Difference between revisions of "Thomas Baines"
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| − | (1820-1875): Famed traveller and painter in Southern Africa, who accompanied Livingstone in 1858 and was the first to paint the Victoria Falls. The first official war artist in South Africa (Eastern Frontier war 1850-53), whose journals, sketches and paintings form a valuable record of the times. His well-known painting of a Xhosa "ntsomi" telling a story is one of few records of earlier indigenous performance forms. He was also a prolific and admired scene painter for [[Sefton Parry]] and other theatre groups in Cape Town, not only painting scenery and backdrops, but on occasion providing "mechanical arrangements" for shows. | + | (1820-1875): Famed traveller and painter in Southern Africa, who accompanied Livingstone in 1858 and was the first to paint the Victoria Falls. The first official war artist in South Africa (Eastern Frontier war 1850-53), whose journals, sketches and paintings form a valuable record of the times. His well-known painting of a Xhosa "ntsomi" telling a story is one of few records of earlier indigenous performance forms. |
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| + | He was also a prolific and admired scene painter for [[Sefton Parry]] and other theatre groups in Cape Town, not only painting scenery and backdrops, but on occasion providing "mechanical arrangements" for shows. He is credited for example with spectacular settings and mechanical help for Parry's prroductions of the nautical dramas ''[[The Lost Ship]]'' and ''[[The Dream at Sea]]'' in 1860. | ||
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| + | He painted a backdrop illustrating "Discovery of the SA Goldfields" for the revamped [[Oddfellows Hall]] when [[Disney Roebuck]] changed it to the [[Bijou Theatre]] in 1875. | ||
== Sources == | == Sources == | ||
Revision as of 05:42, 28 August 2017
(1820-1875): Famed traveller and painter in Southern Africa, who accompanied Livingstone in 1858 and was the first to paint the Victoria Falls. The first official war artist in South Africa (Eastern Frontier war 1850-53), whose journals, sketches and paintings form a valuable record of the times. His well-known painting of a Xhosa "ntsomi" telling a story is one of few records of earlier indigenous performance forms.
He was also a prolific and admired scene painter for Sefton Parry and other theatre groups in Cape Town, not only painting scenery and backdrops, but on occasion providing "mechanical arrangements" for shows. He is credited for example with spectacular settings and mechanical help for Parry's prroductions of the nautical dramas The Lost Ship and The Dream at Sea in 1860.
He painted a backdrop illustrating "Discovery of the SA Goldfields" for the revamped Oddfellows Hall when Disney Roebuck changed it to the Bijou Theatre in 1875.
Sources
See: Bosman 1928, Bosman, 1981, Fletcher, 1994
Go to South African Theatre/Bibliography
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