ESAT Bibliography H-Hay

A B C D E F G H-Hay He-Hu I J K L M N O P Q R S-Sh Si-Sz T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance

H.B. Thom-teater 25 jaar. 1991. Stellenbosch: Universiteit van Stellenbosch.

Haak, A-H. 1971. Stage lighting at the Nico Malan theatre. South African engineer, 62(638): 5-11. July.

Haarhoff, T.J. 1941. Afrikaans theatre in the making. Forum. 3(53): 14. March 29.

Haffter, P. 1987. Bartho Smit se ‘Don Juan onder die Boere’ binne die raamwerk van die Don Juan’-makroteks. Journal of literary studies, 3(4): 1-2.

Hagemann, Fred 1984. Concepts, images and expression in the movement learning process. Teaterforum, 5(1): 7-16.

Haike, ???

Halligey A. 2005. Re-Inventing Mythologies: Arguments towards Cultural Identity in Medea and Rain in a Dead Man's Footprints. South African Theatre Journal [serial online]. 2005;19:208-222.

Hamber, John 1982. The Port Elizabeth Shakespearean Festival. an appreciation. (Privately published: Copy in Centre for Theatre and Performance Studies, Stellenbosch)

Hamlet. 1947. Libertas. 7(6): 56-57. June.

Hammond, Jonathan 1972. World theatre season : South Africa. Plays and players, 19 : 7.

Hammond, Jonathan 1974. A South African season: Sizwe Bansi, The Island and Statements. Plays and players, 21 : 40-43. March.

HAMMOND-TOOKE, DAVID. 1993. The Roots of Black South Africa. Johannesburg: Jonathan Ball Publishers.

Hanekom, Hendrik 1945. Twintig jaar op ons beroepstoneel. Huisgenoot, 29(1201): 9. March 30.

Hanekom, Hendrik Andries. 1971. Standard Encyclopaedia of Southern Africa, 5:422-423. Cape Town: Nasou. Dit lyk asof Hanekom die outeur is, dis egter die title van die inskrywing. Die oorspronklike verwysing wat opgevolg is is:

Hanekom, Mathilde 1951. Want ons werk mos nie! [Toneelspelers]. Brandwag, 15(48): 28-30. December 28.

Hansen, John 1998. Culture in a state of siege. In Gunnarsen, Gorm (ed.) South African Resistance Culture. Copenhagen: Department of English, University of Copenhagen. P.102-115.

Hansen, Thomas Blom 2000. Plays, politics and cultural identity among Indians in Durban. Journal of Southern African studies, 26(2): 255-269.

Hansen, Thomas Blom. "Melancholia of Freedom: Humour and Nostalgia among Indians in South Africa." Modern Drama 48.2 (2005): 297-315.

Hansen, Thomas Blom. "Plays, Politics and Cultural Identity Among Indians in Durban." Journal of Southern African Studies 26.2 (2000): 255-269.

Hardie, Y.E. 1999. The emerging voice and outcomes-based education : voice building within speech and drama training in the durther education and training band [grades 10-12]. Pretoria : Technikon Pretoria. (MDip Tech thesis).

Harley, M. 1968a. Adam’s apple [Adam Leslie theatre]. Femina, 76-77. October 3.

Harley, M. 1968b. Charles Vernon – actor. Personality, 123-130. August 15.

Harris, M.B. 1979. Bafokeng civic centre, Phokeng. Planning & building developments, 36: 33-45. January-February.

Hart, Sheena 1988. Standard Bank festival of the Arts. Scenaria, (93): 16-23.

Hatfield, Denis 1943. What of our theatre? Trek. 10(13): November 5.

Hatfield, Denis 1945. Producer. Trek. 10(6): 14.

Hatfield, Denis 1946. Ah, wilderness! Some notes on South African theatre. Trek. 11(3): 12. August 9.

Hatfield, Denis 1967. Cape theatre in the 1940’s: reviews of ballet and drama. Cape Town: Purnell.

Haupt, Adam 1996. Stifled noise in the South African music box: Prophets of da City and the struggle for public space. South African theatre journal, 10(2): 51-61.

Haupt, A. 1997. AIDS education through theatre: case studies from Uganda, by Marion Frank. Reviewed in: South African theatre journal, 11(1&2): 309-312.

Hauptfleisch, Gaerin & Bain, Keith 1998. Brecht 2001: A photo essay. Chris Vorster directs Bertolt Brecht’s first play, Baal. South African theatre journal, 12(1&2):212-227

Hauptfleisch, Gaerin & Toerien, Francois 1996. Klein Karoo Nasionale Kunstefees 1996. South African theatre journal, 10(1): 101-106.

