Difference between revisions of "Our American Cousin"
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Sothern's interpretation not only turned the "Dundreary" into a leading role, but made him a recurring character in a number of subsequent spin-offs and sequels, including ''[[Our American Cousin at Home, or Lord Dundreary Abroad]]'' (a sequel by Charles Gayler, 1860), ''[[Dundreary Married and Done For]]'' (H. J. Byron), and ''[[Brother Sam]]'' (by John Oxenford, 1862) (1862; revived in 1865), a play about Dundreary's brother. The 2008 opera, ''[[Our American Cousin]]'' (Sawyer and Shoptaw), is another kind of homage to the play (see below). | Sothern's interpretation not only turned the "Dundreary" into a leading role, but made him a recurring character in a number of subsequent spin-offs and sequels, including ''[[Our American Cousin at Home, or Lord Dundreary Abroad]]'' (a sequel by Charles Gayler, 1860), ''[[Dundreary Married and Done For]]'' (H. J. Byron), and ''[[Brother Sam]]'' (by John Oxenford, 1862) (1862; revived in 1865), a play about Dundreary's brother. The 2008 opera, ''[[Our American Cousin]]'' (Sawyer and Shoptaw), is another kind of homage to the play (see below). | ||
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== Performance history in South Africa == | == Performance history in South Africa == |
Revision as of 05:17, 23 August 2020
Our American Cousin can refer to one of two stage works:
Not to confused with the Canadian film My American Cousin[1] (1985)
Contents
Our American Cousin farce in three acts by Tom Taylor (1858)
Also found as Lord Dundreary or Lord Dundreary, or The American Cousin
The original text
Written by Tom Taylor (1817-1880)[2], the play tells of the introduction of an awkward, boorish, but honest American, Asa Trenchard, to his aristocratic English relatives when he goes to England to claim the family estate.
The play premiered at Laura Keene's Theatre, New York, in 15 October 1858, with "Asa Trenchard" played by Joseph Jefferson and "Lord Dundreary" by Edward Askew Sothern (1826-1881)[3], and wnet on to a long and successful run of 496 performances at the Haymarket Theatre in 1861.
Sothern's exaggerated performances caused the supporting role to become a leading one and the play was henceforth often billed as Lord Dundreary or Lord Dundreary, or The American Cousin.
The play is often best remembered in modern times as the play that Abraham Lincoln was attending in Ford's Theatre in Washington, D.C., in 1865, on the night he was assassinated.
Translations and adaptations
Sothern's interpretation not only turned the "Dundreary" into a leading role, but made him a recurring character in a number of subsequent spin-offs and sequels, including Our American Cousin at Home, or Lord Dundreary Abroad (a sequel by Charles Gayler, 1860), Dundreary Married and Done For (H. J. Byron), and Brother Sam (by John Oxenford, 1862) (1862; revived in 1865), a play about Dundreary's brother. The 2008 opera, Our American Cousin (Sawyer and Shoptaw), is another kind of homage to the play (see below).
A possible South South African
Performance history in South Africa
1876: Performed as Lord Dundreary, or The American Cousin by the Disney Roebuck Company, under the management of C. Wilstone, in the Theatre Royal, Burg Street, Cape Town, on 16 October, as a benefit for J.B. Howe.
1876: Performed as Lord Dundreary, or The American Cousin by the Disney Roebuck Company, under the management of C. Wilstone, in the Theatre Royal, Burg Street, Cape Town, on 17 and 19 October, with The Irish Emigrant (Brougham).
Our American Cousin an opera in three acts by Sawyer and Shoptaw (2008)
Written by American composer Eric Sawyer, with libretto by John Shoptaw, the opera recounts the assassination of Abraham Lincoln t Ford's Theatre in Washington, D.C. on April 14, 1865.
The premiere of the full opera was on June 20, 2008, at the Academy of Music Theater, in Northampton, Massachusetts.
For more about the opera, see the Wikipedia at https://en.wikipedia.org/wiki/Our_American_Cousin_(opera)
Sources
https://en.wikipedia.org/wiki/Our_American_Cousin
https://en.wikipedia.org/wiki/My_American_Cousin
D.C. Boonzaier, 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1932. (Reprinted in Bosman 1980: pp. 374-439.)
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp.343, 347-8
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