Difference between revisions of "L'Homme Blasé"
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== Performance history in South Africa == | == Performance history in South Africa == | ||
− | 1855: Performed in English | + | 1855: Performed in English under the full title of ''[[Used Up, or The Peer and the Ploughboy]]'' on Wednesday 13 June in a [[Drawing Room Theatre]] which he had constructed in the [[Commercial Exchange|Commercial Rooms]] in Cape Town. It was [[Sefton Parry]]'s first production at Cape Town, in which he and his wife played the leads, helped by members of the [[Garrison Players]]. It was accompanied by a musical interlude and the musical farce ''[[Family Jars]]'' (Lunn) as afterpiece. |
1855: Repeated for a benefit performance announced for [[J.R. Taylor]], along with ''[[Monsieur Jacques]]'' (Barnett) (Originally announced for Monday 9 July , but postponed to make way for the patriotic Fund production. Possibly done 14 July.) | 1855: Repeated for a benefit performance announced for [[J.R. Taylor]], along with ''[[Monsieur Jacques]]'' (Barnett) (Originally announced for Monday 9 July , but postponed to make way for the patriotic Fund production. Possibly done 14 July.) | ||
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== Sources == | == Sources == |
Revision as of 05:51, 13 July 2017
L'Homme Blasé is a "comédie-vaudeville" in two acts by Félix-Auguste Duvert (1795-1876)[1] and Augustin-Théodore de Lauzanne de Vauxroussel (1805-1877)[2],
Contents
The original French version
First performed in Paris at the Théâtre du Vaudeville in Paris on 18 November 1843, and published by Lelong, 1843.
Translations and adaptations
Translated into English and adapted as is a "petite comedy" in two acts called Used Up, or The Peer and the Ploughboy by Dion Boucicault (1820-1890)[3]. (Also referred to simply as Used Up.)
The English version was originally performed at the Theatre Royal, Haymarket by Charles James Mathews, Tuesday, February 6th, 1844.
Originally published in London in Dicks' Standard Plays, 1844 as a work by Dion Boucicault, but apparently Mathews had influenced the play during production, and also helped with the translation and the title, and later claimed part authorship. Indeed a later version (London & New York: S. French & Son, n.d.[4] ) states emphatically: "Rather, Adapted by D. Bourcicault [sic] and Charles J. Mathews from L'Homme Blasé of F.A. Duvert and A.T. de Lauzanne de Vauxroussel."
Performance history in South Africa
1855: Performed in English under the full title of Used Up, or The Peer and the Ploughboy on Wednesday 13 June in a Drawing Room Theatre which he had constructed in the Commercial Rooms in Cape Town. It was Sefton Parry's first production at Cape Town, in which he and his wife played the leads, helped by members of the Garrison Players. It was accompanied by a musical interlude and the musical farce Family Jars (Lunn) as afterpiece.
1855: Repeated for a benefit performance announced for J.R. Taylor, along with Monsieur Jacques (Barnett) (Originally announced for Monday 9 July , but postponed to make way for the patriotic Fund production. Possibly done 14 July.)
Sources
Facsimile version of the text of L'homme Blasé, Google E-Book[5]
https://en.wikipedia.org/wiki/F%C3%A9lix-Auguste_Duvert
https://en.wikipedia.org/wiki/Augustin-Th%C3%A9odore_de_Lauzanne_de_Vauroussel
Peter Thompson: Introduction to Plays by Dion Boucicault[6]
https://en.wikipedia.org/wiki/Dion_Boucicault
Google Books "Used Up" (London & New York: S. French & Son, n.d.)[7]
F.C.L. Bosman, 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [8]: pp. 428, 431.
Go to ESAT Bibliography
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first performed in Paris at the Théâtre du Vaudeville in Paris on 18 November 1843, and published by Lelong, 1843.
See Used Up, or The Peer and the Ploughboy (Boucicault)
Sources
Facsimile version of the text of L'homme Blasé, Google E-Book[9]
https://en.wikipedia.org/wiki/F%C3%A9lix-Auguste_Duvert
https://en.wikipedia.org/wiki/Augustin-Th%C3%A9odore_de_Lauzanne_de_Vauroussel
F.C.L. Bosman, 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [10]: pp. 428, 431.
Go to ESAT Bibliography
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to The ESAT Entries
Return to Main Page