Difference between revisions of "Frank de Jong"
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[[D.C. Boonzaier]], 1980. "My playgoing days – 30 years in the history of the Cape Town stage", in ''SA Review'', 9 March and 24 August 1932. (Reprinted in [[F.C.L. Bosman|Bosman]] 1980: pp. 374-439.) | [[D.C. Boonzaier]], 1980. "My playgoing days – 30 years in the history of the Cape Town stage", in ''SA Review'', 9 March and 24 August 1932. (Reprinted in [[F.C.L. Bosman|Bosman]] 1980: pp. 374-439.) | ||
| − | [[F.C.L. Bosman]], 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1916''. Pretoria: [[J.L. van Schaik]]: pp. | + | [[F.C.L. Bosman]], 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1916''. Pretoria: [[J.L. van Schaik]]: pp. 431, 434, |
Go to [[ESAT Bibliography]] | Go to [[ESAT Bibliography]] | ||
Revision as of 06:59, 27 July 2019
Frank de Jong ()[] was a Cape Town based impresario.
The name is sometimes wrongly spelled Frank de Jongh
Contents
Biography
Contribution to South African theatre
As manager
He leased the Cape Town Opera House almost continuously from 1896-1937, initially in association with William Haviland.
There he housed his Gaiety Companies, consisting of well-known overseas performers and artistes, including Zena Dare, Matheson Lang, Sybil Thorndike, Lewis Casson, Irene Vanbrugh and Kate Vaughan in a variety of plays, operas and ballets between 1896 and 1937.
In 1899 he and Herbert Flemming brought the Arthur Rousbey Opera Company to South Africa to perform a season of operas in Cape Town's Opera House.
Following on the success of Stephen Black's Love and the Hyphen, he and Black put together the Frank de Jong-Stephen Black Company (also known simply as the De Jong-Black Company), to perform a the Tivoli Theatre, Cape Town in 1910. The company had been newly recruited in England and they opened on 12 January with Smith (Maugham). They then went on a tour of the country, returning in October to open in Cape Town again with Stephen Black's play Helena's Hope, Ltd. (For the full repertoire, see also the entry on De Jong-Black Company)
As performer
His many roles included "Svengali" in Trilby, the lead in Hamlet, "Matthias" in The Bells (1896)
Sources
D.C. Boonzaier, 1980. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1932. (Reprinted in Bosman 1980: pp. 374-439.)
F.C.L. Bosman, 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1916. Pretoria: J.L. van Schaik: pp. 431, 434,
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