Hauptfleisch, Temple 1972. Greek dramatic conventions in modern drama. Pretoria: UNISA. (MA-thesis.)

Hauptfleisch, Temple 1978. The play as communication : a study of the language of drama. Pretoria: UNISA. (D Litt et Phil-thesis.) (D Litt et Phil dissertation.)

Hauptfleisch, Temple 1980. Theatre research in South Africa. Critical arts, 1(3) : 11-22.

Hauptfleisch, Temple 1982a. André Huguenet en die Suid-Afrikaanse teater. Lantern, 31(4) : 8-23.

Hauptfleisch, Temple, Viljoen, Wilma & Van Greunen, Celeste (comps). 1982b. Athol Fugard. A Source Guide. Johannesburg: Ad Donker.

Hauptfleisch, Temple 1983a. Taalvariasie op die verhoog: enkele gedagtes na aanleiding van Afrikaanse voorbeelde. In G.N. Claassen & M.C.J. van Rensburg (reds.). Taalverskeidenheid: ʼn blik op die spektrum van taalvariasie in Afrikaans. Pretoria: Academica. p. 63-79.

Hauptfleisch, Temple ; Van Rooyen, Eunice ; Cornelissen, Annette 1983b. Thoughts on theatre in South Africa during 1981 : a review of some trends. Teaterforum, 4(1) : 54-76.

Hauptfleisch, Temple 1984a. Die magiese kring: skepping, herskepping en resepsie in die teater. In Malan, Charles (ed.) Spel en spieël. besprekings van die moderne Afrikaanse drama en teater. Johannesburg: Perskor. p. 35-50.

Hauptfleisch, Temple. 1984a. Die magiese kring: skepping, herskepping en resepsie in die teater. In Malan, Charles (ed.) Spel en spieël : besprekings van die moderne Afrikaanse drama en teater. Johannesburg: Perskor. p. 36-50.

Hauptfleisch, Temple 1984b. South Africa : a laboratory for theatre research : research address. Pretoria : Human Sciences Research Council.

Hauptfleisch, Temple & Steadman, Ian (eds). 1984c. South African Theatre: Four Plays and an Introduction. Pretoria: HAUM Educational.

Hauptfleisch, Temple 1984d. Theatre research: some thoughts on a new discipline. Teaterforum, 5(1): 66-79.

Hauptfleisch, Temple 1984e. Towards a Methodology for Theatre Research: A South African Perspective. Pretoria: Human Sciences Research Council.

Hauptfleisch, Temple (ed.). 1985a. The Breytie Book: A Collection of Articles on South African Theatre. Johannesburg: The Limelight Press.

Hauptfleisch, Temple 1985b. Dramaturg en dialek : enkele gedagtes oor dramatiese dialoog. Teaterforum, 6(1) : 46-72.

Hauptfleisch, Temple 1985c. South Africa: a laboratory for theatre research. Communicatio, 11(2): 38-44.

Hauptfleisch, Temple, Viljoen, Wilma & Cornelissen, Annette 1985d. South African theatre today: a look at the year 1981. In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 131-140.

Hauptfleisch, Temple 1986a. The Market Theatre. Lantern, 35(4) : 79-80.

Hauptfleisch, Temple 1986b. Die nuwe drama. De kat, 1(11) : 22-23.

Hauptfleisch, Temple et al. 1986c. Research on South African literature and race relations. Pretoria: Human Sciences Research Council.

Hauptfleisch, Temple 1987a. Aspekte van die nuwe drama, deur André P. Brink. Reviewed in: South African theatre journal, 1(2):87-89.

Hauptfleisch, Temple 1987b. Beyond street theatre and festival: the forms of South African theatre. Maske und Kothurn. 33(1-2): 175-188.

Hauptfleisch, Temple 1987c. The concise Oxford companion to the theatre, edited by Phyllis Hartnoll. Reviewed in: South African theatre journal, 1(2):94-95.

Hauptfleisch, Temple 1987d. Report for PACT: 1987. A summary interpretation of theatre attendance data in the CESAT data-base. Pretoria: HSRC (Confidential report).

Hauptfleisch, Temple 1987e. Theatre and cultural struggle in South Africa, by Robert Kavanagh. Reviewed in: South African theatre journal, 1(1): 138-141.

Hauptfleisch, Temple. 1988a. From the Savoy to Soweto: The shifting paradigm in South African theatre. South African theatre journal, 2(1): 35-63.

