Difference between revisions of "ESAT Bibliography T"

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Taylor, Jane 2003. Taking stock: the making of a bourgeois life – The confessions of Zeno. South African theatre journal, 17: 234-244.
 
Taylor, Jane 2003. Taking stock: the making of a bourgeois life – The confessions of Zeno. South African theatre journal, 17: 234-244.
 +
 
Taylor, M. 1984. Improvisation for the actor in training. Teaterforum, 5(2) : 72-82.
 
Taylor, M. 1984. Improvisation for the actor in training. Teaterforum, 5(2) : 72-82.
  
Line 33: Line 34:
  
 
Taylor, Norah 1988.Enriching education. Crux, 22(1): 42-44. January.
 
Taylor, Norah 1988.Enriching education. Crux, 22(1): 42-44. January.
 +
 
Taylor, Norah 1989.Towards a history of the South African Guild of Speech and Drama Teachers. Johannesburg: Norah Taylor / The Guild.
 
Taylor, Norah 1989.Towards a history of the South African Guild of Speech and Drama Teachers. Johannesburg: Norah Taylor / The Guild.
 +
 
Teater vir Kaapstad. 1946. Huisgenoot, 30(1260): 3. March 17.
 
Teater vir Kaapstad. 1946. Huisgenoot, 30(1260): 3. March 17.
 +
 
Teizeira, A. 2007 Phyllis Klotz – founder of the Sibikwa Community Arts Project: no fake art. African connexion, 14(22): 34-35.
 
Teizeira, A. 2007 Phyllis Klotz – founder of the Sibikwa Community Arts Project: no fake art. African connexion, 14(22): 34-35.
  
 
Ten years of the Leonard Schach cockpit players. 1960. South African panorama, 5(7): 20-21. July.
 
Ten years of the Leonard Schach cockpit players. 1960. South African panorama, 5(7): 20-21. July.
 +
 
Terblanche, Nic. 2003. The Performing Arts and Marketing: Concepts and challenges. South African theatre journal, 17: 153-176.
 
Terblanche, Nic. 2003. The Performing Arts and Marketing: Concepts and challenges. South African theatre journal, 17: 153-176.
−
 
−
 
  
 
Terry P. 1982. Plact playwork. Scenaria, 30: 37-39. March.
 
Terry P. 1982. Plact playwork. Scenaria, 30: 37-39. March.
  
 
Terry Paddy 1982. John Norman. SAADYT Journal, 3(2): 3-7.
 
Terry Paddy 1982. John Norman. SAADYT Journal, 3(2): 3-7.
 +
 
Terry, Paddy 1984. Drama education and South Africa. SAADYT Journal, 6(1): 19-63.
 
Terry, Paddy 1984. Drama education and South Africa. SAADYT Journal, 6(1): 19-63.
 +
 
Terry, Paddy 1993. At the market: ten lessons for second language learners. KYK: 0636018164 of 063601987X
 
Terry, Paddy 1993. At the market: ten lessons for second language learners. KYK: 0636018164 of 063601987X
 +
 
Theart, Hugo 2009. I.A.T.C. Colloquium – Amsterdam, 17-20 June 2009. South African theatre journal, 23: 235-240.
 
Theart, Hugo 2009. I.A.T.C. Colloquium – Amsterdam, 17-20 June 2009. South African theatre journal, 23: 235-240.
 +
 
Theatre: an exciting season for Baxter ’83. 1983. Scenaria, (37): 32-34.
 
Theatre: an exciting season for Baxter ’83. 1983. Scenaria, (37): 32-34.
 +
 
Theatre. [workshop in Dorkay House, Johannesburg]. 1963. Classic, 1(1): 64-66.
 
Theatre. [workshop in Dorkay House, Johannesburg]. 1963. Classic, 1(1): 64-66.
 +
 
Theatre complex : the final stage. 1984. Construction Southern Africa, 29(8) : 30-33.
 
Theatre complex : the final stage. 1984. Construction Southern Africa, 29(8) : 30-33.
  
 
Theatre in the hills. 1973. Fiat lux, 8(5): 20-21.
 
Theatre in the hills. 1973. Fiat lux, 8(5): 20-21.
 +
 
Theatre of the little people. [Puppet plays]. 1963. South Africfan panorama, 8(9): 32-33. September.
 
