Difference between revisions of "Mama and the Load"
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− | by [[Gibson Kente]]. (Also known by a number of varieties of the name, often simply “The Load”) | + | Hugely popular township musical by [[Gibson Kente]] (1932-2004). (Also known by a number of varieties of the name, often simply “The Load”) |
− | + | ==The original text== | |
− | + | The musical explores dramatizations of the conflict between political pressures and family/community solidarity. | |
+ | |||
+ | Unpublished. | ||
+ | |||
+ | ==Performance history in South Africa== | ||
+ | |||
+ | 1979: First performed 1979. Toured the black townships of the country for years, with up to four companies out at a time, and was the first of his plays to be noticed by the non-black press. | ||
+ | |||
+ | 1980: Performed in the [[Concert Hall]], [[Baxter Theatre]] in 1980, directed by [[Gibson Kente]], featuring [[Seipati Sothoane]]. | ||
+ | |||
+ | 1981: ''[[Mama and the Load]]'' at [[Market Theatre]]. | ||
+ | |||
+ | ==Sources== | ||
+ | |||
+ | [[Andile Xaba]]. 2021. 'Collective memory and the construction of a historical narrative, analysis and interpretation of selected Soweto-based community plays (1984–1994)'. Unpublished PhD thesis. | ||
Return to [[ESAT Plays 1 M|M]] | Return to [[ESAT Plays 1 M|M]] |
Revision as of 12:41, 1 February 2024
Hugely popular township musical by Gibson Kente (1932-2004). (Also known by a number of varieties of the name, often simply “The Load”)
The original text
The musical explores dramatizations of the conflict between political pressures and family/community solidarity.
Unpublished.
Performance history in South Africa
1979: First performed 1979. Toured the black townships of the country for years, with up to four companies out at a time, and was the first of his plays to be noticed by the non-black press.
1980: Performed in the Concert Hall, Baxter Theatre in 1980, directed by Gibson Kente, featuring Seipati Sothoane.
1981: Mama and the Load at Market Theatre.
Sources
Andile Xaba. 2021. 'Collective memory and the construction of a historical narrative, analysis and interpretation of selected Soweto-based community plays (1984–1994)'. Unpublished PhD thesis.
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