Difference between revisions of "Jockey Dance"

From ESAT
Jump to navigation Jump to search
Line 7: Line 7:
 
South African performances include a performance in Cape Town by a [[Mr Gough]], as an accompanying act for a performance of  [[Sefton Parry]]'s presentation of ''[[The Flying Dutchman]]'' (Fitzball) on 9 April, 1858.   
 
South African performances include a performance in Cape Town by a [[Mr Gough]], as an accompanying act for a performance of  [[Sefton Parry]]'s presentation of ''[[The Flying Dutchman]]'' (Fitzball) on 9 April, 1858.   
  
 
+
==Sources==
  
 
Marion Kant (ed.). 2007. ''The Cambridge Companion to Ballet''. Cambridge University Press: p.136[https://books.google.co.za/books?id=iy8SRnmE9ZEC&pg=PA136&lpg=PA136&dq=FROM+SIBERIA+TO+MOSCOW+(1876&source=bl&ots=OOPNrdULvW&sig=ACfU3U1nhDZfwdDzimiolt-imLjhnXnvwg&hl=en&sa=X&ved=2ahUKEwiGkfGnwdzmAhVCJ1AKHeXBDjEQ6AEwDHoECAoQAQ#v=onepage&q=FROM%20SIBERIA%20TO%20MOSCOW%20(1876&f=false]
 
Marion Kant (ed.). 2007. ''The Cambridge Companion to Ballet''. Cambridge University Press: p.136[https://books.google.co.za/books?id=iy8SRnmE9ZEC&pg=PA136&lpg=PA136&dq=FROM+SIBERIA+TO+MOSCOW+(1876&source=bl&ots=OOPNrdULvW&sig=ACfU3U1nhDZfwdDzimiolt-imLjhnXnvwg&hl=en&sa=X&ved=2ahUKEwiGkfGnwdzmAhVCJ1AKHeXBDjEQ6AEwDHoECAoQAQ#v=onepage&q=FROM%20SIBERIA%20TO%20MOSCOW%20(1876&f=false]

Revision as of 06:41, 30 December 2019

"Jockey Dance" is a pas de deux from the ballet From Siberia to Moscow, by August Bournonville (1805-1879)[1].

From Siberia to Moscow (Fra Sibirien til Moskov in Danish) is a ballet in two acts, with music by C.C. Moeller. First performed by the in Copenhagen Royal Danish Ballet on 7 December, 1876.

The pas de deux known as the "Jockey Dance" appears to have been a popular dance, often used as an independent act.

South African performances include a performance in Cape Town by a Mr Gough, as an accompanying act for a performance of Sefton Parry's presentation of The Flying Dutchman (Fitzball) on 9 April, 1858.

Sources

Marion Kant (ed.). 2007. The Cambridge Companion to Ballet. Cambridge University Press: p.136[2]