Theatre of the little people. [Puppet plays]. 1963. South Africfan panorama, 8(9): 32-33. September.
 +
 
Theatre: quality calling audiences back. Forum. 4(34): 18.
 
Theatre: quality calling audiences back. Forum. 4(34): 18.
 +
 
Theatres of South Africa, no 11: Etienne Rousseau Theatre. 1979. Scenaria, (11) :  26-27.
 
Theatres of South Africa, no 11: Etienne Rousseau Theatre. 1979. Scenaria, (11) :  26-27.
 +
 
Theatres of South Africa, no 12 : the Space. 1979. Scenaria, (12): 22-23.
 
Theatres of South Africa, no 12 : the Space. 1979. Scenaria, (12): 22-23.
 +
 
Theatres of South Africa, no 13: Civic Theatre, Vereeniging. 1979. Scenaria, (13): 36-37.
 
Theatres of South Africa, no 13: Civic Theatre, Vereeniging. 1979. Scenaria, (13): 36-37.
 +
 
Theatrical masterpiece – Alexander Theatre: leading project. 2007.  Leading architecture and design, 25(7/8): 6-8, 10, 13-15.
 
Theatrical masterpiece – Alexander Theatre: leading project. 2007.  Leading architecture and design, 25(7/8): 6-8, 10, 13-15.
 +
 
Theron, Ida 1942. Voor die tentoonstelling. Eendrag. 14(62): 7-11. September.
 
Theron, Ida 1942. Voor die tentoonstelling. Eendrag. 14(62): 7-11. September.
 +
 
Theron, W. 2007. Voetligte en applous, deur D. Botha Reviewed in: Tydskrif vir geesteswetenskappe, 47(2): 279-280.
 
Theron, W. 2007. Voetligte en applous, deur D. Botha Reviewed in: Tydskrif vir geesteswetenskappe, 47(2): 279-280.
 +
 
Theys, L. Take off for theatre at Black schools. Informa, 31(9): 11-12.
 
Theys, L. Take off for theatre at Black schools. Informa, 31(9): 11-12.
  
Line 68: Line 86:
  
 
Thomson, C. 1988. All the world’s a stage.  Neon, 8(54): 56-58.
 
Thomson, C. 1988. All the world’s a stage.  Neon, 8(54): 56-58.
 +
 
Thomson, H. 1989. An examination of the use of role playas a teaching strategy and learning mediumin speech and drama and selected school subjects. Durban: University of Natal. (MA thesis).
 
Thomson, H. 1989. An examination of the use of role playas a teaching strategy and learning mediumin speech and drama and selected school subjects. Durban: University of Natal. (MA thesis).
 +
 
THOMPSON, BRIDGET. 1996. Making Heart and Stone:  A film about Govan Mbeki’s life (personal report). South African theatre journal, 10(2):187-191.
 
THOMPSON, BRIDGET. 1996. Making Heart and Stone:  A film about Govan Mbeki’s life (personal report). South African theatre journal, 10(2):187-191.
 +
 
TF A. 1964. Hamlet comes to Maynardville. Femina, 66-75. February 13.
 
TF A. 1964. Hamlet comes to Maynardville. Femina, 66-75. February 13.
  
Line 75: Line 96:
  
 
Thurman, Christopher 2006. 1956-2006: fifty years at Maynardville. Shakespeare in Southern Africa, 18(2): 57-61.
 
Thurman, Christopher 2006. 1956-2006: fifty years at Maynardville. Shakespeare in Southern Africa, 18(2): 57-61.
 +
 
Thurman, Christopher 2006. Sher and Doran’s ‘Titus Andronicus’ [1995]: importing  
 
Thurman, Christopher 2006. Sher and Doran’s ‘Titus Andronicus’ [1995]: importing  
 
Shakespeare, exporting South Africa. Shakespeare in Southern Africa, 18(2): 29-36.
 
Shakespeare, exporting South Africa. Shakespeare in Southern Africa, 18(2): 29-36.
 +
 
Thurman, Christopher 2008. Romeo and Juliet. Shakespeare in Southern Africa, 20: 64-66.  
 
Thurman, Christopher 2008. Romeo and Juliet. Shakespeare in Southern Africa, 20: 64-66.  
 +
 
Thurman, Christopher 2008. Shakespeare at the National Arts Festival. Shakespeare in Southern Africa, 20: 63-64.
 
