Difference between revisions of "Andrew Buckland"
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=STILL TO BE EDITED= | =STILL TO BE EDITED= | ||
| − | (1954-) Stage and film actor, mime, playwright and drama teacher | + | BUCKLAND, Andrew (1954-) Stage and film actor, mime, playwright and drama teacher. |
| − | + | == Biography == | |
| + | Born in Zimbabwe. He is married to actress [[Janet Buckland]]. | ||
| + | === Youth === | ||
| − | + | ||
| + | === Training === | ||
| + | Trained at [[Rhodes University Drama Department]], graduating in 1979. In 1992 Buckland became a member of the [[First Physical Theatre Company]] and a lecturer in the [[Rhodes University Drama Department|Drama Department]] at Rhodes University. (Later senior lecturer and finally professor.) | ||
| + | |||
| + | === Career === | ||
| + | He became a junior lecturer, then joined [[PACT]] (1980-1984) as actor. | ||
| + | |||
| + | ==Contribution to SA theatre, film, media and/or performance== | ||
| + | For [[PACT]] he played in, '' inter alia'', ''[[Cat on a Hot Tin Roof]]'', ''[[The Importance of Being Earnest]]'' (1982), ''[[Savages]]'', ''[[Tom Jones]]'' and ''[[Bloed in die Strate]]'' (by [[Harry Kalmer]]), ''[[Who's Afraid of Virginia Woolf?]]'' (1984). | ||
| + | Performed in | ||
''[[Romeo and Juliet]]'' (as “Tybalt” with [[CAPAB]]), | ''[[Romeo and Juliet]]'' (as “Tybalt” with [[CAPAB]]), | ||
''[[Monday after the Miracle]]'' (as “John Macy” with [[PACT]]), | ''[[Monday after the Miracle]]'' (as “John Macy” with [[PACT]]), | ||
| Line 12: | Line 23: | ||
''[[Shrivings]]'' (as “David” with [[PACT]]). | ''[[Shrivings]]'' (as “David” with [[PACT]]). | ||
| − | == | + | Gradually began to create his own theatre works (including ''[[The Mime]]'', ''[[Stillborn]]'' and ''[[Matches]]'') and in 1987 he and [[Janet Buckland]] founded [[Mouthpeace Theatre]] in Johannesburg (moving it to Grahamstown in 1992); working closely with their friends [[Lionel Newton]], and director [[Lara Foot-Newton]]. |
| + | |||
| + | Created a distinctive style of theatre for himself, utilizing the techniques of physical theatre and mime to relate his poetic fantasies. Among his best known works are ''[[Touchstones]]'' (1984), ''[[Pas de Deux]]'', which he had co-written with [[Soli Philander]] (1986), the much-admired and multiple award-winning ''[[The Ugly Noonoo|The Ugly Noonoo]]'' (1988/1989), ''[[Between the Teeth]]'' (1990), ''[[Bloodstream]]'' (with [[Lionel Newton]] - 1992), ''[[Feedback]]'' (also with Newton, 1995), ''[[Noisy Walk]]'' (1996), ''[[The Water Juggler]]'' /''[[The Well Being]]'' (1998), and **** (2001). ''[[Laugh the Buffalo]]'' (2013), directed by [[Janet Buckland]]; the ghost of Christmas Present in ''[[Scrooge]]'' ([[Baxter Theatre]], 2013); 2014: ''[[Crazy in Love]]'' (with [[A Conspiracy of Clowns]]) | ||
| + | |||
| + | His film work includes roles in ''Shotdown'', ''The Schoolmaster'', ''Dirty Games'', ''The Good Fascist'' and ''Quest for Love''. | ||
| + | |||
| + | =STILL TO BE EDITED= | ||
| + | |||
| + | His The Investigation of an Ugly Noo Noo was staged at the Warehouse in 1988. He starred in David Mamet’s Speed the Plow at Upstairs at the Market in 1990. He starred in Ibsen’s A Doll’s House at Upstairs at the Market in 1990. He starred in a return run of The Ugly Noo Noo at the Market in 1991. He directed Soli Philander in Soli’s Take Two at the Laager in 1991. He starred in and wrote Bloodtream circa 1992. (Tucker, 1997; Kruger, 1999) | ||
| + | |||
| + | BUCKLAND, Andrew, Albert Albee’s Who’s afraid of Virginia Woolf, Alexander Theatre,1984 with Jacqui Singer & Michael McCabe, Carol-Ann Kelleher, (dir) William Egan, designs, Gloria Lovegrove. Pact. Touchstones, 1984, Grahamstown Festival. The Ugly Noo Noo: A Trilogy, Markteater, 1989. Bekroon met Vita-toekenning. [training in mime with Jacques le Coq.??**] Performed in Love for Cirque de Soleil in 2009. | ||
| + | == Awards, etc == | ||
| + | Awards include the [[Standard Bank Young Artist's Award]] for Drama for ''[[Pas de Deux]]'' (1986), The Scotsman Fringe Award (Edinburgh Festival - 1995) for ''[[Feedback]]'' and several [[Vita Awards]] and the [[Fleur du Cap Award]] for Best New Indigenous Script (1989). | ||
| + | == Sources == | ||
[[Limelight]] 1982-83 | [[Limelight]] 1982-83 | ||
| Line 24: | Line 48: | ||
== Return to == | == Return to == | ||
| − | Return to [[ESAT Personalities B]] | + | Return to [[ESAT Personalities B]] |
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]] | Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]] | ||
Revision as of 07:54, 21 December 2015
Contents
STILL TO BE EDITED
BUCKLAND, Andrew (1954-) Stage and film actor, mime, playwright and drama teacher.
