Difference between revisions of "Florence Calzado"
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[[D.C. Boonzaier]], 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in ''SA Review'', 9 March and 24 August 1923. (Reprinted in [[F.C.L. Bosman|Bosman]] 1980: pp. 374-439.) | [[D.C. Boonzaier]], 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in ''SA Review'', 9 March and 24 August 1923. (Reprinted in [[F.C.L. Bosman|Bosman]] 1980: pp. 374-439.) | ||
− | [[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1916''. Pretoria: [[J.L. van Schaik]]: pp. | + | [[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1916''. Pretoria: [[J.L. van Schaik]]: pp. 223, 243-6, |
Go to the [[ESAT Bibliography]] | Go to the [[ESAT Bibliography]] |
Revision as of 05:28, 26 August 2021
Florence Calzado (1850-?)[1] is the professional name of the "serio-comic vocalist" Florence Beverley.
Contents
Biography
Contribution to SA theatre, film, media and/or performance
She joined forces with violinist Horace Poussard, the manager Robert Smythe and the latter's wife, the soprano Amelia Bailey, to found the Poussard-Bailey Opera Company, with which they undertook a 4-year tour of India and South Africa, giving more than 300 performances.
Sources
D.C. Boonzaier, 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1923. (Reprinted in Bosman 1980: pp. 374-439.)
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1916. Pretoria: J.L. van Schaik: pp. 223, 243-6,
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