Thurman, Christopher 2008. Shakespeare at the National Arts Festival. Shakespeare in Southern Africa, 20: 63-64.
 +
 
Thuynsma, Peter 1987.  Xhosa ntsomi: the language of gesture. English Academy review, (4): 77–89.
 
Thuynsma, Peter 1987.  Xhosa ntsomi: the language of gesture. English Academy review, (4): 77–89.
 +
 
Tien jaar toegewyde toneelarbeid. 1943. Huisgenoot. 28(1134): 5. Desember 17.
 
Tien jaar toegewyde toneelarbeid. 1943. Huisgenoot. 28(1134): 5. Desember 17.
−
 
  
 
The Time-image: William Kentridge Interviewed by Cheryl Kaplan. PAJ: A Journal  
 
The Time-image: William Kentridge Interviewed by Cheryl Kaplan. PAJ: A Journal  
 
of Performance & Art [serial online]. May 2005;27(80):28-44.  
 
of Performance & Art [serial online]. May 2005;27(80):28-44.  
  
 +
To be or not to be : that is the question : [air conditioning in the Natal Playhouse]. 1985. African refrig aircond, 1(3) : 10-12.
  
 +
Toerien hangs out dirty linen. 1977. Scenaria, June/July : 15.
  
−
To be or not to be : that is the question : [air conditioning in the Natal Playhouse]. 1985. African refrig aircond, 1(3) : 10-12.
 
−
Toerien hangs out dirty linen. 1977. Scenaria, June/July : 15.
 
 
Toeskouer skuilnaam 1960. Slag van die Kaapse Vlakte. Standpunte, 14(2): 4-13.
 
Toeskouer skuilnaam 1960. Slag van die Kaapse Vlakte. Standpunte, 14(2): 4-13.
 +
 
Tomaselli, K. 1987. South African Theatre.  Four plays and an introduction, edited by Temple Hauptfleisch & Ted Townsend. Reviewed in: South African theatre journal, 1(1):142-146.
 
Tomaselli, K. 1987. South African Theatre.  Four plays and an introduction, edited by Temple Hauptfleisch & Ted Townsend. Reviewed in: South African theatre journal, 1(1):142-146.
  
Line 96: Line 122:
  
 
TOMASELLI, KEYAN G.  1981.  The Semiotics of Alternative Theatre in South Africa. Critical Arts 2 (1): 14 – 33.
 
TOMASELLI, KEYAN G.  1981.  The Semiotics of Alternative Theatre in South Africa. Critical Arts 2 (1): 14 – 33.
 +
 
TOMASELLI, KEYAN G. 1981.  Black South African Theatre: Text and Context. In: English in Africa. VIII, No. 1 (March 1981)
 
TOMASELLI, KEYAN G. 1981.  Black South African Theatre: Text and Context. In: English in Africa. VIII, No. 1 (March 1981)
 +
 
Tomaselli, Keyan & Muller, Johan 1987. Class, race, and oppression: metaphor and metonymy in’Black’ South African theatre. Critical arts, 4(3): 40-58.
 
Tomaselli, Keyan & Muller, Johan 1987. Class, race, and oppression: metaphor and metonymy in’Black’ South African theatre. Critical arts, 4(3): 40-58.
 +
 
Tomkins, Joanne 1995. “One point of sanity”: an interview with Barney Simon. South African theatre journal,, 9(2): 83-96.
 
Tomkins, Joanne 1995. “One point of sanity”: an interview with Barney Simon. South African theatre journal,, 9(2): 83-96.
 +
 
Toneel en die publiek. 1950. Huisgenoot, 34(1459): 80. March 10.
 
Toneel en die publiek. 1950. Huisgenoot, 34(1459): 80. March 10.
 +
 
Toneel uit eie bodem? Ons eie boek, 20(1): 5-11.
 
Toneel uit eie bodem? Ons eie boek, 20(1): 5-11.
 +
 
Toneelgeselskap se groot prestasie. 1944. Huisgenoot, 28(1162): 3. June 30.
 
Toneelgeselskap se groot prestasie. 1944. Huisgenoot, 28(1162): 3. June 30.
 +
 
TRACY, Hugh.  1948. Lalela Zulu.  Roodepoort: Africa Music Society.
 