Hauptfleisch, Temple 1988b. To capture the moment passing: the work of the Centre for South African Theatre Research. Opvoeding en kultuuur, 11(2): 17. June.

Hauptfleisch, Temple.1988c. The International Symposium on popular entertainment as a reflection of national identity. South African theatre journal, 2(2):76-80.

Hauptfleisch, Temple 1988d. Shakespeare against Apartheid by Martin Orkin. Reviewed in: South African theatre journal, 2(2): 115-119.

Hauptfleisch, Temple 1988e. Theatre alive! by Brian Barrow & Yvonne Williams-Short. Reviewed in: South African theatre journal, 2(2):112-114.

Hauptfleisch, Temple. 1989a. Citytalk, theatretalk: dialect, dialogue and multilingual theatre in South Africa. English in Africa, 16(1): 71-91.

Hauptfleisch, Temple. 1989b. Of actors, academics and the making of the theatre (editorial). South African theatre journal, 3(1):1-2.

Hauptfleisch, Temple. 1989c. Spelers op soek na ‘n konteks. Afrikaans en die nuwe paradigma in die teater. Stilet, 1(1): 29-50.

Hauptfleisch, Temple 1990a. ’n Brommer in die boord, deur Hennie Aucamp. Reviewed in: South African theatre journal, 4(2): 106-111.

Hauptfleisch, Temple 1990b. Donderdag se mense, deur Pieter Fourie. Reviewed in: South African theatre journal, 4(2): 106-111.

Hauptfleisch, Temple 1990c. Some thoughts on the future of performance- and theatre research in a “New South Africa” (editorial). South African theatre journal, 4(1): 6-11.

Hauptfleisch, Temple. 1990d. Stille Nag by Deon Opperman. Reviewed in: South African theatre journal, 4(2): 106-111.

Hauptfleisch, Temple. 1991a. Athol Fugard: The image, the word and the carnal reality. In Robert L. Ross (ed) International Literature in English: The Major Writes. New York: Garland Publishing. bladsye?

Hauptfleisch, Temple. 1991b. Of performers, performances and performance theory (editorial). South African theatre journal, 5(2):1-2.

Hauptfleisch, Temple. 1991c. SATJ co-editor Temple Hauptfleisch talks to Richard Schechner during his visit to the Western Cape in August 1990. South African theatre journal, 5(2): 15-21.

Hauptfleisch 1991 T L ERENSTEIN (ed.), Theatre and Television (Temple) South African Theatre Journal, Vol. 5(1):127-131

Hauptfleisch, Temple 1992a. Alles op die spel deur George Weideman. Reviewed in: South African theatre journal,. 6(1): 88-90.

Hauptfleisch, Temple 1992b. Athol Fugard. a bibliography, by John Read. Reviewed in: South African theatre journal, 6(2): 93-94.

Hauptfleisch, Temple. 1992c. Post-colonial criticism, performance theory and the evolving forms of South African theatre. South African theatre journal, 6(2): 64-83.

Hauptfleisch, Temple & Hutchison, Yvette 1992d. The social relevance of play (editorial). South African theatre journal, 6(1):1-3.

Hauptfleisch, Temple 1992e. Syncretism, hybridism and crossover theatre in a multicultural community: theatremaking in (a new) South Africa. ASSAPH Section C: Studies in the theatre, 8: 161-176.

Hauptfleisch, Temple 1992f. Vrystaat-trilogie, deur Reza de Wet. Reviewed in: South African theatre journal, 6(1): 85-87.

Hauptfleisch, Temple. 1993a. African Theatre and Film: An International Conference, University of Toronto. South African theatre journal, 7(2): 101-104.

Hauptfleisch, Temple. 1993b. Crossover Theatre: New Trends in Theatremaking in South Africa In: Assaph: Studies in Theatre Vol 9. bladsye?

Hauptfleisch, Temple 1993c. Drie eenakters: Kombuis blues, Kopstukke en ‘n Koffer in die kas, deur Jeanne Goosen. Reviewed in: South African theatre journal, 7(2): 132-134.

Hauptfleisch, Temple 1994. Indic Theatre monograph series by Muthal Naidoo and Dennis Shauffer. Reviewed in: South African theatre journal, 8(1): 88-90.

Hauptfleisch, Temple. 1995. The company you keep: subversive thoughts on the socio-political impact of the playwright and the performer New theatre quarterly, 11(44): 322-332. Titel se bewoording korrek? IBT 94-95 1717.

Hauptfleisch, Temple 1996a. The distance remains and other plays, edited by Robin Malan. Reviewed in: South African theatre journal 10(1): 118-119.

