Difference between revisions of "ESAT Foreign plays Im-In"
Line 79: | Line 79: | ||
[[The Incredible Vanishing|Incredible Vanishing, The]] | [[The Incredible Vanishing|Incredible Vanishing, The]] | ||
+ | |||
+ | [[Indians]] | ||
[[The Indians of the Far West|Indians of the Far West, The]] (Anon) | [[The Indians of the Far West|Indians of the Far West, The]] (Anon) |
Revision as of 18:48, 11 August 2023
Return to South African Stage Plays
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to The ESAT Entries
Return to Main Page
The list
Imbecille, L' (Pirandello)
Importance of Being Earnest, The
Importance of Being Irish, The
Importance of Being Oscar, The
Improvisasie Kontiki (Brulin/Dehaeck) See Kon-Tiki
Improvisation, or, The Shepherd's Chameleon
Impulse (Stephenson)
In den Kerker van Simancas, 1570 (Van den Bergh)
In die Gevaarsone (O'Neill/Pretorius) See In the Zone
In Love with a Waltz (Moriot)
In Liefdevolle Herinnering (Houghton/Anon.) See The Dear Departed
In One Bed... and Out the Other
In the Case of J. Robert Oppenheimer
In the Matter of J. Robert Oppenheimer (Kipphardt)
In the Palace of the King (Stoddard)
In the Ranks (Sims and Pettit)
In the Soup (Lumley)
In the Zone (O'Neill)
In Theatre Street (Lenormand)
In Town (Ross, Leader and Carr)
In Waltz Time (Johnson)
Inchcape Bell, The, or The Dumb Sailor Boy (Fitzball)
Incredible Jungle Journey of Fenda Maria, The (Stokes)
Indians of the Far West, The (Anon)
Indienfahrer, Der (Arresto)
Initials, The (Anon.)
Inkle and Yarico (Colman Jr)
Innkeeper of Abbeville, The, or The Ostler and the Robber (Fitzball)
Inspector General, The (Gogol) See Ревизор
Inspekteur-generaal, Die (Gogol) See Ревизор
Intrigants, ou Assaut de Fourberies, Les (Dumaniant)
De intrigue aan het venster (Von Kotzebue)
Izinyoni (Aristophanes/Gwala) See The Birds
Return to
Return to South African Stage Plays
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to The ESAT Entries
Return to Main Page