TRACY, Hugh.  1948. Lalela Zulu.  Roodepoort: Africa Music Society.
 +
 
Trials of Keeno [literary criticism]. 1983. Teaterforum, 4(1) : 94-100.
 
Trials of Keeno [literary criticism]. 1983. Teaterforum, 4(1) : 94-100.
 +
 
A tribute to Wena Naudé. 1978. Scenaria, (9) : 18-19.
 
A tribute to Wena Naudé. 1978. Scenaria, (9) : 18-19.
 +
 
Trichardt, Carel 1984. Regisseur in Suid-Afrika (‘n betoog oor regisseursopleiding). Teaterforum, 5(1): 17-29.
 
Trichardt, Carel 1984. Regisseur in Suid-Afrika (‘n betoog oor regisseursopleiding). Teaterforum, 5(1): 17-29.
  
 
Trichardt, Carel 1984. Die regisseur in Suid-Afrika (‘n betoog oor regisseurs-opleiding). Teaterforum, 5(1): 17-29.
 
Trichardt, Carel 1984. Die regisseur in Suid-Afrika (‘n betoog oor regisseurs-opleiding). Teaterforum, 5(1): 17-29.
 +
 
Trichardt, Carel 1985. Die Suid-Afrikaanse Film- en Teaterunie. (SAFTU) ["South African Film and Theatre Union") In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 115-116.
 
Trichardt, Carel 1985. Die Suid-Afrikaanse Film- en Teaterunie. (SAFTU) ["South African Film and Theatre Union") In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 115-116.
 +
 
Trichardt, Karel 1977. [Acting]. Speak, 1(1): 58-60. December.
 
Trichardt, Karel 1977. [Acting]. Speak, 1(1): 58-60. December.
 +
 
The Trojan women/ Vroue van Troje. 1977. Scenaria, June/July: 28-29.
 
The Trojan women/ Vroue van Troje. 1977. Scenaria, June/July: 28-29.
 +
 
Tromp, Peter. 2004.  Salaam Stories is hitting the right spot. In: Cape Times, March, 4, 2004: 12.
 
Tromp, Peter. 2004.  Salaam Stories is hitting the right spot. In: Cape Times, March, 4, 2004: 12.
 +
 
TRUK is mondig! 1985. Lantern, 34(1): 69. ???
 
TRUK is mondig! 1985. Lantern, 34(1): 69. ???
 +
 
TRUMP, Martin. 1993. Rendering Things Visible. Johannesburg: Ravan Press.   
 
TRUMP, Martin. 1993. Rendering Things Visible. Johannesburg: Ravan Press.   
 +
 
TRÜMPELMANN, G.P.J.  1969.  “Die H.B. Thom Teater”. In:  Kotze, D.J. (ed), Professor H.B. Thom.  Stellenbosch:Universiteit van Stellenbosch
 
TRÜMPELMANN, G.P.J.  1969.  “Die H.B. Thom Teater”. In:  Kotze, D.J. (ed), Professor H.B. Thom.  Stellenbosch:Universiteit van Stellenbosch
  
 
Truter, H.J. 1972. Afrikaanse drama. Unie, 69:169-171.November.
 
Truter, H.J. 1972. Afrikaanse drama. Unie, 69:169-171.November.
 +
 
Tsumele, Edward. 2001a. Awakening the sleeping giant. In: The Sowetan, January 12, 2001: 17.  
 
Tsumele, Edward. 2001a. Awakening the sleeping giant. In: The Sowetan, January 12, 2001: 17.  
  
 
Tsumele, Edward. 2001b. Playing to empty houses in the townships. In: The Sunday Independent, April 15, 2001: 10.
 
Tsumele, Edward. 2001b. Playing to empty houses in the townships. In: The Sunday Independent, April 15, 2001: 10.
−
TUCKER, Pat. ***
+
 
 
Tucker 1984.Scenaria, (41) : 17-19.
 
Tucker 1984.Scenaria, (41) : 17-19.
  
 
TUCKER, PERCY. 1997. Just the Ticket. My 50 Years in Show Business. Johannesburg: Witwatersrand University Press.   
 
TUCKER, PERCY. 1997. Just the Ticket. My 50 Years in Show Business. Johannesburg: Witwatersrand University Press.   
 +
 
Tucker, P. 2006. Jewish giants of South African theatre. Jewish affairs, 61(4): 24-61.
 
