Difference between revisions of "The Rhythm of Violence"
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| − | by [[Lewis Nkosi]]. An emotional but basically unperformable political play about a group of militant black students who plan to blow up the [[Johannesburg City Council]] and a [[Nationalist Party]] rally, and the personal battle between two brothers and the plight of a white woman embroiled in the moment. Widely studied in the 1970s and 1980s. Written in exile in the USA, the play was published by [[George Wellwarth]] in ''[[Themes in Drama]]'' (New York: [[Thomas Crowell]]), in 1964, then in a single volume by *** in 19**. The play was immediately banned in South Africa, since it may have been the first play to openly advocate violence as a course of action open to blacks in South Africa. No formal performance has been recorded, though | + | by [[Lewis Nkosi]]. An emotional but basically unperformable political play about a group of militant black students who plan to blow up the [[Johannesburg City Council]] and a [[Nationalist Party]] rally, and the personal battle between two brothers and the plight of a white woman embroiled in the moment. Widely studied in the 1970s and 1980s. Written in exile in the USA, the play was published by [[George Wellwarth]] in ''[[Themes in Drama]]'' (New York: [[Thomas Crowell]]), in 1964, then in a single volume by *** in 19**. The play was immediately banned in South Africa, since it may have been the first play to openly advocate violence as a course of action open to blacks in South Africa. No formal performance has been recorded, though clandestine student productions no doubt took place in South Africa from time to time. |
Revision as of 08:33, 4 February 2017
by Lewis Nkosi. An emotional but basically unperformable political play about a group of militant black students who plan to blow up the Johannesburg City Council and a Nationalist Party rally, and the personal battle between two brothers and the plight of a white woman embroiled in the moment. Widely studied in the 1970s and 1980s. Written in exile in the USA, the play was published by George Wellwarth in Themes in Drama (New York: Thomas Crowell), in 1964, then in a single volume by *** in 19**. The play was immediately banned in South Africa, since it may have been the first play to openly advocate violence as a course of action open to blacks in South Africa. No formal performance has been recorded, though clandestine student productions no doubt took place in South Africa from time to time.
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