ESAT Bibliography M

Click on the appropriate letter of the alphabet below to find the relevant list.

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Maasdorp, L. 2000. Shorts : the potential role of the short film in the development of the South African film and television industries. Stellenbosch: Universiteit van Stellenbsoch. (M Dram-tesis.)

Machen, Peter. 2001. The people have the power. In: The Sunday Independent, July 14, 2001: 12.

Maclennan, Don 1974. Author’s notes for The voyage of the Santiago. Contrast, 9(2): 26-29. August.

MacLennan, D. 1981. Palimpsest: some observations on the plays of Athol Fugard. Bloody horse, 3: 59-70.

Mclennan, D. 1982. Athol Fugard and Don Mclennan: a conversation. English in Africa, 9(2): 1-11.

MacLiam, Garalt. 1995a. Is there a doctor in the house? – Athol Fugard, opening a new play next month, has lost count of the PhDs. In: The Star, June 20, 1995: 6.

MacLiam, Garalt. 1995b. Making mugging meaningful... In: The Star, November 9, 1995: 2.

MacLiam, Garalt. 1997. Seeking the truth. In: The Star, August 5, 1997: 3.

Madelaine, R. 2007. ‘Sharper than a serpent’s tooth’: audiences’ ingratitude and Oscar Ashe’s tour of Australia, New Zealand and South Africa, 1912-1913. Shakespeare in southern Africa, 19(7): 1-8.

Madondo, Bongani. 1996. On a road to somewhere. In: Mayibuye, January, 31, 1996: 20.

Magubane Z. 2002. Mines, Minstrels, and Masculinity: Race, Class, Gender, and the Formation of the South African Working Class, 1870-1900. Journal of Men's Studies: A Scholarly Journal about Men and Masculinities [serial online]. Spring 2002;10(3):271-289.

Magubane, Zine. 2004. The Revolution Betrayed? In: The South Atlantic Quarterly, 103.4: 669.

Maine, Abbey 1970. An African theater in South Africa. African arts, 3: 42-44.

Maingard, Jacqueline 1997. Imag(in)ing the South African nation: representations of identity in the Rugby World Cup 1995. Theatre journal, 49(1): 15-28.

Maitse, T. (with Jen Marchbank) (2000) ‘Revealing silence: Voices from South Africa’. In Jacobs, Jacobson, Marchbank (eds.) States of violence- gender, violence and resistance. Zed Books, London , New York

Makanube, Peter. 1997. A musical with a moral. In: Mail & Guardian, August 21, 1997: 19.

Makgamatha, M.P. 1989. System of binary oppositions in the North Sotho nonwane of masilo le masilwane. South African journal of African languages, 9(3): 105-111.

Makgoba, Thabo. 2003. Morals matter: Reflections on the festival. In: The Daily Dispatch, July 21, 2003: 8.

Makhaya, Elliot. 1995. The building of theatres and entertainment centres in the townships will go a long way towards preservation of culture. In: The Sowetan, July 21, 1995: 8.

Makhaya, Elliot. 1997. New SA cultural festival. In: The Sowetan, May 19, 1997: 14.

Makhene, Motsumi M. 1996. The morning after Uhuru: music, rhythm and the performing arts. In Steyn, Melissa E. & Motshabi, Khanya B. Cultural synergy in South Africa :weaving strands of Africa and Europe. Randburg: Knowledge Resources. p. 147-160.

Makoe, Abbey. 1999. Johannesburg’s moegoes are bloody vampires. In: The Sunday Independent, August 8, 1999: 11.

Malan, A. 1967. Helen Braithwaite: grand old lady of the South African stage. Personality, 40-42. May 25.

Malan, Beverley 1988. Drama as education: using modern stage directions as a teaching module. Crux, 22(4): 24-30. October.

Malan, C. 1985. Tydskrif vir geesteswetenskappe en die drama. Tydskrif vir geesteswetenskappe, 25 : 14-18.

Malan, Charles 1984. Bartho Smit se dramatiese kosmologie veral in Christine en Putsonderwater. In: Malan, Charles (ed.) Spel en spieël : besprekings van die moderne Afrikaanse drama en teater. Johannesburg: Perskor. p. 64-82.

