Difference between revisions of "The Show's Not Over 'Till The Fat Lady Sings"
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(Created page with "''The Show's Not Over 'Till The Fat Lady Sings'' is a one-woman physical theatre piece created by Jenny Reznek and Mark Fleishman. First created in 1991 to produ...") |
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''[[The Show's Not Over 'Till The Fat Lady Sings]]'' is a one-woman physical theatre piece created by [[Jenny Reznek]] and [[Mark Fleishman]]. | ''[[The Show's Not Over 'Till The Fat Lady Sings]]'' is a one-woman physical theatre piece created by [[Jenny Reznek]] and [[Mark Fleishman]]. | ||
| − | First created in 1991 | + | |
| + | == The original text == | ||
| + | |||
| + | First created in 1991. | ||
| + | |||
| + | ==Translations and adaptations== | ||
| + | |||
| + | == Performance history in South Africa == | ||
| + | |||
| + | 1991: First performed in Cape Town, followed by Johannesburg, Grahamstown, Pietermaritzburg. | ||
| + | |||
| + | Also performed in Windhoek, London, Brighton, Manchester, Glastonbury, Glasgow, Edinburgh, Hong Kong and Stockholmover the next two and a half years. | ||
| + | |||
| + | == Sources == | ||
| + | |||
| + | http://magnettheatre.co.za/ | ||
Yvette Hutchison. 2015. "Contemporary Collaborators II: Magnet Theatre" in Martin Middeke and Peter Paul Schnierer (editors). 2015. ''The Methuen Drama Guide to Contemporary South African Theatre''. London: Bloomsbury Publishing. | Yvette Hutchison. 2015. "Contemporary Collaborators II: Magnet Theatre" in Martin Middeke and Peter Paul Schnierer (editors). 2015. ''The Methuen Drama Guide to Contemporary South African Theatre''. London: Bloomsbury Publishing. | ||
Revision as of 08:24, 24 April 2017
The Show's Not Over 'Till The Fat Lady Sings is a one-woman physical theatre piece created by Jenny Reznek and Mark Fleishman.
Contents
The original text
First created in 1991.
Translations and adaptations
Performance history in South Africa
1991: First performed in Cape Town, followed by Johannesburg, Grahamstown, Pietermaritzburg.
Also performed in Windhoek, London, Brighton, Manchester, Glastonbury, Glasgow, Edinburgh, Hong Kong and Stockholmover the next two and a half years.
Sources
Yvette Hutchison. 2015. "Contemporary Collaborators II: Magnet Theatre" in Martin Middeke and Peter Paul Schnierer (editors). 2015. The Methuen Drama Guide to Contemporary South African Theatre. London: Bloomsbury Publishing.
