Difference between revisions of "Stage Struck"
Line 1: | Line 1: | ||
− | According to Allardyce Nicoll (1975), there have been many plays known by the title [[Stage Struck]] ( | + | According to Allardyce Nicoll (1975), there have been many plays known by the title [[Stage Struck]] (also written '''''[[Stage-Struck]]'''''), including a number by anonymous authors - e.g. ''[[The Stage-Struck Lady]]'' (1819),''[[The Stage-Struck Apothecary]]'' (1827), ''[[Stage-Struck]]'' (1837), ''[[The Stage-Struck Yankee]]'' (1845), |
Of current relevance here are two plays ascribed to William Dimond - ''[[Stage Struck]]'', (Dimond, 1835), and ''[[Stage Struck, or The Loves of Augustus Portarlington and Celectina Beverley]]'' (Cobb/Dimond, 1853), and one by Simon Gray (''[[Stage Struck]]'', 1979) | Of current relevance here are two plays ascribed to William Dimond - ''[[Stage Struck]]'', (Dimond, 1835), and ''[[Stage Struck, or The Loves of Augustus Portarlington and Celectina Beverley]]'' (Cobb/Dimond, 1853), and one by Simon Gray (''[[Stage Struck]]'', 1979) |
Revision as of 06:20, 13 January 2020
According to Allardyce Nicoll (1975), there have been many plays known by the title Stage Struck (also written Stage-Struck), including a number by anonymous authors - e.g. The Stage-Struck Lady (1819),The Stage-Struck Apothecary (1827), Stage-Struck (1837), The Stage-Struck Yankee (1845),
Of current relevance here are two plays ascribed to William Dimond - Stage Struck, (Dimond, 1835), and Stage Struck, or The Loves of Augustus Portarlington and Celectina Beverley (Cobb/Dimond, 1853), and one by Simon Gray (Stage Struck, 1979)
Contents
Stage Struck by William Dimond (1835)
This is a farce by William Dimond (1781–1837?)[1], first performed English Opera House on 12 November, 1835, featuring Ira Aldridge as "Jeronimo Othello Thespis" - a role clearly written for him. It was later revived at Madame Vestris's Royal Olympic Theatre, then went on tour - now named Theatre Mad, or The African Roscius. The text was never published.
According to Bernth Lindfors (2011: p.199[2]), this should not be confused with the Cobb/Dimond play Stage Struck, or The Loves of Augustus Portarlington and Celectina Beverley, they are two different works.
Stage Struck, or The Loves of Augustus Portarlington and Celectina Beverley (Cobb/Dimond, 1853)
This is farce in one act adapted from Love in the East, or Adventures of Twelve Hours (1788) by James Cobb (1756-1818)[3] The Dimond version was first performed Theatre Royal, Drury Lane in 1853.
Stage Struck by Simon Gray (1979)
This is a macabre comedy thriller by British playwright Simon Gray [4] (1936-2008). First performed in 1979 at the Vaudeville Theatre, London, starring Alan Bates. Published by Samuel French ISBN: 9780573114144.
Performance history in South Africa
1875: A play called Stage Struck (ascribed to Dimond) was performed by Disney Roebuck and his company in the Bijou Theatre, Cape Town, on 7 May, with Frou-Frou, or Fashion and Folly (Webster). Given the fact that only the second text was published, this is most likely to have been the 1853 one act adaptation of Cobb's play.
1980: Simon Gray's play performed by the Toerien-Firth Company in July, directed by Stephen Hollis (who had directed the West End production in 1979) and starring Michael McGovern and Kenneth Baker.
Sources
Allardyce Nicoll. 1975. A History of English Drama 1660-1900: Late 19th Century Drama 1850-1900 Cambridge: Cambridge University Press:p.538[5].
Bernth Lindfors. 2011. Ira Aldridge: The Vagabond Years, 1833-1852 University of Rochester Press:P. 60[6]
http://victorian.nuigalway.ie/modx/index.php?id=75
http://onlinebooks.library.upenn.edu/webbin/book/lookupname?key=Cobb,+James,+1756-1818
Facsimile version of Love in the East, or Adventures of Twelve Hours, Hathi Trust Digital Library[7]
D.C. Boonzaier, 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1932. (Reprinted in Bosman 1980: pp. 374-439.)
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp.203-205
Tucker, 1997. 387.
Go to ESAT Bibliography
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to The ESAT Entries
Return to Main Page