Difference between revisions of "Follies"
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The name came to prominence in America through the famous and popular Ziegfeld Follies[https://en.wikipedia.org/wiki/Ziegfeld_Follies], conceived and mounted by Florenz Ziegfeld. A series of elaborate theatrical revue productions on Broadway in New York City from 1907 to 1931, with renewals in 1934 and 1936, they also had an international impact through the appearance of the performers in various musical films of the 1950s and later. | The name came to prominence in America through the famous and popular Ziegfeld Follies[https://en.wikipedia.org/wiki/Ziegfeld_Follies], conceived and mounted by Florenz Ziegfeld. A series of elaborate theatrical revue productions on Broadway in New York City from 1907 to 1931, with renewals in 1934 and 1936, they also had an international impact through the appearance of the performers in various musical films of the 1950s and later. | ||
| − | The term has since been employed by many other [[impressario]]s, including a few in South Africa, including shows such as ''[[Follies Fantastique]]'' and ''[[Follies Spectacular]]'' (both by [[Brickhill-Burke]]), ''[[Jo'burg Follies]]'', ''[[Jo'burg Follies 2]]'' and ''[[Jo'burg Follies 4 & A Half]]''. | + | The term has since been employed by many other [[impressario]]s, including a few in South Africa, including shows such as ''[[Follies Fantastique]]'' and ''[[Follies Spectacular]]'' (both by [[Brickhill-Burke]]), ''[[Jo'burg Follies]]'', ''[[Jo'burg Follies 2]]'' and ''[[Jo'burg Follies 4 & A Half]]'' ([[Kevin Feather|Feather]] and [[Malcolm Terrey|Terrey]]). |
This usage is at times linked to the minstrelsy tradition, and on occasion the term was applied to such '''performing troupes''' as well as the particular revue, e.g. the [[Midnight Follies]] (1920s), the [[Pitch Black Follies]] (1938) | This usage is at times linked to the minstrelsy tradition, and on occasion the term was applied to such '''performing troupes''' as well as the particular revue, e.g. the [[Midnight Follies]] (1920s), the [[Pitch Black Follies]] (1938) | ||
A few political satires also utilized the "follies" approach, including ''[[Black and White Follies]]'' ([[Janice Honeyman|Honeyman]]), . | A few political satires also utilized the "follies" approach, including ''[[Black and White Follies]]'' ([[Janice Honeyman|Honeyman]]), . | ||
Revision as of 09:02, 28 December 2018
Follies, used as a theatrical term, usually refers to an elaborately costumed revue, most probably inspired by the iconic Folies Bergère of Paris.
The name came to prominence in America through the famous and popular Ziegfeld Follies[1], conceived and mounted by Florenz Ziegfeld. A series of elaborate theatrical revue productions on Broadway in New York City from 1907 to 1931, with renewals in 1934 and 1936, they also had an international impact through the appearance of the performers in various musical films of the 1950s and later.
The term has since been employed by many other impressarios, including a few in South Africa, including shows such as Follies Fantastique and Follies Spectacular (both by Brickhill-Burke), Jo'burg Follies, Jo'burg Follies 2 and Jo'burg Follies 4 & A Half (Feather and Terrey).
This usage is at times linked to the minstrelsy tradition, and on occasion the term was applied to such performing troupes as well as the particular revue, e.g. the Midnight Follies (1920s), the Pitch Black Follies (1938)
A few political satires also utilized the "follies" approach, including Black and White Follies (Honeyman), .
