Difference between revisions of "On Fait ce qu’on Peut et non pas ce qu’on Veut"
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== Performance history in South Africa == | == Performance history in South Africa == | ||
− | 1806: First performed in South Africa on 31 May by a [[French Amateur Company]] in the [[African Theatre]], Cape Town, and Bosman (1928) suggests that it may have been done in the [[Dutch]] version, as ''[[Men Doet Wat Men Kan, Niet Wat Men Wil]]''. It was accompanied by performances of ''[[Pygmalion]]'' (Rousseau) and a ''[[Lyrische Scene]]'' (" | + | 1806: First performed in South Africa on 31 May by a [[French Amateur Company]] in the [[African Theatre]], Cape Town, and Bosman (1928) suggests that it may have been done in the [[Dutch]] version, as ''[[Men Doet Wat Men Kan, Niet Wat Men Wil]]''. It was accompanied by performances of ''[[Pygmalion]]'' (Rousseau) and a ''[[Lyrische Scene]]'' ("lyric scene") by [[Monsieur Delémery|"De Heer Delémery"|]]). |
1815: Produced on 11 November by [[Honi Soit Qui Mal Y Pense]] on 11 November, with the addition of ''[[De Struikroovers van Kalabrien, of De Onveilige Wildernis]]'' ( Tréogate) and ''[[Jean-Pierre-Diogenes, of L'Orateur dans un Tonneau]]'' ("The Speaker in a Barrel"). | 1815: Produced on 11 November by [[Honi Soit Qui Mal Y Pense]] on 11 November, with the addition of ''[[De Struikroovers van Kalabrien, of De Onveilige Wildernis]]'' ( Tréogate) and ''[[Jean-Pierre-Diogenes, of L'Orateur dans un Tonneau]]'' ("The Speaker in a Barrel"). | ||
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1836: Apparently enquiries about borrowing a text were made by [[Vlyt en Kunst]] sometime in January , though no there appears to have been no further record of a performance. | 1836: Apparently enquiries about borrowing a text were made by [[Vlyt en Kunst]] sometime in January , though no there appears to have been no further record of a performance. | ||
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== Sources == | == Sources == |
Revision as of 05:40, 15 March 2016
On Fait ce qu’on Peut et non pas ce qu’on Veut ("One does what one can, not what one wants") is a one act comédie-proverbe for two actors by Dorvigny (Louis-François Archambault - 1742- 1812; stage name Dorvigny)
Contents
The original text
Performed for the first time in Paris at Le Théâtre des Varieties Amusantes in 1779. Published in French by J.B. Broulhiet, rue Saint-Rome, Toulouse , in 1785.
Translations and adaptations
Translated into Dutch as Men Doet Wat Men Kan, Niet Wat Men Wil ("One does what one can, not what one wants") by Hendrik Ogelwight jr, was published in 1787 (and again in 1805) in Amsterdam by Pieter Johannes Uylenbroek.
Performance history in South Africa
1806: First performed in South Africa on 31 May by a French Amateur Company in the African Theatre, Cape Town, and Bosman (1928) suggests that it may have been done in the Dutch version, as Men Doet Wat Men Kan, Niet Wat Men Wil. It was accompanied by performances of Pygmalion (Rousseau) and a Lyrische Scene ("lyric scene") by "De Heer Delémery"|).
1815: Produced on 11 November by Honi Soit Qui Mal Y Pense on 11 November, with the addition of De Struikroovers van Kalabrien, of De Onveilige Wildernis ( Tréogate) and Jean-Pierre-Diogenes, of L'Orateur dans un Tonneau ("The Speaker in a Barrel").
1819: Performed on 16 October by a new company called Men Doet Wat Men Kan in the African Theatre, Cape Town, with Dago, of De Spaansche Bedelaars (Cuvelier).
1836: Apparently enquiries about borrowing a text were made by Vlyt en Kunst sometime in January , though no there appears to have been no further record of a performance.
Sources
http://contentdm.warwick.ac.uk/cdm/ref/collection/Ancien/id/16506
Bosman, 1928: pp.92,
Go to ESAT Bibliography
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