Difference between revisions of "G. Wannenburg"
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A [[Mr Wannenburg]] is mentioned as a member of the [[Dutch]] society [[Tot Nut en Vermaak]] in Cape Town between 1843 and 1857, while a [[G. Wannenburg]] is named as a member of and actor for the [[Kamer de Eendracht]] ("chamber of unity") in Cape Town in the years 1876-1883, the latter a society bearing the motto "[[Door Oefening wordt de kunst verkregen]]" ("art is attained through practice"). They are probably the same person. | A [[Mr Wannenburg]] is mentioned as a member of the [[Dutch]] society [[Tot Nut en Vermaak]] in Cape Town between 1843 and 1857, while a [[G. Wannenburg]] is named as a member of and actor for the [[Kamer de Eendracht]] ("chamber of unity") in Cape Town in the years 1876-1883, the latter a society bearing the motto "[[Door Oefening wordt de kunst verkregen]]" ("art is attained through practice"). They are probably the same person. | ||
| − | + | [[F.C.L. Bosman]], 1928. ''Drama en Toneel in Suid-Afrika, Deel I: 1652-1855''. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. 452, 492 | |
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| − | Bosman, 1928: pp 452, 492 | ||
== Sources == | == Sources == | ||
Revision as of 06:38, 5 September 2021
G. Wannenburg (fl 1870's-1880's) was an amateur actor.
Probably the same person sometimes referred to as Mr Wannenburg by F.C.L. Bosman (1928)
Contents
Biography
Contribution to SA theatre, film, media and/or performance
A Mr Wannenburg is mentioned as a member of the Dutch society Tot Nut en Vermaak in Cape Town between 1843 and 1857, while a G. Wannenburg is named as a member of and actor for the Kamer de Eendracht ("chamber of unity") in Cape Town in the years 1876-1883, the latter a society bearing the motto "Door Oefening wordt de kunst verkregen" ("art is attained through practice"). They are probably the same person.
F.C.L. Bosman, 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [1]: pp. 452, 492
Sources
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1916. Pretoria: J.L. van Schaik: p. 461
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