Difference between revisions of "Catching a Mermaid"

From ESAT
Jump to navigation Jump to search
Line 12: Line 12:
  
 
== Performance history in South Africa ==
 
== Performance history in South Africa ==
 +
 +
1863: Performed in the [[Garrison Theatre]], Cape Town by the [[11th Regiment]] on 22 and 29 January, with ''[[Catherine Howard, or The Tomb, the Throne and the Scaffold]]'' (Dumas/Suter).
  
 
== Sources ==
 
== Sources ==

Revision as of 06:45, 5 November 2018

Catching a Mermaid is an amphibious piece of extravagance in one act by J. Stirling Coyne (1803-1868)[]

The original text

A parody of the mermaid animal/human exhibits popular in the early 19th century, and written for the Olympic theatre's resident comedian Frederic Robson.

First performed at the Olympic Theatre, London in 1855 and published by Lacy.

Translations and adaptations

In May 1859, when the topic of a sensational hoax called The Talking Fish was very active in England[1], Coyne's original sketch was altered to Talking Fish and played at the Adelphi Theatre, with the theatre's own comic, J.L. Toole.

Performance history in South Africa

1863: Performed in the Garrison Theatre, Cape Town by the 11th Regiment on 22 and 29 January, with Catherine Howard, or The Tomb, the Throne and the Scaffold (Dumas/Suter).

Sources

https://catalog.hathitrust.org/Record/011611282

Jill A. Sullivan. 2015. Popular Exhibitions, Science and Showmanship, 1840–1910, Routledge[2]

F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: p. 255


Go to ESAT Bibliography

Return to

Return to PLAYS I: Original SA plays

Return to PLAYS II: Foreign plays

Return to PLAYS III: Collections

Return to PLAYS IV: Pageants and public performances

Return to South African Festivals and Competitions

Return to The ESAT Entries

Return to Main Page