Difference between revisions of "ESAT Bibliography P"

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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
  
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P.G. du Plessis. 1985. Taalgenoot, 54(11) : 18.
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PACOFS’s Black Theatre Company – the Kopano group. 1988. Scenaria, (88): 25-26.
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PACT 1972 Decade. Pretoria: PACT
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Die paddas (the frogs): a Greek comedy by Aristophanes. 1977. Scenaria, August/September: 35.
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Pakendorf, Gunther. 1994. Dubbele Siening; Resensie van Trits (by Reza de Wet). New Contrast 22/4: 109.
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Pakendorf, Gunther. 1997. Opperman se apokaliptiese geskiedenisstuk: Donkerland. New Contrast. 25/4: 109.
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Paller, Michael  1988. Visions of Mecca: Athol Fugard. Theater Week, 1(38): 8-13. May 2.
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Parker, E. 1968. Gilt and velvet [Theatre in Port Elizabeth]. South African panorama, 13(12): 46-49.
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PARKER, ZOE. 2002.  Standing up for the nation:  An inverstigation of stand-up comedy in South Africa post-1994 with specific reference to women’s power and the body.  South African theatre journal, 16: 8 – 29.
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Parr, T. & Hahn, C. 1977. Some thoughts on a deadly theatre. Discussion. Speak, 1(3): 18-20. May-June.
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Parr, T. & Hahn, C. 1977. Some thoughts on a deadly theatre. Speak, 1(1): 22-25. December.
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Partridge, A.C. 1978. Actor and audience. Scenaria, (8) : 30-31.
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Partridge, A. 1978. Modern theatre – introduction: the imponderables and the producer. Scenaria, June/July: 38-39
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Pascal, Julia et al. 1984. Black dog. [collection of newspaper reviews for Barney Simon’s play]. London theatre record, 4(18): 757. Aug. 27.
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Pearce B. 1997. A Shakespeare adaptation at the Courtyard theatre. Shakespeare in
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Southern Africa, 10: 72.
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Pearce B. 1998a. Antony and Cleopatra at the Elizabeth Sneddon Theatre. Shakespeare in Southern Africa, 11: 58.
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Pearce, Brian 1998b. The director and the South African theatre. South African theatre journal, 12(1&2): 203-207.
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Pearce, Brian 2000,  Fifty years of drama at the University of Natal. South African theatre journal, 14:199-201.
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Pearce, Brian 2001. Life copying art:  Performance as a means of inverting racial and social stereotypes. South African theatre journal, 15:161-168.
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Pearce Brian 2001. Editorial. Shakespeare in Southern Africa. January
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2001:III.
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Pearce, Brian. 2001. Elizabeth Sneddon. Shakespeare in Southern Africa, 13: 100..
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Pearce Brian 2002. Editorial. Shakespeare in Southern Africa,  January
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2002:III.
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Pearce, Brian 2002. Interview with Pieter Scholtz, 17 March 2002. Shakespeare in Southern Africa, 14: 33-42.
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Pearce, Brian 2003. Editorial. Shakespeare in Southern Africa,  15: iii.
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Pearce, Brian 2003. Reflections on theatre criticism. South African theatre journal, 17: 245-252.
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Pearce, Brian 2003.  Prospero's African magic: a post-colonial production of The
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Tempest. Shakespeare in Southern Africa, 15: 39-45.
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Pearce, Brian 2003. Twelfth Night. Shakespeare in Southern Africa, 15: 103.
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Pearce, Brian 2004. "Editorial." Shakespeare in Southern Africa,  Jan. 2004: 1.
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Pearce, Brian 2005. Obituary: Elizabeth Sneddon. Shakespeare in Southern Africa, 17: .
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Pearce, Brian 2006. Twelfth night. Shakespeare in Southern Africa, 18: 64-66.
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Pearce, Brian 2007. Hamlet/Hamlet deconstructed. Shakespeare in Southern Africa, 19: 82-83.
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Pearce, Brian 2009. Coriolanus, Debbie Lutge: theatre review. Shakespeare in Southern Africa, 21(1): 83-84.
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Pearlman, E. 1997. The ‘unity of character’ and Shakespeare’s two Caskas. Shakespeare in Southern Africa, 10: 1-12.
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Pearson, N. 1967. Subject or child? : book review. Transvaal educational news, 63(5): 11.
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Pechey, G. (1994) ‘Post- apartheid Narratives’. In Barker, Hulme, Iversen, (eds.) Colonial discourse, postcolonial theory. Manchester: Manchester University Press.
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People’s College Comics (Tessa Welch) South African theatre journal, 2(2):119-124.
