Difference between revisions of "Mischief-making"
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==The original text== | ==The original text== | ||
| + | First performed at the Surrey Theatre and the Adelphi Theatre , London, in 1830. | ||
| − | Published in Lacy's acting edition by [[Thomas Hailes Lacy]], 1868 | + | Published in Lacy's acting edition by [[Thomas Hailes Lacy]], 1868 |
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==Translations and adaptations== | ==Translations and adaptations== | ||
Revision as of 05:36, 19 September 2020
Mischief-making is a farce in one act by John Baldwin Buckstone (1802-1879)[]
Contents
The original text
First performed at the Surrey Theatre and the Adelphi Theatre , London, in 1830.
Published in Lacy's acting edition by Thomas Hailes Lacy, 1868
Translations and adaptations
Performance history in South Africa
1861: Performed by Sefton Parry and his company in the Theatre Royal, Cape Town, on 18 May, with a dance (Pas de Matlots) by Miss Powell, a popular ballad sung by Leffler and as Giralda, or The Invisible Husband (ascribed to Welstead). The latter piece apparently caused some consternation and resistance among Cape Town citizens because of its perceived "licentiousness", in the text and the vulgarity of the performances.
Sources
Facsimile version of the 1868 Lacy text, Hathi Trust Digital Library[1]
D.C. Boonzaier, 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1932. (Reprinted in Bosman 1980: pp. 374-439.)
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp.203-205
Go to ESAT Bibliography
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