Difference between revisions of "A Thumping Legacy"
| Line 24: | Line 24: | ||
http://en.wikipedia.org/wiki/John_Maddison_Morton | http://en.wikipedia.org/wiki/John_Maddison_Morton | ||
| + | |||
| + | Thomas A. Bogar. 2002. ''John E. Owens: Nineteenth Century American Actor and Manager'': p. 175(Google eBook)[https://books.google.co.za/books?id=dUxyBjj8HUYC&pg=PA175&lpg=PA175&dq=A+Thumping+Legacy,+or+The+Cockney+in+Corsica&source=bl&ots=l5R4Ipw0Aj&sig=vPwrCh6ykNimcunpQXvqqiQyxEA&hl=en&sa=X&ei=kfdfVd_HK-HT7Qb2-oOQBw&ved=0CC4Q6AEwAw#v=onepage&q=A%20Thumping%20Legacy%2C%20or%20The%20Cockney%20in%20Corsica&f=false] | ||
''The Spectator'', 18 February 1843, p.15[http://archive.spectator.co.uk/article/18th-february-1843/15/the-theatres] | ''The Spectator'', 18 February 1843, p.15[http://archive.spectator.co.uk/article/18th-february-1843/15/the-theatres] | ||
Revision as of 05:49, 23 May 2015
A farce by John Maddison Morton (1811–1891)
Contents
The original text
Often subtitled, or alternatively titled, The Cockney in Corsica A Cockney in Corsica
First performed in London as A Thumping Legacy in 1843, and published in the same year by T.H. Lacy (London), G. Berger (London) as well as Samuel French (London and New York) as "A Thumping Legacy; an original farce, in one act".
Translations and adaptations
Performance history in South Africa
1852: Performed on Tuesday 13 April and again on 21 April by the Amateur Company under the title The Thumping Legacy in the Garrison Theatre, as one of three fundraisers for the survivors of the troop ship Birkenhead. It played as afterpiece to Don Caesar de Bazan, or Love and Honour (Webster and Boucicault).
1854: Performed under the title The Thumping Legacy by the Amateur Theatrical Society Port Elizabeth in the new Port Elizabeth Theatre on Fridy 7 July, with The Road to Ruin (Holcroft).
1855: Performed under the title The Cockney in Corsica in the Drawing Room Theatre, Cape Town, on Friday 13 July 1855 by Sefton Parry, as a benefit performance for the Patriotic Fund, along with A Capital Match (J.M. Morton) and Monsieur Jacques (Barnett).
Sources
http://en.wikipedia.org/wiki/John_Maddison_Morton
Thomas A. Bogar. 2002. John E. Owens: Nineteenth Century American Actor and Manager: p. 175(Google eBook)[1]
The Spectator, 18 February 1843, p.15[2]
F.C.L. Bosman, 1928: pp. 402-3, 508
Go to South African Theatre/Bibliography
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to The ESAT Entries
Return to Main Page