Tucker, P. 2006. Jewish giants of South African theatre. Jewish affairs, 61(4): 24-61.
  
−
TUCKER, Percy. 200*. Jewish Herald…
 
 
Turner, B. 1973. June Dixon and Donald Monat. Fair lady, 9(9): 54-58. June 27.
 
Turner, B. 1973. June Dixon and Donald Monat. Fair lady, 9(9): 54-58. June 27.
 +
 
Turner, B. 1976. Meet the mine boss. [Gordon Mulholland]. Fair lady, 12(4): 116-118. May 12.
 
Turner, B. 1976. Meet the mine boss. [Gordon Mulholland]. Fair lady, 12(4): 116-118. May 12.
 +
 
Turner, B. 1977. Star quality. [Rika Sennett]. Fair lady, 13(9): 42-47. August 17.
 
Turner, B. 1977. Star quality. [Rika Sennett]. Fair lady, 13(9): 42-47. August 17.
 +
 
Turner, B. 1978. First person Prinsloo. Fair lady, 14(7): 90-92. August 16.
 
Turner, B. 1978. First person Prinsloo. Fair lady, 14(7): 90-92. August 16.
 +
 
Turner, G. & Kaoma, N. 2006. Salute the sisters! Comedy festival set to entertain. Rootz Africa, 20(10): 134-136.
 
Turner, G. & Kaoma, N. 2006. Salute the sisters! Comedy festival set to entertain. Rootz Africa, 20(10): 134-136.
 +
 
Turner, V. (1969) The ritual process: structure and anti-structure. Chicago: Aldine Publishing Co.
 
Turner, V. (1969) The ritual process: structure and anti-structure. Chicago: Aldine Publishing Co.
 +
 
Twiggs, Laura. 1999a.  Army demons exorcised to great applause. In: The Sunday Independent, March, 14, 1999: 11.
 
Twiggs, Laura. 1999a.  Army demons exorcised to great applause. In: The Sunday Independent, March, 14, 1999: 11.
  

Revision as of 09:42, 30 August 2010

Click on the appropriate letter of the alphabet below to find the relevant list.

A B C D E F G H-Hay He-Hu I J K L M N O P Q R S-Sh Si-Sz T U V W X Y Z


Return to A Bibliography of South African South African Theatre and Performance


Take six [new faces in South African theatre]. 1970. Fair lady, 6(20): 64-73. November 25.

Taljaard, S. 1983. Teatertegnici. My loopbaan, 34 : 51-54.

Tang, Acty 2007. Corporeal knowledge and pleasure in theatre research: the case of looking at theatre photographs. South African theatre journal, 21: 241-252.

Taunton N. 2001. Camp scenes and generals: Shakespeare's Henry V and the State of the Art of War. Shakespeare in Southern Africa,13: 41.

Taylor, Anne 1984. Durban’s new theatre complex. Scenaria, (47): 23-25.

Taylor, A. 1984. Durban’s new theatre complex. Scenaria, (47) : 23-25.

Taylor, Gorry Bowes. 1999. Stage-struck Toerien fights the good fight. In: Sunday Independent, August, 22, 1999: 10.

Taylor, Jane 2003. Taking stock: the making of a bourgeois life – The confessions of Zeno. South African theatre journal, 17: 234-244.

Taylor, M. 1984. Improvisation for the actor in training. Teaterforum, 5(2) : 72-82.

Taylor, Norah 1960. The First Speech and Drama Teachers of Southern Africa. The South African Guild of Speech Teachers Members’ Book. Johannesburg (December 1960).

Taylor, N. 1980. Place of drama in education. Crux, 14(1): 9-11.

Taylor, Norah 1986. From small beginnings [speech – study and teaching]. Education and culture, 19(1) : 32-33.

Taylor, Norah 1988.Enriching education. Crux, 22(1): 42-44. January.

Taylor, Norah 1989.Towards a history of the South African Guild of Speech and Drama Teachers. Johannesburg: Norah Taylor / The Guild.

Teater vir Kaapstad. 1946. Huisgenoot, 30(1260): 3. March 17.

Teizeira, A. 2007 Phyllis Klotz – founder of the Sibikwa Community Arts Project: no fake art. African connexion, 14(22): 34-35.

