Difference between revisions of "Dimpho di Kompane"
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In January 2001, the company made its debut with Bizet’s ''[[Carmen]]'' (as ''[[U-Carmen]]'') at the [[Spier Amphitheatre]], Stellenbosch. They later also co-produced the film version, ''[[U-Carmen eKhayelitsha]]'' (as [[Spier Films]]). | In January 2001, the company made its debut with Bizet’s ''[[Carmen]]'' (as ''[[U-Carmen]]'') at the [[Spier Amphitheatre]], Stellenbosch. They later also co-produced the film version, ''[[U-Carmen eKhayelitsha]]'' (as [[Spier Films]]). | ||
+ | == Sources == | ||
https://www.charleshazlewood.com/ucarmen | https://www.charleshazlewood.com/ucarmen | ||
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+ | [[Ludwig Wilhelm Berthold Binge]]. 1969. ''Ontwikkeling van die Afrikaanse toneel (1832-1950)''. Pretoria: J.L. van Schaik: pp. | ||
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+ | [[D.C. Boonzaier]], 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in ''SA Review'', 9 March and 24 August 1932. (Reprinted in [[F.C.L. Bosman|Bosman]] 1980: pp. 374-439.) | ||
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+ | [[F.C.L. Bosman]], 1928. ''Drama en Toneel in Suid-Afrika'', Deel I: 1652-1855. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. | ||
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+ | [[F.C.L. Bosman]], 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1916''. Pretoria: [[J.L. van Schaik]]: pp. | ||
+ | |||
+ | [[P.J. du Toit]], 1988. ''Amateurtoneel in Suid-Afrika''. Pretoria: Academica | ||
+ | |||
+ | [[Jill Fletcher]]. 1994. ''The Story of Theatre in South Africa: A Guide to its History from 1780-1930''. Cape Town: Vlaeberg. | ||
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+ | Go to [[ESAT Bibliography]] | ||
+ | |||
+ | == Return to == | ||
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+ | Return to [[ESAT Venues W]] | ||
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+ | Return to [[South_African_Theatre/Venues|South African Theatre Venues, Companies, Societies, etc ]] | ||
+ | |||
+ | Return to [[The ESAT Entries]] | ||
+ | |||
+ | Return to [[Main Page]] |
Revision as of 06:26, 6 December 2019
Dimpho di Kompane is South African multiracial opera company.
In 1999, Charles Hazlewood and Mark Dornford-May were invited to create a new opera company in Cape Town. After auditioning in the townships and villages of South Africa, the mostly black lyric-theatre company DDK (Dimpho di Kopane – Sotho for “combined talents”) was formed. Of the 40 members, only three had professional training as opera singers.
In January 2001, the company made its debut with Bizet’s Carmen (as U-Carmen) at the Spier Amphitheatre, Stellenbosch. They later also co-produced the film version, U-Carmen eKhayelitsha (as Spier Films).
Sources
https://www.charleshazlewood.com/ucarmen
Ludwig Wilhelm Berthold Binge. 1969. Ontwikkeling van die Afrikaanse toneel (1832-1950). Pretoria: J.L. van Schaik: pp.
D.C. Boonzaier, 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1932. (Reprinted in Bosman 1980: pp. 374-439.)
F.C.L. Bosman, 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [1]: pp.
F.C.L. Bosman, 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1916. Pretoria: J.L. van Schaik: pp.
P.J. du Toit, 1988. Amateurtoneel in Suid-Afrika. Pretoria: Academica
Jill Fletcher. 1994. The Story of Theatre in South Africa: A Guide to its History from 1780-1930. Cape Town: Vlaeberg.
Go to ESAT Bibliography
Return to
Return to ESAT Venues W
Return to South African Theatre Venues, Companies, Societies, etc
Return to The ESAT Entries
Return to Main Page