Difference between revisions of "Charles Etienne Boniface"
| Line 4: | Line 4: | ||
== Biography == | == Biography == | ||
| − | |||
Born in Paris, he arrived in Cape Town on 10 February 1806, after his father’s family had fled France in 1793 after helping Sir Sydney Smith escape the clutches of the Revolution. In the period 1807 to 1840 he lived and worked in Cape Town and played an enormous role in the development of journalism, theatre, and [[Dutch]] and [[Afrikaans]] theatre in particular, in Cape Town. Also noted for his uncomprimising and vicious feud with a number of Capetonians, most notably his former friend and colleague [[J. Suasso de Lima]]. | Born in Paris, he arrived in Cape Town on 10 February 1806, after his father’s family had fled France in 1793 after helping Sir Sydney Smith escape the clutches of the Revolution. In the period 1807 to 1840 he lived and worked in Cape Town and played an enormous role in the development of journalism, theatre, and [[Dutch]] and [[Afrikaans]] theatre in particular, in Cape Town. Also noted for his uncomprimising and vicious feud with a number of Capetonians, most notably his former friend and colleague [[J. Suasso de Lima]]. | ||
| Line 42: | Line 41: | ||
Return to [[ESAT Personalities B]] | Return to [[ESAT Personalities B]] | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]] | Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]] | ||
Revision as of 06:09, 31 July 2016
Charles Etienne Boniface (Dates uncertain: 1787-1853/1788-1854) was an enormously talented, intelligent and abrasive dramatist, actor, theatre director, dancing instructor, linguist, language teacher, fencing teacher, composer and guitarist, music teacher.
Often referred to as C.E. Boniface or simply as Boniface. Over the years he also worked under a number of pseudonyms, especially for his more polemical writing or his efforts at publicity and self-promotion. These include: "Vyfstar of Wraak" *** and (possibly) "Clavigo".
Contents
Biography
Born in Paris, he arrived in Cape Town on 10 February 1806, after his father’s family had fled France in 1793 after helping Sir Sydney Smith escape the clutches of the Revolution. In the period 1807 to 1840 he lived and worked in Cape Town and played an enormous role in the development of journalism, theatre, and Dutch and Afrikaans theatre in particular, in Cape Town. Also noted for his uncomprimising and vicious feud with a number of Capetonians, most notably his former friend and colleague J. Suasso de Lima.
In 1844 he fled to Pietermaritzburg, to help start the first newspaper in Natal (De Natalier) and practise as an advocate at law, although it is not known of he was involved in theatre whilst resident there.
Never really financially successful, he committed suicide in 1853.
His contribution to South African theatre and performance
While in Cape Town he founded a French Theatre Company and then became a leading figure in the French/Dutch company Honi Soit qui Mal y Pense. Besides being a fiery journalist, who was the first writer to use Afrikaans for journalistic purposes when he co-founded and edited De Zuid-Afrikaan in 1830, he also translated and wrote a number of plays in Dutch, Afrikaans and even English, many which he also also produced. For a while his feud with De Lima played a cardinal role in firing up his satiric imagination in poetry, journalism and drama.
He produced a number of “firsts”, including the first ballet in South Africa (Sappho), which was staged in the Cape, the first South African play in English: Kockincoz, or The Pettifogging Lawyer's Plot (1843) and De Nieuwe Ridderorde of De Temperantisten (also known simply as De Nieuwe Ridderorde or De Temperantisten - 1832), said to be the first play in Afrikaans-Dutch and possibly his best work.
Other works include poetry and the plays The Blamed Reputation, Het beleg en het nemen van Troyen, l’Enragé, Clasius stupidibus bavianus of Het proces om een komedielootjie (or simply Clasius -1834), the stories Bluettes franco-nataliennes and Le Latanier. He also translated and reworked plays by others, including Robert, Chef de Brigands , 'Dago (a ballet in 3 acts, 1819), De Burger Edelman (from Moliere), )
In his polemical writing he used various pseudonyms over the years, including "Vyfstar of Wraak". **
ALL THE PLAYS STILL TO BE EDITED
[TH, JH]
Sources
F.C.L. Bosman, 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [1]: pp. 5, 8, 44, 50-59, 84-92, 118-145, 163-179, 201, 233-4, 246-7, 257-267, 274-3339, 343-6, 351, 359-375, 392, 441, 452, 488-496, 510.
De Beer, 1995;
Jill Fletcher, 1994; Kannemeyer, 1978;
P.J. du Toit, 1988
Go to the ESAT Bibliography
Return to
Return to ESAT Personalities B
Return to South African Theatre Personalities
Return to The ESAT Entries
Return to Main Page