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Pereira, Ernest 1977. Contemporary South African plays. Johannesburg: Ravan.
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Performaing arts councils: the first four years. 1967. South African panorama, 12(3): 24-31. March.
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Performing arts in South Africa: cultural aspirations of a young country. 1969.  Pretoria :  Dept. of Information.
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PERFORMING ARTS NETWORK OF SOUTH AFRICA (PANSA) DOCUMENT. 2002. Towards a Vision for the Performing Arts in South Africa. http://www.at.artslink.co.za/~pansa.
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Performing Arts Network of South Africa. 2002. Keeping the dream alive. www.artslink.co.za/pansa
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Performing Arts Network of South Africa. 2005. Towards an understanding of the South African Theatre Industry. www.artslink.co.za/pansa
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Performing xenophobia: a conversation with Jonathan Nkala and Bo Petersen conducted by Miki Flockemann, Wahseema Roberts, Andrea Castle, Antjie krog, and Kudzayi Ngara. South African theatre journal, 23: 207- 220.
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PERKINS, KATHY A. (Ed) 1999. Black South African Women. An Anthology of Plays. Cape Town: Cape Town University Press (Simultaneously in UK and USA by Routledge)
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Perritt, Jessica 1986. The South African Guild of Speech and Drama Teachers. NEON, 50 : 125-126.
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Peterson, Bhekizizwe 1990. Apartheid and the political imagination in Black South African Tteatre. Journal of Southern African studies 16(2): 229-246.
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PETERSON, B. 1993. Introduction to And The Girls and Their Sunday Dresses. Johannesburg: Witwatersrand University Press. 
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Peterson, Bhekizizwe 1994. Apartheid and the political imagination in Black South African theatre. In: Gunner, Liz (ed.) Politics and performance: theatre, poetry and song in Southern Africa. Johannesburg: Witwatersrand University Press. p. 35-54.
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Peterson, Bhekizizwe 1994. “I will open my mouth in parables”: theatre and evangelism in South Africa between 1900-1925. Theatre journal, 46(3): 349-362.
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Peterson, Bhekizizwe 1995. ‘All work and no paly makes civilisation unattractive to the masses.’: theatre and mission education at Mariannhill, 1900-1925. African studies, 54(2): 32-51.
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Peterson, Bhekizizwe 2000. Monarchs, missionaries & African intellectuals :                          African theatre and the unmaking of colonial  marginality. Johannesburg : Witwatersrand University Press.
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Phelps, J.M. 1979. 12 angry men: a co-operative play production. Education journal, 89(1): 31-36. April.
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Phillips, Fransi 1982. Hoofkarakter sensor die drama. Graffier, 2(1): 15.
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Philoctetes, pseud. 1985. But what do you do for a living ? 3. Actor. Scenaria, (48) : 14-16.
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Picardie, Michael 2009. The drama and theatre of two South African plays under apartheid. Aberystwyth: Aberystwyth University. (M.Phil. dissertation).
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Pienaar, B. 1985. Deon : hoe yswind sy gesig verlam het [Deon van Zyl].  Huisgenoot, 12-13. Oktober 17.
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Pienaar, B. 1985. Mooie Amanda : pyn agter die glimlag [Amanda Strydom}. Huisgenoot, 14-15. Julie 25.
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Pienaar, Hans. 1999.  Die Engelse KKNK...  Insig, 08/99: 41.
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Pienaar, Hans. 2002. Audience reaction shows that past is still present: Karoo festival play on land issues staged for poor of Schoemanshoek. In: The Sunday Independent, April 7, 2002: 10.
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Pienaar, Hans. 2004. The perpetual crisis of succession. In: The Sunday Independent, April 18, 2004: 11.
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Pienaar, L. 1952. Dramaturg en die regisseur. Helikon, 1(3): 88-91.
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Pienaar, Léonie 1941. Toneelonderrig in die skool. Huisgenoot. 26(1029):23. Desember 12.
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Pienaar, Samantha  1997. Fitting the word to the action:  an ethnographic journey into theatre, by Neilesh Bose. Reviewed in: South African theatre journal, 11(1&2):323-324.
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Pienaar, Samantha  1997. Interculturalism and South African Indian fusion dance, by Suria Govender. Reviewed in: South African theatre journal, 11(1&2):322..
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Pienaar, Samantha  1998. Alien bodies:  representations of modernity,’ race’ and nation in early modern dance, by Ramsay Burt. Reviewed in: South African theatre journal, 12(1&2):262-265.
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Pienaar, Samantha  2002. Songs of the women migrants:  performance and identity in South Africa, by Deborah James. Reviewed in: South African theatre journal, 16: 228 – 229.
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Pienaar BOSE, NEILESH.  Fitting the Word to the Action:  An Ethnographic Journey into Theatre () South African Theatre Journal, Vol.    11(1&2):323-324
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Pienaar BURT, RAMSAY.  Alien Bodies:  Representations of Modernity, ‘Race’ and Nation in early Modern Dance (Samantha) South African Theatre Journal, Vol.    12(1&2):262-265
