Difference between revisions of "April Sizemore-Barber"
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==Contribution to SA theatre, film, media and/or performance== | ==Contribution to SA theatre, film, media and/or performance== | ||
Revision as of 07:39, 16 January 2024
April Sizemore-Barber () is an American academic and researcher whose interest lies at the intersection of performance studies, gender/queer studies, and African studies.
Contents
Biography
<nowiki>An Assistant Professor of the Practice in Women's and Gender Studies at Georgetown University, USA, she has a B.A. from the Department of Theater, Dance and Performance Studies at Oberlin College and a PhD from the University of California-Berkeley.
Contribution to SA theatre, film, media and/or performance
She has published quite widely on aspects of South African theatre and performance and relevant publications include:
"Stages of Complicity, Stages of Healing: Two Theatrical Responses to South Africa’s Truth and Reconciliation Commission." In: Memory, Narrative, Forgiveness: Perspectives on the Unfinished Journeys of the Past, Cambridge: Cambridge Scholars Press, 2009.
"The Voice of (Which?) Africa: Miriam Makeba in America" (article in Safundi: The Journal of South African and American Studies Vol. 13, Nos. 3-4, July–October 2012, 251–276)
"A Queer Transition: Whiteness in the Prismatic, Post-Apartheid Drag Performances of Pieter-Dirk Uys and Steven Cohen." Theatre Journal, 68, 2 (2016)
"Archival Movements: South Africa's Gay and Lesbian Memory in Action", Safundi: The Journal of Southern African Studies (2017)
Prismatic Performances Queer South Africa and the Fragmentation of the Rainbow Nation (University of Michigan Press, 2020)[1],
Sources
april.sizemore.barber@berkeley.edu
https://georgetown.academia.edu/AprilSizemoreBarber
https://www.press.umich.edu/10192303/prismatic_performances
https://press.umich.edu/Books/P/Prismatic-Performances2
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