Difference between revisions of "The Field of the Cloth of Gold"

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==The original text==
 
==The original text==
  
Probably a pageant-style version of the masque referred to as "The Field of the Cloth of Gold" at the start of in Shakespeare's ''[[King Henry VIII]]'', said to have been a collaboration between the ageing Shakespeare and the young John Fletcher.
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The name "The Field of the Cloth of Gold" (French: "Camp du Drap d'Or") was a site in Balinghem France that hosted a tournament field as part of a summit from 7 to 24 June 1520, between King Henry VIII of England and King Francis I of France. On that occasion each king tried to outshine the other, with dazzling tents and clothes, huge feasts, music, jousting and games. The tents and the costumes displayed so much cloth of gold, an expensive fabric woven with silk and gold thread, that the site of the meeting was named after it.
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It famously features as a masque in Shakespeare's ''[[King Henry VIII]]'', a play said to have been a collaboration between the ageing Shakespeare and the young John Fletcher, and various other representations of that spectacular event have been done over the years.  
  
 
The Shakespeare play was first performed under the title ''[[All is True]]'' at the Globe in 1613.  
 
The Shakespeare play was first performed under the title ''[[All is True]]'' at the Globe in 1613.  
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== Performance history in South Africa ==
 
== Performance history in South Africa ==
  
1884-5: A work referred to as ''The Field of the Cloth of Gold'' was performed by the [[Henry Harper Company]] in the new [[Theatre Royal]], Cape Town, as part of [[Henry Harper]]'s  first season as lessee and manager of the venue.
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1884-5: A work referred to as ''The Field of the Cloth of Gold'' was performed by the [[Henry Harper Company]] in the new [[Theatre Royal]], Cape Town, as part of [[Henry Harper]]'s  first season as lessee and manager of the venue. This was probably an adapted version of the masque referred to as "The Field of the Cloth of Gold" at the start of in Shakespeare and Fletcher's ''[[King Henry VIII]]''.  
  
 
== Sources ==
 
== Sources ==

Revision as of 06:21, 7 August 2019

The Field of the Cloth of Gold is a play by an anonymous author.

The original text

The name "The Field of the Cloth of Gold" (French: "Camp du Drap d'Or") was a site in Balinghem France that hosted a tournament field as part of a summit from 7 to 24 June 1520, between King Henry VIII of England and King Francis I of France. On that occasion each king tried to outshine the other, with dazzling tents and clothes, huge feasts, music, jousting and games. The tents and the costumes displayed so much cloth of gold, an expensive fabric woven with silk and gold thread, that the site of the meeting was named after it.

It famously features as a masque in Shakespeare's King Henry VIII, a play said to have been a collaboration between the ageing Shakespeare and the young John Fletcher, and various other representations of that spectacular event have been done over the years.

The Shakespeare play was first performed under the title All is True at the Globe in 1613.


Translations and adaptations

In 1905 the Ringling Brothers circus presented a spectacular presentation called “The Field of the Cloth of Gold” , converting their vast main tent into a huget heatre for the presentation of what they called "the gorgeous, brilliant spectacle, the Field of the Cloth of Gold.”[1]

Performance history in South Africa

1884-5: A work referred to as The Field of the Cloth of Gold was performed by the Henry Harper Company in the new Theatre Royal, Cape Town, as part of Henry Harper's first season as lessee and manager of the venue. This was probably an adapted version of the masque referred to as "The Field of the Cloth of Gold" at the start of in Shakespeare and Fletcher's King Henry VIII.

Sources

"Tales from a Scenic Artist and Scholar. Part 482 – Ringling Bros. 'The Field of the Cloth of Gold' ", Drypigment.net (Information about historic theaters, scenic art and stage machinery).[2]

D.C. Boonzaier. 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1923. (Reprinted in Bosman 1980: pp. 374-439.)

F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp.


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