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Pienaar GOVENDER, SURIA.  Interculturalism and South African Indian Fusion Dance (Samantha) South African Theatre Journal, Vol.    11(1&2):322
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Pienaar JAMES, DEBORAH.  Songs of the women migrants:  performance and identity in South Africa. (Samantha)  Vol 16: 228 – 229.
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Pieterse, Hennie 1991. Die keiser – ‘n teksontledingstrategie. Tydskrif vir letterkunde, 29(2): 112-135.
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Pietersen D. 1999. Patterns of change; audience, attendance, and music at the 1994
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Grahamstown Festival. Contemporary theatre review, 9(2): 61.
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Pietersen, I.D. 1998. South African drama and theories of the apocalypse. Bellville: University of the Western Cape. (MA-thesis.)
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Piling and diaphragm wall complete at Natal Playhouse site. 1983. South African construction world, 2(1): 22-27.
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Pillay, Kriben 1998. Finding an identity: South African Indian theatre in Spain. South African theatre journal, 12(1&2): 178-184.
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PILLAY, KRIBEN. 1998.  The emperor’s new clothes:  An exercise in virtual reality – Reflections on the Colston Symposium:  New approaches to theatre studies and performance analysis. South African theatre journal, 12(1&2):185-190.
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Pillay, K. 1999. Non-dualism: a theoretical and experiential perspective for the practice of educational drama and theatre. Durban: University of Durban-Westville. (PhD thesis).
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Pincus, D. 1971. Hair today – still hair tomorrow. Personality, 45-49. January 29.
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Pinter, Karoly 1987. Some technical notes on Suzman’s Othello. Shakespeare in Southern Africa, 1: 71.
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Plant, G.W. & Joss, A. 1984. Ground water control for a deep level basement [Natal Palyhouse]. South African construction world, 2(12) : 26-33.
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Plaston: DNS kind. [Literary criticism]. 1974. Tydskrif vir geesteswetenskappe, 14: 223-226. September.
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Plastow, Jane 1999. Theatre and society in South Africa: reflections in a fractured mirror, by Temple Hauptfleisch. Reviewed in: Theatre research international, 24(3): 297-298.
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Plastow, Jane 2000. South African Theatre As/And Intervention (Book Review). Modern
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drama, 43(4): 653.
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PLASTOW, JANE.  African Theatre and Politics.  The Evolution of Theatre in Ethiopia, Tanzania and Zimbabwe.  A Comparative Study (Eckard Breitinger) South African theatre journal, 13(1&2):209-213.
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Platter, E. 1985. Liz Dick behind the screen. Fair lady, 20(6) : 46-49. April 3.
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Playing for Life: Performance in Africa in the Age of AIDS By: Bourgault,
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  Politics and Performance: Theatre, Poetry and Song in Southern Africa By:
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Plays and piracy: a discussion. 1965. Contrast, 3(4): 53-62.
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Plays without critics. 1947. Libertas. 7(3): 68-69.
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Podbrey, Maurice. 1998.  Grahamstad se wyedoek.  Insig, 08/98: 40.
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Polatinsky, A. 2009. MacBeki – a farce to be reckoned with, Pieter-Dirk Uys: theatre review. Shakespeare in Southern Africa, 21(1): 81-83.
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Pope, M. 1959. Greek drama: ancestor of our own. Lantern, 9: 48-50. September.
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POPLE, LAETITIA. 1993. Teater nie dood as ek dit kan verhelp - Pieter Toerien. Beeld. 9 Januarie: Kalender.
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Popova, V. 2005. Youth development through intercultural performance : a case study from Wesbank Arts and Culture Group, South Africa. Bellville: University of the Western Cape. (MA-thesis.)
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Popular theatre. [health education]. 1979. Link, 15-16. September-December.
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Port Elizabeth Opera House. 1986. Architect & builder, 14-17, April.
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Porter, A. 1971. Open air theatre. Looking back, 1:120-123. December.
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POTTER, A.1989.  ‘What do you think of these Buddhas?’:  The function of Buddha in Harold Pinter’s The Caretaker. South African theatre journal, 3(2):19-32.
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Poynton, R. 2006. Improvisational theatre – free stuff – gifts everywhere: business theatre. Convergence, 7(1): 40-43.
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Poynton, R. 2006b. Improvisational theatre. Part 3 – and thereby hangs a tale : business theatre. Convergence, 7(2) : 42-45.
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Poynton, R. 2007. Show up and listen : armchair MBA : future knowledge. HR future, 8(4) : 51-52.
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Prentki, Tim 2001. Somewhere over the rainbow: Cultural intervention and self-development in the new South Africa. South African theatre journal, 15: 119-134
