Difference between revisions of "Gordon Dickerson"
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| − | [[Gordon Dickerson]] is a London based theatrical agent. | + | [[Gordon Dickerson]] (19**-) is a London based theatrical agent. |
| − | + | Born in ***, he studied Modern History and Politics at Southampton University and on graduating began to work in various capacities front of house at The Theatre Royal, Brighton. After 7 months he landed a job as the assistant to the Theatre Producer at The Robert Stigwood Organisation in Brook Street, London, where he worked on shows such as ''[[Jesus Christ Superstar]]'' at the Palace Theatre, ''[[Evita]]'' at the Prince Edward Theatre, the London premiere of Steven Sondheim’s ''[[Sweeney Todd]]'' at Drury Lane and a very short lived show from Australia at the Phoenix Theatre. | |
As his job became more precarious, he left the company to travel to New York, hoping to land a job there, but a few months later an opportunity arose back in London at the Literary Agency, Fraser and Dunlop Scripts Ltd in Regent Street. After a stint as temporary assistant to the managing director he was offered a full time job as an agent with specific responsibility for promoting the agencies stage plays regionally in the UK and overseas. | As his job became more precarious, he left the company to travel to New York, hoping to land a job there, but a few months later an opportunity arose back in London at the Literary Agency, Fraser and Dunlop Scripts Ltd in Regent Street. After a stint as temporary assistant to the managing director he was offered a full time job as an agent with specific responsibility for promoting the agencies stage plays regionally in the UK and overseas. | ||
| − | A few years later the agency merged with another and the newly combined organisation PFD moved to new offices in Chelsea Harbour. By the early nineteen nineties | + | A few years later the agency merged with another and the newly combined organisation PFD moved to new offices in Chelsea Harbour. By the early nineteen nineties he felt in need of some kind of change and decided to leave the agency, but was persuaded by a number of clients including John Osborne to set up on his own and to represent them. |
| − | + | This is what occurred and since 1994 he has operated as an independent literary agent, occasionally acquiring new clients, but always trying to ensure that he had only as many writers and plays as he could cope with as a one man operation. He observes that as retirement beckons the work of placing new plays by unknown authors has become much more difficult in the UK. For example, although there is still a great demand for well written small cast comedies in Europe, there is little outlet for these in the UK - certainly not enough to generate an ongoing income for writers. There are opportunities for writers in other areas such as film and television, of course, but it has become very difficult for most writers to be able to sustain a career from their writing. In addition, the world has moved on so much in the last few years that even terrific plays written in the seventies and eighties let alone those from the fifties and sixties bear little resemblance to the lives we all now lead. | |
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| + | == Source == | ||
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| + | Personal submission by Gordon Dickerson. | ||
Revision as of 05:34, 8 September 2018
Gordon Dickerson (19**-) is a London based theatrical agent.
Born in ***, he studied Modern History and Politics at Southampton University and on graduating began to work in various capacities front of house at The Theatre Royal, Brighton. After 7 months he landed a job as the assistant to the Theatre Producer at The Robert Stigwood Organisation in Brook Street, London, where he worked on shows such as Jesus Christ Superstar at the Palace Theatre, Evita at the Prince Edward Theatre, the London premiere of Steven Sondheim’s Sweeney Todd at Drury Lane and a very short lived show from Australia at the Phoenix Theatre.
As his job became more precarious, he left the company to travel to New York, hoping to land a job there, but a few months later an opportunity arose back in London at the Literary Agency, Fraser and Dunlop Scripts Ltd in Regent Street. After a stint as temporary assistant to the managing director he was offered a full time job as an agent with specific responsibility for promoting the agencies stage plays regionally in the UK and overseas.
A few years later the agency merged with another and the newly combined organisation PFD moved to new offices in Chelsea Harbour. By the early nineteen nineties he felt in need of some kind of change and decided to leave the agency, but was persuaded by a number of clients including John Osborne to set up on his own and to represent them.
This is what occurred and since 1994 he has operated as an independent literary agent, occasionally acquiring new clients, but always trying to ensure that he had only as many writers and plays as he could cope with as a one man operation. He observes that as retirement beckons the work of placing new plays by unknown authors has become much more difficult in the UK. For example, although there is still a great demand for well written small cast comedies in Europe, there is little outlet for these in the UK - certainly not enough to generate an ongoing income for writers. There are opportunities for writers in other areas such as film and television, of course, but it has become very difficult for most writers to be able to sustain a career from their writing. In addition, the world has moved on so much in the last few years that even terrific plays written in the seventies and eighties let alone those from the fifties and sixties bear little resemblance to the lives we all now lead.
Source
Personal submission by Gordon Dickerson.