Ten years of the Leonard Schach cockpit players. 1960. South African panorama, 5(7): 20-21. July.

Terblanche, Nic. 2003. The Performing Arts and Marketing: Concepts and challenges. South African theatre journal, 17: 153-176.

Terry P. 1982. Plact playwork. Scenaria, 30: 37-39. March.

Terry Paddy 1982. John Norman. SAADYT Journal, 3(2): 3-7.

Terry, Paddy 1984. Drama education and South Africa. SAADYT Journal, 6(1): 19-63.

Terry, Paddy 1993. At the market: ten lessons for second language learners. KYK: 0636018164 of 063601987X

Theart, Hugo 2009. I.A.T.C. Colloquium – Amsterdam, 17-20 June 2009. South African theatre journal, 23: 235-240.

Theatre: an exciting season for Baxter ’83. 1983. Scenaria, (37): 32-34.

Theatre. [workshop in Dorkay House, Johannesburg]. 1963. Classic, 1(1): 64-66.

Theatre complex : the final stage. 1984. Construction Southern Africa, 29(8) : 30-33.

Theatre in the hills. 1973. Fiat lux, 8(5): 20-21.

Theatre of the little people. [Puppet plays]. 1963. South Africfan panorama, 8(9): 32-33. September.

Theatre: quality calling audiences back. Forum. 4(34): 18.

Theatres of South Africa, no 11: Etienne Rousseau Theatre. 1979. Scenaria, (11) : 26-27.

Theatres of South Africa, no 12 : the Space. 1979. Scenaria, (12): 22-23.

Theatres of South Africa, no 13: Civic Theatre, Vereeniging. 1979. Scenaria, (13): 36-37.

Theatrical masterpiece – Alexander Theatre: leading project. 2007. Leading architecture and design, 25(7/8): 6-8, 10, 13-15.

Theron, Ida 1942. Voor die tentoonstelling. Eendrag. 14(62): 7-11. September.

Theron, W. 2007. Voetligte en applous, deur D. Botha Reviewed in: Tydskrif vir geesteswetenskappe, 47(2): 279-280.

Theys, L. Take off for theatre at Black schools. Informa, 31(9): 11-12.

Thomas, Ceridwen 1990. A dream of people. Plays and players, (441): 7-9.

Thomas, J. 1985. Dorothy Ann Gould : waking up in the dream factory. Fair lady, 20(12) : 98-101. June 26.

Thomson, C. 1988. All the world’s a stage. Neon, 8(54): 56-58.

Thomson, H. 1989. An examination of the use of role playas a teaching strategy and learning mediumin speech and drama and selected school subjects. Durban: University of Natal. (MA thesis).

THOMPSON, BRIDGET. 1996. Making Heart and Stone: A film about Govan Mbeki’s life (personal report). South African theatre journal, 10(2):187-191.

TF A. 1964. Hamlet comes to Maynardville. Femina, 66-75. February 13.

Three stages for Pretoria opera house. 1971. Construction in Southern Africa, 16(8): 83-87. November.

Thurman, Christopher 2006. 1956-2006: fifty years at Maynardville. Shakespeare in Southern Africa, 18(2): 57-61.

Thurman, Christopher 2006. Sher and Doran’s ‘Titus Andronicus’ [1995]: importing Shakespeare, exporting South Africa. Shakespeare in Southern Africa, 18(2): 29-36.

Thurman, Christopher 2008. Romeo and Juliet. Shakespeare in Southern Africa, 20: 64-66.

Thurman, Christopher 2008. Shakespeare at the National Arts Festival. Shakespeare in Southern Africa, 20: 63-64.

Thuynsma, Peter 1987. Xhosa ntsomi: the language of gesture. English Academy review, (4): 77–89.

Tien jaar toegewyde toneelarbeid. 1943. Huisgenoot. 28(1134): 5. Desember 17.

The Time-image: William Kentridge Interviewed by Cheryl Kaplan. PAJ: A Journal of Performance & Art [serial online]. May 2005;27(80):28-44.

To be or not to be : that is the question : [air conditioning in the Natal Playhouse]. 1985. African refrig aircond, 1(3) : 10-12.

Toerien hangs out dirty linen. 1977. Scenaria, June/July : 15.

Toeskouer skuilnaam 1960. Slag van die Kaapse Vlakte. Standpunte, 14(2): 4-13.