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Prentki, Tim 2008. Any color of the rainbow--as long as it's gray: dramatic learning spaces  in postapartheid South Africa.  African studies review, 51(3) : 91-106.
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Pretorius, André. 1997.  Londense kunslesse in SA. Insig, 08/97: 18.
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Pretorius, H. 1973. Langenhoven – speel die prime^re skool saam. Unie, 69(7): 269-274.
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Pretorius, Herman 1984. Die plek en funksie van teksstudie en die teorie en vorme van drama binne ’n graadkursus. Teaterforum, 5(1): 56-65. May.
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Pretorius, H. 1984. Toneelteks en die opvoering : die lees van die toneelteks. Teaterforum, 5(2) : 99-113.
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Pretorius, H. 1989. By Felix en Madame, deur Hennie Aucamp. Reviewed in: South African theatre journal,  3(1):87-90.
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Pretorius, H. 1989. HTLV-3,deur Lochner de Kock. Reviewed in: South African theatre journal,  3(1):91-94.
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Pretorius, H. 1994. Dubbeldop: Kabarettekste en –opstelle, deur Hennie Auc amp. Reviewed in: South African theatre journal,, 8(2):184-189.
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Pretorius, Herman. 1994. Dubbeldop. Kabarettekste en -opstelle (by Hennie Aucamp) (book review). SATJ 8/2: 184-189.
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Pretorius, Herman. 1994a. Hennie Aucamp: Die Afrika-konneksie in kabaretverband. South African theatre journal, 8(2): 59-78.
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Pretorius, H. 1995. Apartheid en verset: Die ontwikkeling van ‘n politieke protesteater in Suid-Afrika tot Soweto 1976. Pretoria: University of Pretoria (D.Litt. Disserta¬tion).
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PRETORIUS, HERMAN S. Politieke Protesteater in Suid-Afrika. Unpublished D.Phil thesis, University of Pretoria.
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PRETORIUS, HERMAN. 1978. Die Begrip Drama-in-die-Onderwys, met Verwysing na die Toepassing daarvan in Suid-Afrikaanse Skole. Unpublished M.A. dissertation. Stellenbosch: Stellenbosch University.
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PRETORIUS, HERMAN. 1994.  Hennie Aucamp:  Die Afrika-konneksie in kabaretverband, South African theatre journal,  8(2):59-78.
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Pretorius DE KOCK, LOCHNER.  HTLV-3 (Herman) South African Theatre Journal, Vol.    3(1):91-94
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Pretorius, Herman 1989. By Felix en Madame by Heniie Aucamp. Reviewed in: South African Theatre Journal, 3(1):87-90.
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Pretorius, Herman 1994. Dubbeldop:  Kabarettekste en –opstelle by Hennie Aucamp. Reviewed in: South African Theatre Journal, 8(2): 184-189.
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Pretorius, K. 1978. Maltrap Tobie Conjé bak pannekoek. Rooi rose, 34(2): 16-18. April 26.
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Pretorius, Louis & Pretorius, Mareli 2006. There and back again: National Arts Festival, Grahamstown 2006. South African theatre journal, 20: 263-269.
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Pretorius, R. 1982. Ontmoeting by dwaaldrif: gedramatiseerde ontmoeting van literatuurteorieë. Tydskrif vir letterkunde, 20(4) : 53-66.
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Pretorius, R. 1985. Hertzogprys vir drama 1984 aan Uys Krige : huldigingswoord. Tydskrif vir letterkunde, 23(4) : 91-92.
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Pretorius, R. 1987. Oog en spel : opstelle oor die drama. Pretoria : J.L. van Schaik.
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Pretorius, Réna 1984. Die goeie jaar (H. Grové ): ‘n semiotiese ondersoek. In: Malan, Charles (ed.) Spel en spieël :  besprekings van die moderne Afrikaanse drama en teater.  Johannesburg: Perskor. p. 93.104.
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Pretorius, S.J. 1947. Toneelspel met rooi ink en eierdoppe. [Faan Coetzee se toneelgeselskap, 1906-1911]. Ruiter, 1(34) : 6-7. December 24.
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Pretorius, Suzette 1986. Dramadepartement vier fees. Taalgenoot, 55(12) : 24-25.
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Pretorius, W.J. 1977. Suid-Sothodrama. Bantoe-onderwysblad, 23(7)-(8). September-October.
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Prins, M.J. 1984. Konflik in ‘n Skip is ons beloof : George Louw. Klasgids, 19(1) : 46-50.
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Prins, M.J. 1985. Vyfling.[J.F.W. Grosskopf].  (T.T. Cloete samesteller) Tydskrif vir letterkunde, 23(1) : 99-106.
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Prins, M.J. 1987. Die direktief as dramatiese taalhandeling in Krismis van Map Jacobs. Literator, 8(3): 26-38.
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Profile of an actress [Thoko Ntshinga]. 1980. Scenaria, (21): 26-27.
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Purkey, Malcolm 1984. Drama in education : Gandhi in South Africa : the play. English Academy review, 2 : 61-67.
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PURKEY, M. and STEINBERG, C. 1995. South African Theater in a Crisis.  Theater 25/3: 24-37. IBT 1994-1995 1542 het Steinberg eerste. Theater magazine
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Purkey, Malcolm 1996. Tooth and nail: rethinking form for the South African theatre. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 155-172.
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Purkey, Malcolm 1997. Productive misreadings. Theater der Zeit, 1997 Yearbook, 13-18.
  
  

Revision as of 10:17, 25 August 2010

Click on the appropriate letter of the alphabet below to find the relevant list.

A B C D E F G H-Hay He-Hu I J K L M N O P Q R S T U V W X Y Z


Return to A Bibliography of South African South African Theatre and Performance



P.G. du Plessis. 1985. Taalgenoot, 54(11) : 18.

PACOFS’s Black Theatre Company – the Kopano group. 1988. Scenaria, (88): 25-26. PACT 1972 Decade. Pretoria: PACT Die paddas (the frogs): a Greek comedy by Aristophanes. 1977. Scenaria, August/September: 35. Pakendorf, Gunther. 1994. Dubbele Siening; Resensie van Trits (by Reza de Wet). New Contrast 22/4: 109.

Pakendorf, Gunther. 1997. Opperman se apokaliptiese geskiedenisstuk: Donkerland. New Contrast. 25/4: 109. Paller, Michael 1988. Visions of Mecca: Athol Fugard. Theater Week, 1(38): 8-13. May 2. Parker, E. 1968. Gilt and velvet [Theatre in Port Elizabeth]. South African panorama, 13(12): 46-49. PARKER, ZOE. 2002. Standing up for the nation: An inverstigation of stand-up comedy in South Africa post-1994 with specific reference to women’s power and the body. South African theatre journal, 16: 8 – 29. Parr, T. & Hahn, C. 1977. Some thoughts on a deadly theatre. Discussion. Speak, 1(3): 18-20. May-June. Parr, T. & Hahn, C. 1977. Some thoughts on a deadly theatre. Speak, 1(1): 22-25. December. Partridge, A.C. 1978. Actor and audience. Scenaria, (8) : 30-31.

Partridge, A. 1978. Modern theatre – introduction: the imponderables and the producer. Scenaria, June/July: 38-39

Pascal, Julia et al. 1984. Black dog. [collection of newspaper reviews for Barney Simon’s play]. London theatre record, 4(18): 757. Aug. 27.


Pearce B. 1997. A Shakespeare adaptation at the Courtyard theatre. Shakespeare in Southern Africa, 10: 72.

Pearce B. 1998a. Antony and Cleopatra at the Elizabeth Sneddon Theatre. Shakespeare in Southern Africa, 11: 58.


Pearce, Brian 1998b. The director and the South African theatre. South African theatre journal, 12(1&2): 203-207.

Pearce, Brian 2000, Fifty years of drama at the University of Natal. South African theatre journal, 14:199-201.

Pearce, Brian 2001. Life copying art: Performance as a means of inverting racial and social stereotypes. South African theatre journal, 15:161-168.

Pearce Brian 2001. Editorial. Shakespeare in Southern Africa. January 2001:III.

Pearce, Brian. 2001. Elizabeth Sneddon. Shakespeare in Southern Africa, 13: 100..

Pearce Brian 2002. Editorial. Shakespeare in Southern Africa, January 2002:III. Pearce, Brian 2002. Interview with Pieter Scholtz, 17 March 2002. Shakespeare in Southern Africa, 14: 33-42. Pearce, Brian 2003. Editorial. Shakespeare in Southern Africa, 15: iii. Pearce, Brian 2003. Reflections on theatre criticism. South African theatre journal, 17: 245-252.

Pearce, Brian 2003. Prospero's African magic: a post-colonial production of The Tempest. Shakespeare in Southern Africa, 15: 39-45.

Pearce, Brian 2003. Twelfth Night. Shakespeare in Southern Africa, 15: 103.

Pearce, Brian 2004. "Editorial." Shakespeare in Southern Africa, Jan. 2004: 1.

Pearce, Brian 2005. Obituary: Elizabeth Sneddon. Shakespeare in Southern Africa, 17: .

Pearce, Brian 2006. Twelfth night. Shakespeare in Southern Africa, 18: 64-66.

Pearce, Brian 2007. Hamlet/Hamlet deconstructed. Shakespeare in Southern Africa, 19: 82-83. Pearce, Brian 2009. Coriolanus, Debbie Lutge: theatre review. Shakespeare in Southern Africa, 21(1): 83-84.

Pearlman, E. 1997. The ‘unity of character’ and Shakespeare’s two Caskas. Shakespeare in Southern Africa, 10: 1-12. Pearson, N. 1967. Subject or child? : book review. Transvaal educational news, 63(5): 11. Pechey, G. (1994) ‘Post- apartheid Narratives’. In Barker, Hulme, Iversen, (eds.) Colonial discourse, postcolonial theory. Manchester: Manchester University Press. People’s College Comics (Tessa Welch) South African theatre journal, 2(2):119-124. Pereira, Ernest 1977. Contemporary South African plays. Johannesburg: Ravan. Performaing arts councils: the first four years. 1967. South African panorama, 12(3): 24-31. March. Performing arts in South Africa: cultural aspirations of a young country. 1969. Pretoria : Dept. of Information. PERFORMING ARTS NETWORK OF SOUTH AFRICA (PANSA) DOCUMENT. 2002. Towards a Vision for the Performing Arts in South Africa. http://www.at.artslink.co.za/~pansa. Performing Arts Network of South Africa. 2002. Keeping the dream alive. www.artslink.co.za/pansa

Performing Arts Network of South Africa. 2005. Towards an understanding of the South African Theatre Industry. www.artslink.co.za/pansa Performing xenophobia: a conversation with Jonathan Nkala and Bo Petersen conducted by Miki Flockemann, Wahseema Roberts, Andrea Castle, Antjie krog, and Kudzayi Ngara. South African theatre journal, 23: 207- 220. PERKINS, KATHY A. (Ed) 1999. Black South African Women. An Anthology of Plays. Cape Town: Cape Town University Press (Simultaneously in UK and USA by Routledge) Perritt, Jessica 1986. The South African Guild of Speech and Drama Teachers. NEON, 50 : 125-126.

Peterson, Bhekizizwe 1990. Apartheid and the political imagination in Black South African Tteatre. Journal of Southern African studies 16(2): 229-246.

PETERSON, B. 1993. Introduction to And The Girls and Their Sunday Dresses. Johannesburg: Witwatersrand University Press. Peterson, Bhekizizwe 1994. Apartheid and the political imagination in Black South African theatre. In: Gunner, Liz (ed.) Politics and performance: theatre, poetry and song in Southern Africa. Johannesburg: Witwatersrand University Press. p. 35-54.

Peterson, Bhekizizwe 1994. “I will open my mouth in parables”: theatre and evangelism in South Africa between 1900-1925. Theatre journal, 46(3): 349-362. Peterson, Bhekizizwe 1995. ‘All work and no paly makes civilisation unattractive to the masses.’: theatre and mission education at Mariannhill, 1900-1925. African studies, 54(2): 32-51. Peterson, Bhekizizwe 2000. Monarchs, missionaries & African intellectuals : African theatre and the unmaking of colonial marginality. Johannesburg : Witwatersrand University Press. Phelps, J.M. 1979. 12 angry men: a co-operative play production. Education journal, 89(1): 31-36. April. Phillips, Fransi 1982. Hoofkarakter sensor die drama. Graffier, 2(1): 15.

Philoctetes, pseud. 1985. But what do you do for a living ? 3. Actor. Scenaria, (48) : 14-16.

Picardie, Michael 2009. The drama and theatre of two South African plays under apartheid. Aberystwyth: Aberystwyth University. (M.Phil. dissertation).

Pienaar, B. 1985. Deon : hoe yswind sy gesig verlam het [Deon van Zyl]. Huisgenoot, 12-13. Oktober 17. Pienaar, B. 1985. Mooie Amanda : pyn agter die glimlag [Amanda Strydom}. Huisgenoot, 14-15. Julie 25.

Pienaar, Hans. 1999. Die Engelse KKNK... Insig, 08/99: 41.

Pienaar, Hans. 2002. Audience reaction shows that past is still present: Karoo festival play on land issues staged for poor of Schoemanshoek. In: The Sunday Independent, April 7, 2002: 10.

Pienaar, Hans. 2004. The perpetual crisis of succession. In: The Sunday Independent, April 18, 2004: 11.

Pienaar, L. 1952. Dramaturg en die regisseur. Helikon, 1(3): 88-91. Pienaar, Léonie 1941. Toneelonderrig in die skool. Huisgenoot. 26(1029):23. Desember 12. Pienaar, Samantha 1997. Fitting the word to the action: an ethnographic journey into theatre, by Neilesh Bose. Reviewed in: South African theatre journal, 11(1&2):323-324. Pienaar, Samantha 1997. Interculturalism and South African Indian fusion dance, by Suria Govender. Reviewed in: South African theatre journal, 11(1&2):322.. Pienaar, Samantha 1998. Alien bodies: representations of modernity,’ race’ and nation in early modern dance, by Ramsay Burt. Reviewed in: South African theatre journal, 12(1&2):262-265. Pienaar, Samantha 2002. Songs of the women migrants: performance and identity in South Africa, by Deborah James. Reviewed in: South African theatre journal, 16: 228 – 229. Pienaar BOSE, NEILESH. Fitting the Word to the Action: An Ethnographic Journey into Theatre () South African Theatre Journal, Vol. 11(1&2):323-324 Pienaar BURT, RAMSAY. Alien Bodies: Representations of Modernity, ‘Race’ and Nation in early Modern Dance (Samantha) South African Theatre Journal, Vol. 12(1&2):262-265 Pienaar GOVENDER, SURIA. Interculturalism and South African Indian Fusion Dance (Samantha) South African Theatre Journal, Vol. 11(1&2):322 Pienaar JAMES, DEBORAH. Songs of the women migrants: performance and identity in South Africa. (Samantha) Vol 16: 228 – 229. Pieterse, Hennie 1991. Die keiser – ‘n teksontledingstrategie. Tydskrif vir letterkunde, 29(2): 112-135. Pietersen D. 1999. Patterns of change; audience, attendance, and music at the 1994 Grahamstown Festival. Contemporary theatre review, 9(2): 61.

Pietersen, I.D. 1998. South African drama and theories of the apocalypse. Bellville: University of the Western Cape. (MA-thesis.)


Piling and diaphragm wall complete at Natal Playhouse site. 1983. South African construction world, 2(1): 22-27.

Pillay, Kriben 1998. Finding an identity: South African Indian theatre in Spain. South African theatre journal, 12(1&2): 178-184. PILLAY, KRIBEN. 1998. The emperor’s new clothes: An exercise in virtual reality – Reflections on the Colston Symposium: New approaches to theatre studies and performance analysis. South African theatre journal, 12(1&2):185-190. Pillay, K. 1999. Non-dualism: a theoretical and experiential perspective for the practice of educational drama and theatre. Durban: University of Durban-Westville. (PhD thesis). Pincus, D. 1971. Hair today – still hair tomorrow. Personality, 45-49. January 29.


Pinter, Karoly 1987. Some technical notes on Suzman’s Othello. Shakespeare in Southern Africa, 1: 71.

Plant, G.W. & Joss, A. 1984. Ground water control for a deep level basement [Natal Palyhouse]. South African construction world, 2(12) : 26-33.

Plaston: DNS kind. [Literary criticism]. 1974. Tydskrif vir geesteswetenskappe, 14: 223-226. September. Plastow, Jane 1999. Theatre and society in South Africa: reflections in a fractured mirror, by Temple Hauptfleisch. Reviewed in: Theatre research international, 24(3): 297-298. Plastow, Jane 2000. South African Theatre As/And Intervention (Book Review). Modern drama, 43(4): 653. PLASTOW, JANE. African Theatre and Politics. The Evolution of Theatre in Ethiopia, Tanzania and Zimbabwe. A Comparative Study (Eckard Breitinger) South African theatre journal, 13(1&2):209-213.

Platter, E. 1985. Liz Dick behind the screen. Fair lady, 20(6) : 46-49. April 3.

Playing for Life: Performance in Africa in the Age of AIDS By: Bourgault, 

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Plays and piracy: a discussion. 1965. Contrast, 3(4): 53-62. Plays without critics. 1947. Libertas. 7(3): 68-69. Podbrey, Maurice. 1998. Grahamstad se wyedoek. Insig, 08/98: 40. Polatinsky, A. 2009. MacBeki – a farce to be reckoned with, Pieter-Dirk Uys: theatre review. Shakespeare in Southern Africa, 21(1): 81-83. Pope, M. 1959. Greek drama: ancestor of our own. Lantern, 9: 48-50. September. POPLE, LAETITIA. 1993. Teater nie dood as ek dit kan verhelp - Pieter Toerien. Beeld. 9 Januarie: Kalender. Popova, V. 2005. Youth development through intercultural performance : a case study from Wesbank Arts and Culture Group, South Africa. Bellville: University of the Western Cape. (MA-thesis.) Popular theatre. [health education]. 1979. Link, 15-16. September-December.

Port Elizabeth Opera House. 1986. Architect & builder, 14-17, April.

Porter, A. 1971. Open air theatre. Looking back, 1:120-123. December. POTTER, A.1989. ‘What do you think of these Buddhas?’: The function of Buddha in Harold Pinter’s The Caretaker. South African theatre journal, 3(2):19-32. Poynton, R. 2006. Improvisational theatre – free stuff – gifts everywhere: business theatre. Convergence, 7(1): 40-43. Poynton, R. 2006b. Improvisational theatre. Part 3 – and thereby hangs a tale : business theatre. Convergence, 7(2) : 42-45.

Poynton, R. 2007. Show up and listen : armchair MBA : future knowledge. HR future, 8(4) : 51-52. Prentki, Tim 2001. Somewhere over the rainbow: Cultural intervention and self-development in the new South Africa. South African theatre journal, 15: 119-134 Prentki, Tim 2008. Any color of the rainbow--as long as it's gray: dramatic learning spaces in postapartheid South Africa. African studies review, 51(3) : 91-106. Pretorius, André. 1997. Londense kunslesse in SA. Insig, 08/97: 18. Pretorius, H. 1973. Langenhoven – speel die prime^re skool saam. Unie, 69(7): 269-274. Pretorius, Herman 1984. Die plek en funksie van teksstudie en die teorie en vorme van drama binne ’n graadkursus. Teaterforum, 5(1): 56-65. May. Pretorius, H. 1984. Toneelteks en die opvoering : die lees van die toneelteks. Teaterforum, 5(2) : 99-113. Pretorius, H. 1989. By Felix en Madame, deur Hennie Aucamp. Reviewed in: South African theatre journal, 3(1):87-90. Pretorius, H. 1989. HTLV-3,deur Lochner de Kock. Reviewed in: South African theatre journal, 3(1):91-94. Pretorius, H. 1994. Dubbeldop: Kabarettekste en –opstelle, deur Hennie Auc amp. Reviewed in: South African theatre journal,, 8(2):184-189. Pretorius, Herman. 1994. Dubbeldop. Kabarettekste en -opstelle (by Hennie Aucamp) (book review). SATJ 8/2: 184-189.

Pretorius, Herman. 1994a. Hennie Aucamp: Die Afrika-konneksie in kabaretverband. South African theatre journal, 8(2): 59-78.

Pretorius, H. 1995. Apartheid en verset: Die ontwikkeling van ‘n politieke protesteater in Suid-Afrika tot Soweto 1976. Pretoria: University of Pretoria (D.Litt. Disserta¬tion).

PRETORIUS, HERMAN S. Politieke Protesteater in Suid-Afrika. Unpublished D.Phil thesis, University of Pretoria. PRETORIUS, HERMAN. 1978. Die Begrip Drama-in-die-Onderwys, met Verwysing na die Toepassing daarvan in Suid-Afrikaanse Skole. Unpublished M.A. dissertation. Stellenbosch: Stellenbosch University. PRETORIUS, HERMAN. 1994. Hennie Aucamp: Die Afrika-konneksie in kabaretverband, South African theatre journal, 8(2):59-78. Pretorius DE KOCK, LOCHNER. HTLV-3 (Herman) South African Theatre Journal, Vol. 3(1):91-94 Pretorius, Herman 1989. By Felix en Madame by Heniie Aucamp. Reviewed in: South African Theatre Journal, 3(1):87-90. Pretorius, Herman 1994. Dubbeldop: Kabarettekste en –opstelle by Hennie Aucamp. Reviewed in: South African Theatre Journal, 8(2): 184-189.

Pretorius, K. 1978. Maltrap Tobie Conjé bak pannekoek. Rooi rose, 34(2): 16-18. April 26. Pretorius, Louis & Pretorius, Mareli 2006. There and back again: National Arts Festival, Grahamstown 2006. South African theatre journal, 20: 263-269.

Pretorius, R. 1982. Ontmoeting by dwaaldrif: gedramatiseerde ontmoeting van literatuurteorieë. Tydskrif vir letterkunde, 20(4) : 53-66. Pretorius, R. 1985. Hertzogprys vir drama 1984 aan Uys Krige : huldigingswoord. Tydskrif vir letterkunde, 23(4) : 91-92.

Pretorius, R. 1987. Oog en spel : opstelle oor die drama. Pretoria : J.L. van Schaik. Pretorius, Réna 1984. Die goeie jaar (H. Grové ): ‘n semiotiese ondersoek. In: Malan, Charles (ed.) Spel en spieël : besprekings van die moderne Afrikaanse drama en teater. Johannesburg: Perskor. p. 93.104. Pretorius, S.J. 1947. Toneelspel met rooi ink en eierdoppe. [Faan Coetzee se toneelgeselskap, 1906-1911]. Ruiter, 1(34) : 6-7. December 24.

Pretorius, Suzette 1986. Dramadepartement vier fees. Taalgenoot, 55(12) : 24-25. Pretorius, W.J. 1977. Suid-Sothodrama. Bantoe-onderwysblad, 23(7)-(8). September-October. Prins, M.J. 1984. Konflik in ‘n Skip is ons beloof : George Louw. Klasgids, 19(1) : 46-50.

Prins, M.J. 1985. Vyfling.[J.F.W. Grosskopf]. (T.T. Cloete samesteller) Tydskrif vir letterkunde, 23(1) : 99-106.

Prins, M.J. 1987. Die direktief as dramatiese taalhandeling in Krismis van Map Jacobs. Literator, 8(3): 26-38. Profile of an actress [Thoko Ntshinga]. 1980. Scenaria, (21): 26-27. Purkey, Malcolm 1984. Drama in education : Gandhi in South Africa : the play. English Academy review, 2 : 61-67. PURKEY, M. and STEINBERG, C. 1995. South African Theater in a Crisis. Theater 25/3: 24-37. IBT 1994-1995 1542 het Steinberg eerste. Theater magazine Purkey, Malcolm 1996. Tooth and nail: rethinking form for the South African theatre. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 155-172. Purkey, Malcolm 1997. Productive misreadings. Theater der Zeit, 1997 Yearbook, 13-18.



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