Difference between revisions of "Fuente Sagrada"
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== Sources == | == Sources == | ||
Revision as of 17:02, 15 June 2023
Fuente Sagrada ("sacred spring") is an Afrikaans one-act play by Uys Krige (1910–1987).
Contents
The original text
The play, written in Afrikaans despite the Spanish title, is an indictment of the brutality of war and is set in the Spanish Civil War, with salvation of the central character, Marais, serving as a metaphor for the triumph of human dignity amidst the dehumanization brought about by war.
The Spanish title, taken from the name of a holy well of the same name, is intertextually reminiscent of course of Lope de Vega's masterly play Fuente Ovejuna (1612), which recounts the late-fifteenth-century uprising of an Andalusian village against an abusive military commander. In fact it had been a student performance of the De Vega play, seen by Krige at the Lope de Vega festival in Madrid in 1935, that inspired Krige to become a dramatist in the first place[1].
First published in Afrikaans in the collection Alle Paaie Gaan na Rome - Eenbedrywe by Unie-Volkspers in 1949 and later in Die Wit Muur en Ander Eenbedrywe by J.L. van Schaik in 1983. Also included in other collections over the years.
Translations and adaptations
Translated into English by the author himself, using the same title, and published in The Sniper and Other One-act Plays by HAUM in 1964.
Performance history in South Africa
1960s: Performed by the Libertas Teaterklub (or in Stellenbosch, with a cast that included Pieter Grobbelaar
Sources
Ludwig Wilhelm Berthold Binge 1969. Ontwikkeling van die Afrikaanse toneel (1832-1950). Pretoria: J.L. van Schaik.
Sydney Paul Gosher. 1988. A Historical and Critical Survey of the South African One-act Play Written in English. Unpublished doctoral dissertation. Pretoria: University of South Africa.
Geoffrey O'Brien. 2023. Lope Lives! The New York Review of Books [2]
Erika Terblanche. 2022. "Uys Krige, (1910–1987)"ATKV/LitNet-Skrywersalbum[3]
Go to ESAT Bibliography
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Return to PLAYS II: Foreign plays
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Return to PLAYS IV: Pageants and public performances
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