Difference between revisions of "ESAT Bibliography Ar-Az"
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[[Thomas H. Arthur|Arthur, Thomas H.]] 1992 Looking for my relatives: The political implications of “family” in selected work by [[Fugard, Athol|Athol Fugard]] and [[Wilson, August|August Wilson]]. ''South African Theatre Journal'', 6(2):15-16. | [[Thomas H. Arthur|Arthur, Thomas H.]] 1992 Looking for my relatives: The political implications of “family” in selected work by [[Fugard, Athol|Athol Fugard]] and [[Wilson, August|August Wilson]]. ''South African Theatre Journal'', 6(2):15-16. | ||
| − | [[Maxine, Arvan|Arvan, Maxine]] 1985. [[The National Drama Library]], in [[Temple Hauptfleisch|Hauptfleisch, Temple]] (ed.). ''The Breytie Book: A Collection of Articles on South African | + | [[Maxine, Arvan|Arvan, Maxine]] 1985. [[The National Drama Library]], in [[Temple Hauptfleisch|Hauptfleisch, Temple]] (ed.). ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to [[Breytenbach, P.P.B.|P.P.B. Breytenbach]]''. Johannesburg: The Limelight press. 113-114. |
[[Leslee Asch|Asch, Leslee]] 2005. The giraffe that conquered Paris: a unique collaboration between puppet-companies in South Africa and Mali heads to the U.S. ''American Theatre'', 22(5):24-27. | [[Leslee Asch|Asch, Leslee]] 2005. The giraffe that conquered Paris: a unique collaboration between puppet-companies in South Africa and Mali heads to the U.S. ''American Theatre'', 22(5):24-27. | ||
Revision as of 16:28, 7 January 2011
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Arendse, Michael. 1999. Gordyn sak op die ou Nico. Insig, (134): 26. Maart.
Armistead, Claire 1990. Market values. Plays and Players, (435):14-16.
Armstrong, Elizabeth 1961. Pretoria theatre for children. Lantern, 11:45-50.
Armstrong, M. 1973. A few teaching experiments. Transvaal Educational News, 70(8):12-14.
Arthur, Michael D. 1993. The waiting is over: South African theatre of transition. Unpublished master’s thesis. Austin: University of Texas.
Arthur, Michael D. and Arthur, Tom 1994. The 1994 Grahamstown Festival. South African Theatre Journal, 8(2):163-183.
Arthur, Michael D. 1999b. Think differently: South Africa theatre of/in transition and the Standard Bank National Arts Festival 1992-1996. Unpublished doctoral dissertation. Austin: University of Texas.
Arthur, Thomas H. & Arthur Michael D. 1993. The 1992 Grahamstown Festival. South African Theatre Journal, 7(1):88-103.
Arthur, Thomas H. 1990. My children! My Africa! by Athol Fugard. Reviewed in Theatre Journal, 42(2):246-247.
Arthur, Thomas H. 1992 Looking for my relatives: The political implications of “family” in selected work by Athol Fugard and August Wilson. South African Theatre Journal, 6(2):15-16.
Arvan, Maxine 1985. The National Drama Library, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 113-114.
Asch, Leslee 2005. The giraffe that conquered Paris: a unique collaboration between puppet-companies in South Africa and Mali heads to the U.S. American Theatre, 22(5):24-27.
Astbury, Brian 1973. My vrou Yvonne [[[Bryceland, Yvonne|Yvonne Bryceland]]]. Sarie Marais, 24(28):54-59. July 18.
Astbury, Brian 1979. The Space/Die Ruimte/Indawo. Cape Town: Moira and Azriel Fine.
Astbury, Brian 1980a. Irresistable force [Nkonyeni, Nomhle|Nomhle Nkonyeni]. Fair Lady, 15(19):46-51. March 26.
Astbury, Brian 1980b. Rags to riches: [[[West, Rory|Rory West]] and Cindy West]. Fair Lady, 16(5):122-124. October 8.
Astbury, Brian 1985. Janet Suzman’s greatest role. Fair Lady, 20(8):98-100.
Athiemulam, V. 1984. Drama in language teaching. Journal of Language Teaching, 18(3) :42-58.
Athol Fugard: an interview. 1984. In Daymond, Margaret J., Jacobs, Johan & Lenta, Margaret (eds.). 1984. Momentum: On Recent South African Writing. Pietermaritzburg: University of Natal Press. 22-28.
Attridge, Derek & Jolly, Rosemary (eds.). 1998. Writing South Africa: Literature, Apartheid and Democracy, 1970-1995. Cambridge: Cambridge University Press.
Aucamp, Hennie 1983. Dramatisering vir die klaskamer (inleiding tot ‘n stelwerkprojek). Klasgids, 18(3):95-100.
Aucamp, Hennie 1983. Meer vastigheid en vorm (gedagtes rondom dramatisering en stelwerkopdrag). Klasgids, 18(2):116-125.
Aucamp, Hennie 1990. Wat is ‘n klassieke kabaretlied ? Tydskrif vir Letterkunde, 29(1):17-25.
Aucamp, Hennie 1994a. Diary of an erotic life by Frank Wedekind, edited by Gerhard Hay. Reviewed in: South African Theatre Journal, 8(2):191-198.
Aucamp, Hennie 1994b. Dubbeldop: Kabarettekste en -opstelle. Kaapstad: Human & Rousseau.
Aucamp, Hennie 1994c. Die laaste wals, of kabaret as lewensgevoel. Tydskrif vir Letterkunde, 32(1):8-20.
Aucamp, Hennie 1994d. Die sewe doodsondes in kabaretverband. South African Theatre Journal, 8(2):5-25.
August, Tyrone 1994. Interview with Gcina Mhlophe,in Gunner, Liz (ed.). Politics and Performance: Theatre, Poetry and Song in Southern Africa. Johannesburg: Witwatersrand University Press. p. 273-284.
Auld, Allen 2002. Macbeth: a comparison, directed by Garth Anderson for the Elizabeth Sneddon Theatre, February 2002; directed by Patrick Collyer of Kwasuka Theatre Company for the Dan Pienaar Hall, February/March 2002. Shakespeare in Southern Africa, 14:52-55.
Automatic control in the Nico Malan Theatre. 1971. Electronics and Instrumentation, 2(5): 17. August
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