Difference between revisions of "Anonymous authors"
| Line 8: | Line 8: | ||
Besides omitting to mention an author altogether or using a [[pseudonym]], a number general phrases have been used over time to identify as a local personality. | Besides omitting to mention an author altogether or using a [[pseudonym]], a number general phrases have been used over time to identify as a local personality. | ||
| − | In Cape Town for example, one finds examples such as "[[A Gentleman of the Cape]]" (1858), "[[A Young Lady of Cape Town]]" (), | + | In Cape Town for example, one finds examples such as "[[A Gentleman of the Cape]]" (1858), "[[A Young Lady of Cape Town]]" (1870), |
Revision as of 07:17, 17 August 2020
Many plays are written by authors who, for various reasons, prefer to hide their identity. A number of techniques are employed in such cases, e.g. the use of a pseudonym or nom de plume, the omission of a name altogether or the use of a phrase to indicate local authorship.
Pseudonyms
An indication of local authorship
Besides omitting to mention an author altogether or using a pseudonym, a number general phrases have been used over time to identify as a local personality.
In Cape Town for example, one finds examples such as "A Gentleman of the Cape" (1858), "A Young Lady of Cape Town" (1870),
Return to
Return to The South African Context/General Terminology and Thematic Entries
Return to South African Theatre/Terminology and Thematic Entries
Return to South African Film /Terminology and Thematic Entries
Return to South African Media/Terminology and Thematic Entries
Return to The ESAT Entries
Return to Main Page