Tomaselli, K. 1987. South African Theatre. Four plays and an introduction, edited by Temple Hauptfleisch & Ted Townsend. Reviewed in: South African theatre journal, 1(1):142-146.

Tomaselli, K.G. 1981. Semiotics of alternative theatre in South Africa. Critical arts, 2(1): 14-33.

TOMASELLI, KEYAN G. 1981. The Semiotics of Alternative Theatre in South Africa. Critical Arts 2 (1): 14 – 33.

TOMASELLI, KEYAN G. 1981. Black South African Theatre: Text and Context. In: English in Africa. VIII, No. 1 (March 1981)

Tomaselli, Keyan & Muller, Johan 1987. Class, race, and oppression: metaphor and metonymy in’Black’ South African theatre. Critical arts, 4(3): 40-58.

Tomkins, Joanne 1995. “One point of sanity”: an interview with Barney Simon. South African theatre journal,, 9(2): 83-96.

Toneel en die publiek. 1950. Huisgenoot, 34(1459): 80. March 10.

Toneel uit eie bodem? Ons eie boek, 20(1): 5-11.

Toneelgeselskap se groot prestasie. 1944. Huisgenoot, 28(1162): 3. June 30.

TRACY, Hugh. 1948. Lalela Zulu. Roodepoort: Africa Music Society.

Trials of Keeno [literary criticism]. 1983. Teaterforum, 4(1) : 94-100.

A tribute to Wena Naudé. 1978. Scenaria, (9) : 18-19.

Trichardt, Carel 1984. Regisseur in Suid-Afrika (‘n betoog oor regisseursopleiding). Teaterforum, 5(1): 17-29.

Trichardt, Carel 1984. Die regisseur in Suid-Afrika (‘n betoog oor regisseurs-opleiding). Teaterforum, 5(1): 17-29.

Trichardt, Carel 1985. Die Suid-Afrikaanse Film- en Teaterunie. (SAFTU) ["South African Film and Theatre Union") In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 115-116.

Trichardt, Karel 1977. [Acting]. Speak, 1(1): 58-60. December.

The Trojan women/ Vroue van Troje. 1977. Scenaria, June/July: 28-29.

Tromp, Peter. 2004. Salaam Stories is hitting the right spot. In: Cape Times, March, 4, 2004: 12.

TRUK is mondig! 1985. Lantern, 34(1): 69. ???

TRUMP, Martin. 1993. Rendering Things Visible. Johannesburg: Ravan Press.

TRÜMPELMANN, G.P.J. 1969. “Die H.B. Thom Teater”. In: Kotze, D.J. (ed), Professor H.B. Thom. Stellenbosch:Universiteit van Stellenbosch

Truter, H.J. 1972. Afrikaanse drama. Unie, 69:169-171.November.

Tsumele, Edward. 2001a. Awakening the sleeping giant. In: The Sowetan, January 12, 2001: 17.

Tsumele, Edward. 2001b. Playing to empty houses in the townships. In: The Sunday Independent, April 15, 2001: 10.

Tucker 1984.Scenaria, (41) : 17-19.

TUCKER, PERCY. 1997. Just the Ticket. My 50 Years in Show Business. Johannesburg: Witwatersrand University Press.

Tucker, P. 2006. Jewish giants of South African theatre. Jewish affairs, 61(4): 24-61.

Turner, B. 1973. June Dixon and Donald Monat. Fair lady, 9(9): 54-58. June 27.

Turner, B. 1976. Meet the mine boss. [Gordon Mulholland]. Fair lady, 12(4): 116-118. May 12.

Turner, B. 1977. Star quality. [Rika Sennett]. Fair lady, 13(9): 42-47. August 17.

Turner, B. 1978. First person Prinsloo. Fair lady, 14(7): 90-92. August 16.

Turner, G. & Kaoma, N. 2006. Salute the sisters! Comedy festival set to entertain. Rootz Africa, 20(10): 134-136.

Turner, V. (1969) The ritual process: structure and anti-structure. Chicago: Aldine Publishing Co.

Twiggs, Laura. 1999a. Army demons exorcised to great applause. In: The Sunday Independent, March, 14, 1999: 11.

Twiggs, Laura. 1999b. Compelling look at nexus of ‘coloured’ identities. In: The Sunday Independent, June, 13, 1999: 12


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