press.

Revision as of 15:07, 8 April 2024

Click on the appropriate letters of the alphabet in the sub-list below.

L-Laz Lea-Lev Lew-Lim Lin-Loo Lop-Lz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance

Return to The ESAT Entries

The list

Labuschagne, Christina Elizabeth Magdalena 1994. Hamartia as tragiese begrip aan die hand van enkele Afrikaanse dramas. Unpublished master’s thesis. Pretoria: University of South Africa.

Lack of stage facilities. 1941. Forum, 4(14):18 and 4(15):18. July 5 and 12.

Lack of theatres. 1941. Forum, 4(20):14. April 16.

La Guma, Alex 1974. Hello or goodbye, Athol Fugard. The African Communist, 57:100-105.

Laidler, Percy Ward 1926. A tavern of the ocean: being a social and historical sketch of Cape Town from its earliest days Cape Town: Maskew Miller Limited.

Laidler, Percy Ward 1926. The Annals of the Cape Stage. Edinburgh: William Bryce.

Lambert, Roger and Snyman, Bailey 2010. Crossing boundaries: forging innovative theatrical and research content. South African Theatre Journal, 24:311-326.

Lane, Laura 1988. The politics of South African theatre. Unpublished bachelor’s thesis. Lake Forest College. (B.A. thesis).

Lang, R. 1964. Moira Lister: South African actress of many talents. Personality, 60-62. December 24.

Lang, R. 1966. Patrick Mynhardt, actor extraordinary. Personality, 39-47. October 13.

Lang, R. 1968a. Design for two (Aubrey Couling and Raimond Schoop). Personality, 144-148. November 7.

Lang, R. 1968b. Enter the king (Joe Stewardson0. Personality, 120-127. June 20.

Lang, R. 1968c. Jong kunstenaars in aantog. Sarie Marais, 20(2):124-125. July 31.

Langenhoven, C.J. 1974. Versamelde Werke ("Collected Works"). In 16 volumes (volume 8 contains his plays). Cape Town: Tafelberg. (First published 1933)

Langton, Robert Gore 1986. Macbeth’s Barclaymoan. Plays and Players, (399):14-15.

Lara Foot Newton: drama 1996. 2009. In Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg [South Africa] : DeskLink Media. 100-101.

Larlham, Daniel 2007. Transforming geographies and reconfigured spaces: South Africa's National Arts Festival. TDR, 51(3):182-188.

Larlham, Daniel 2008. Sizwe Banzi is Dead. Reviewed in: Theatre Journal, 60(4):659-661.

Larlham, Daniel 2009. Brett Bailey and Third World bunfight. Theater, 39(1):6-17.

Larlham, M.C. 1986. Contemporary urban Black dance in Durban - an holistic approach. Unpublished master's thesis. Durban: University of Natal.

Larlham, Peter 1981. Black Performance in South Africa. Unpublished doctoral dissertation. New York University.

Larlham, Peter 1981. Festivals of the Nazareth Baptist Church. TDR, 25(4):59-74.

Larlham, Peter 1981. Isicathamiya competition in South Africa. The Drama Review, 25(1):108-112.

Larlham, Peter 1985. Black Theater, Dance, and Ritual in South Africa. Ann Arbor: UMI Research Press.

Larlham, Peter 1991. Theatre in transition: the cultural struggle in South Africa. The Drama Review, 35(1):200-211.

Larlham, Peter 1992. The impact of the dismantling of Apartheid on theatre in South Africa. South African Theatre Journal, 6(2):43-48.

Larlham, Peter 1993. It was the best of times, it was the worst of times: reflections on the National Arts Festival in Grahamstown, July 1-11, 1993. South African Theatre Journal, 7(2):85-100.

Larlham, Peter 1995. Journey to Grahamstown: the 1995 Standard Bank National Arts Festival. South African Theatre Journal, 9(2):103-116.

Lashgari, Deirdre (ed.). 1995. Violence, Silence, and Anger: Women’s Writing as Transgression. Charlottesville, VA: University Press of Virginia.

Lategan, F.V. 1952. Dramas op die Van Riebeeck-fees. Ons Eie Boek, 18(1):12-14.

Latilla, Marc 2013. Johannesburg 1912 – Suburb by suburb research. An internet blog (https://johannesburg1912.wordpress.com)

Latilla, Marc 2013. Theatres in Johannesburg, an article in the internet blog Johannesburg 1912 – Suburb by suburb research (https://johannesburg1912.wordpress.com/2013/07/29/theatres-in-early-johannesburg) First published on July 29, 2013 at 9:25 pm.

Laubscher, De Wet 1962. Die Toneel: 'n Handleiding vir Amateurs en Skole. Kaapstad, Haum.

Laughing when it hurts. 1998. Economist Financial Report, 349(8088):96-97. October 3.

Law, Robin 1987. In Township Tonight! South Africa’s Black City Music and Theatre, by David B. Coplan. Reviewed in: The Journal of African History, 28(3):468.

Lawrance Anne 1978. Mime and the actor. Scenaria, April/May: 13-15.

Lawrence, J. 1974. South Africa’s leading lady, (Janet Suzman). Fair Lady, 10(1):108-116. March 6.

Laws, Page 1996. South Africa through the prism: festival in Grahamstown, 1996. New Theatre Quarterly, 12(48):390-393.

Lawson. Mark 1987. Shaping up to Shakespeare (Antony Sher). Drama, (166):27-30.

Lawson, Lionel W. 1999. The search for identity in student literature in the late 1960s and early 1970s, in Smit, Johannes A. (ed.). Body, Identity, Sub-cultures and Repression in Texts from Africa. Durban: CSSALL. 66-76.

Lazarus, L. 1987a. Black Theatre, Dance and Ritual in South Africa, by Peter Larlham. Reviewed in: South African Theatre Journal, 1(1):133-135.

Lazarus, L. 1987b. In Township Tonight! South Africa’s Black City Music and Theatre, by David B. Coplan. Reviewed in: South African Theatre Journal, 1(1):136-137.


Click on the appropriate letters of the alphabet in the sub-list below.

L-Laz Lea-Lev Lew-Lim Lin-Loo Lop-Lz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance


Return to The ESAT Entries

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