Hauptfleisch, Temple 1996b. More Market plays, edited by John Kani. Reviewed in: South African theatre journal, 10(1): 117-118.

Hauptfleisch, Temple 1996c. Open space: six contemporary plays from Africa edited by Yvette Hutchison and Kole Omotoso. Reviewed in: South African theatre journal, 10(1): 118.

Hauptfleisch, Temple 1996d. The (re)canonization of South African theatre; thoughts on four play collections. South African theatre journal, 10(1): 115-119.

Hauptfleisch, Temple 1996e. South African plays, edited by Stephen Gray. Reviewed in: South African theatre journal, 10(1): 116-117.

Hauptfleisch, Temple & Kruger, Marie 1997a. South Africa. In Rubin, Don (ed.). The World encyclopaedia of contemporary theatre. Vol 3: Africa. London: Routledge. p. 268-297.

Hauptfleisch, Temple 1997b. Theatre and society in South Africa: reflections in a fractured mirror. Pretoria: Van Schaik.

Hauptfleisch, Temple 1998. The flag is flying: A very personal history of theatre in the old South Africa by Leonard Schach. Reviewed in: South African theatre journal, 12(1&2): 257-261.

Hauptfleisch, Temple 2000. In defense of theatre research: An audit revisited (editorial). South African theatre journal, 14: 8-17.

Hauptfleisch, Temple 2001a. The Eventification of Afrikaans culture - some thoughts on the Klein Karoo Nasionale Kunstefees (KKNK). South African theatre journal, 15: 169-177.

Hauptfleisch, Temple 2001b. FIRT/IFTR 2000 Regional Congress – Theatre: Sound Space, Visual Space. South African theatre journal, 15:153-157.

Hauptfleisch, Temple 2001c. Homegrown theory for a new theatre (editorial). South African theatre journal, 15: 5-7.

Hauptfleisch, Temple 2002a. "Oh go play somewhere - and stop bothering us!": On the relevance of theatre and the performing arts in economic society. New Agenda, 6: 68-77.

Hauptfleisch, Temple 2002b. A Response to the XIV IFTR/FIRT Conference on Theatre and Cultural Memory. Vol 16: 185 – 189.

Hauptfleisch, Temple 2003. The cultural bazaar: thoughts on festival culture after a visit to the 2003 Klein Karoo Nasionale Kunstefees (KKNK) in Oudtshoorn. South African theatre journal, 17: 258-275.

Hauptfleisch, Temple 2004. Eventification: utilizing the theatrical system to frame the event. In Cremona, Vicky Ann ... [et al.] ; IFTR/FIRT Theatrical Event Working Group (eds) Theatrical events :borders, dynamics, frames .Amsterdam: Rodopi. p. 279-302.

Hauptfleisch, Temple 2005a. Artistic output, arts research and the rating of the theatre practitioner as researcher-some responses to the N.R.F. rating system after the first three years

Hauptfleisch, Temple 2005b. Südafrikanisches Theater – Entwicklungen und Strömungen von Vergangenheit bis Gegenwart. In Arndt, S. & Berndt, K. (eds). Kreatives Afrika: SchriftstellerInnen über Literatur, Theater und Gesellschaft: eine Festschrift für Eckhard Breitinger. Uitgewer? P. 91-116.

Hauptfleisch, Temple 2006. Eventifying identity: festivals in South Africa and the search for cultural identity. New theatre quarterly, 22(2): 181-198.

Hauptfleisch, Temple 2007a. Editorial. South African theatre journal, 21: 8-10.

Hauptfleisch, Temple 2007b. The seismology of theatre: tracing the shock waves of a theatrical event in society. South African theatre journal, 21: 253-271.

Hauptfleisch, Temple 2007c. Some major trends of past developments. In: Arndt, Susan & Berndt, Katrin (eds). Words and worlds: African writing, theatre and society; a commemorative publication in honour of Eckhard Breitinger. Trenton, NJ : Africa World Press. p. 57-75.

HAWKINS, BARRY. 1998. Hedda Gabler: Eavesdropping on real events. South African theatre journal,12(1&2):109-136.

Haworth-Booth, C. 1966. Puppets on my hands. Femina, November 3-November 17.

HAYNES, David. 1986. Fear No More The Heat O’ The Sun: Developing Drama in Southern Africa. Inaugural Lecture: University of Cape Town.

HAYNES, DAVID. 1986. Fear No More The Heat O’ The Sun: Developing Drama in Southern Africa. Inaugural Lecture: University of Cape Town.

A B C D E F G H-Hay He-Hu I J K L M N O P Q R S-Sh Si-Sz T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance