Difference between revisions of "Der Eremit auf Formentera"
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1824: Performed in [[Dutch]] as ''[[De Kluizenaar op Formentera]]'' by [[Tot Nut en Vermaak]] on 10 July 1809 in the [[African Theatre]], with ''[[De Naamgenoten]]'' (Westerman) as afterpiece. | 1824: Performed in [[Dutch]] as ''[[De Kluizenaar op Formentera]]'' by [[Tot Nut en Vermaak]] on 10 July 1809 in the [[African Theatre]], with ''[[De Naamgenoten]]'' (Westerman) as afterpiece. | ||
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| + | 1925: Performed in [[Dutch]] as ''[[De Kluizenaar op Formentera]]'' by [[Tot Nut en Vermaak]] on 3 December in the [[African Theatre]], with ''[[Niets of Iets, of De Vyf Gestorwen]]'' (Stoopendaal) as afterpiece. This evening was done as a benefit for "some needy households" in Cape Town. | ||
== Sources == | == Sources == | ||
Revision as of 08:31, 16 February 2015
("The Hermit of Formentera") A musical play in two acts by August von Kotzebue
Contents
The original text
Written in German, and published in Frankfort and Leipzig in 1790.
Translations and adaptations
Translated into Dutch as De Kluizenaar op Formentera by Adrianus Bruggemans, first published in Rotterdam by J. Meijer in 1793.
Performance history in South Africa
1809: First performed in Dutch as De Kluizenaar op het Eiland Formentera by Tot Nut en Vermaak on 10 June in the African Theatre, with De Verwarring (Von Kotzebue) as afterpiece.
1824: Performed in Dutch as De Kluizenaar op Formentera by Tot Nut en Vermaak on 10 July 1809 in the African Theatre, with De Naamgenoten (Westerman) as afterpiece.
1925: Performed in Dutch as De Kluizenaar op Formentera by Tot Nut en Vermaak on 3 December in the African Theatre, with Niets of Iets, of De Vyf Gestorwen (Stoopendaal) as afterpiece. This evening was done as a benefit for "some needy households" in Cape Town.
Sources
Text of the first German edition[1]
Text of the first Dutch edition[2]
F.C.L. Bosman, 1928: pp. 131,
Go to ESAT Bibliography
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Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
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