Difference between revisions of "Who Saw Him Die?"

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== Performance history in South Africa ==
 
== Performance history in South Africa ==
1975: Staged by the [[Academy Theatre]] in Johannesburg, directed by [[Charles Ross]], with [[Peter Bayliss]] (Superintendent Pratt), [[Alan Curtis]] (John Rawlings), [[Kenneth Hendel]] (Dr Adcock), [[Elizabeth Francis]] (Christine), [[Andy Anderson]] (Police Sergeant) and [[Joey Wishnia]] (Mike Jennings). designed by [[John Page]].
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1975: Staged by the [[Academy Theatre]] in Johannesburg, directed by [[Charles Ross]], with [[Peter Bayliss]] (Superintendent Pratt), [[Alan Curtis]] (John Rawlings), [[Kenneth Hendel]] (Dr Adcock), [[Elizabeth Francis]] (Christine), [[Andy Anderson]] (Police Sergeant) and [[Joey Wishnia]] (Mike Jennings). Designed by [[John Page]].
  
1975: Presented by the [[Academy Theatre]] in the [[Nico Malan Theatre]], February 1975. After an announcement that the theatre would be open for attendance by all races, [[Adam Small]] and his wife were among the more or less 30 Non-Whites who came to see the second-last performance on 21 February. ([[Wilhelm Grütter]])
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1975: Presented by the [[Academy Theatre]] in the [[Nico Malan Theatre]], February 1975. After an announcement that the theatre would be open for attendance by all races, [[Adam Small]] and his wife were among the more or less 30 Non-Whites who came to see the second-last performance on 21 February. ([[Wilhelm Grütter]])
  
 
== Sources ==
 
== Sources ==

Revision as of 07:01, 16 September 2015

Who Saw Him Die? is a 1974 thriller for the stage by English playwright and acreenwriter Tudor Gates (1930–2007) [1].

Translations and adaptations

Performance history in South Africa

1975: Staged by the Academy Theatre in Johannesburg, directed by Charles Ross, with Peter Bayliss (Superintendent Pratt), Alan Curtis (John Rawlings), Kenneth Hendel (Dr Adcock), Elizabeth Francis (Christine), Andy Anderson (Police Sergeant) and Joey Wishnia (Mike Jennings). Designed by John Page.

1975: Presented by the Academy Theatre in the Nico Malan Theatre, February 1975. After an announcement that the theatre would be open for attendance by all races, Adam Small and his wife were among the more or less 30 Non-Whites who came to see the second-last performance on 21 February. (Wilhelm Grütter)

Sources

Academy Theatre programme (undated).

Petru & Carel Trichardt theatre programme collection.

Grütter, Wilhelm, CAPAB 25 Years, 1987. Unpublished research. p338.

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