Biography
Born in Zimbabwe. He is married to actress Janet Buckland.
Youth
Training
Trained at Rhodes University Drama Department, graduating in 1979. In 1992 Buckland became a member of the First Physical Theatre Company and a lecturer in the Drama Department at Rhodes University. (Later senior lecturer and finally professor.)
Career
He became a junior lecturer, then joined PACT (1980-1984) as actor.
Contribution to SA theatre, film, media and/or performance
For PACT he played in, inter alia, Cat on a Hot Tin Roof, The Importance of Being Earnest (1982), Savages, Tom Jones and Bloed in die Strate (by Harry Kalmer), Who's Afraid of Virginia Woolf? (1984). Performed in Romeo and Juliet (as “Tybalt” with CAPAB), Monday after the Miracle (as “John Macy” with PACT), and in Shrivings (as “David” with PACT).
Gradually began to create his own theatre works (including The Mime, Stillborn and Matches) and in 1987 he and Janet Buckland founded Mouthpeace Theatre in Johannesburg (moving it to Grahamstown in 1992); working closely with their friends Lionel Newton, and director Lara Foot-Newton.
Created a distinctive style of theatre for himself, utilizing the techniques of physical theatre and mime to relate his poetic fantasies. Among his best known works are Touchstones (1984), Pas de Deux, which he had co-written with Soli Philander (1986), the much-admired and multiple award-winning The Ugly Noonoo (1988/1989), Between the Teeth (1990), Bloodstream (with Lionel Newton - 1992), Feedback (also with Newton, 1995), Noisy Walk (1996), The Water Juggler /The Well Being (1998), and **** (2001). Laugh the Buffalo (2013), directed by Janet Buckland; the ghost of Christmas Present in Scrooge (Baxter Theatre, 2013); 2014: Crazy in Love (with A Conspiracy of Clowns)
His film work includes roles in Shotdown, The Schoolmaster, Dirty Games, The Good Fascist and Quest for Love.
STILL TO BE EDITED
His The Investigation of an Ugly Noo Noo was staged at the Warehouse in 1988. He starred in David Mamet’s Speed the Plow at Upstairs at the Market in 1990. He starred in Ibsen’s A Doll’s House at Upstairs at the Market in 1990. He starred in a return run of The Ugly Noo Noo at the Market in 1991. He directed Soli Philander in Soli’s Take Two at the Laager in 1991. He starred in and wrote Bloodtream circa 1992. (Tucker, 1997; Kruger, 1999)
BUCKLAND, Andrew, Albert Albee’s Who’s afraid of Virginia Woolf, Alexander Theatre,1984 with Jacqui Singer & Michael McCabe, Carol-Ann Kelleher, (dir) William Egan, designs, Gloria Lovegrove. Pact. Touchstones, 1984, Grahamstown Festival. The Ugly Noo Noo: A Trilogy, Markteater, 1989. Bekroon met Vita-toekenning. [training in mime with Jacques le Coq.??**] Performed in Love for Cirque de Soleil in 2009.
Awards, etc
Awards include the Standard Bank Young Artist's Award for Drama for Pas de Deux (1986), The Scotsman Fringe Award (Edinburgh Festival - 1995) for Feedback and several Vita Awards and the Fleur du Cap Award for Best New Indigenous Script (1989).
Sources
Limelight 1982-83
Artslink.co.za Headlines - Week 38 - 16/09/2014[1]
Go to South African Theatre/Bibliography
Return to
Return to ESAT Personalities B
Return to South African Theatre Personalities
Return to The ESAT Entries
Return to Main Page