Malan, Charles 1984. Bartho Smit. Johannesburg : Perskor.

MALAN, CHARLES (ED.) 1984. Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater. Johannesburg: Perskor.

Malan, Charles & Smit Bartho 1985. Skrywer en gemeenskap: tien jaar Afrikaanse Skrywersgilde. Pretoria: HAUM-Literêr.

Malan, Eunice & Pretorius, Herman 1990a. Amateurtoneel in Suid-Afrika, deur P. J. du Toit. Reviewed in: South African theatre journal, 4(1): 172-177.

Malan, Eunice 1990b. Theatre and the environment. South African theatre journal, 4(2) : 80-86.

Malan, R. 1969. Ernest Oppenheimer-teater. Teater SA, 1(4): 22-24. December.

Malan, R. 1974. Tie in the pact, or theatre-in-education in the Performing arts council of the Transvaal. Crux, 8(2): 28-31. May.

Malan, R. 1979. Germanicus (N.P. van Wyk Louw). Tydskrif vir letterkunde, 17(3):169-181. August

Malange, Nise 1989. Women workers and the struggle for cultural transformations. Staffrider, 8(3/4): 76-80.

Malins, S. 1973. Best known South African in Britain. [Stratford Johns]. Personality, 134-137. May 18.

Mamana, June 1991. Puppets take up arms against AIDS. American theatre, 8(4): 44-45.

Mammon, Rafiek. 2003a. Snatching the limelight again. In: The Cape Times, June 11, 2003: 7.

Mammon, Rafiek. 2003b. Vatmaar, rough diamond of delights. In: The Cape Times, June 19, 2003: 11.

Manaka, Matsemela I980. Theatre of the dispossessed; an article based on discussion with James Mthoba and Joe Rahube. Staffrider 3(3): 28-30..

Manaka, M. 1984. Some thoughts on Black theatre. English Academu review, 2 : 33-39.

Manaka, Matsemela 1984. Some thoughts on black theatre. English Review. 9(2):33-39.

Manaka, Matsemela 1985. English Academy review, 2: 33-39 ??? en hierbo, IBT 1985 nrs 3539 en 4018.

Manim, Mannie & McSweeney, Gavin 1978. What is a stage manager? Scenaria, February/March: 36-37.

Manim, Mannie 1989. Journeys of discovery: thoughts on theatre. South African theatre journal, 3(1):69-80.

Mann, Bruce & Wright L. 2001. Ariel in Africa: Leslie French and the Port Elizabeth Shakespearean Festival. Shakespeare in Southern Africa, 13:93-99.

Mann, S. 1969. Percy Tucker: businessman of theatre and cinema. Personality, 135-140. September 11.

Mannering, D. 1993. The subject speech and drama and its possible implementation in a curriculum model for education in South Africa. Pretoria: University of Pretoria. (MA thesis).

MAPONYA, MAISHE. 1984. Problems and Possibilities: A Discourse on the Making of Alternative Theatre in South Africa. English Academy Review. 2:19-32.

MAPONYA, MAISHE.: 1995. Doing Plays for a Change, Johannesburg, Witwatersrand University Press.

Maponya, Maishe 1998. New challenges facing theatre practitioners in the new South Africa. In: Attridge, Derek and Jolly, Rosemary (eds). Writing South Africa: literature, apartheid, and democracy, 1970-1995. Cambridge: Cambridge University Press. p. 249-256.

Marais, G.F. 1983. Pluimsaad waai ver (N.P. van Wyk Louw). Tydskrif vir letterkunde, 21(1): 134-139.

Marais, H. (1998) South Africa: Limits to change. The political economy of transition. London, New York: Zed Books.

Maree, Cathy 1998. Resistance and remembrance: theatre during and after dictatorship and apartheid. South African theatre journal, 12(1&2): 11-33.

[Marié du Toit]. 1968. Personality, 14-18. July 4.

Marius Weyers and South African theatre. 1980. Scenaria, (18): 9-10.

Marks, Jonathan. 1973. Interview with Athol Fugard. Yale / Theatre 4 (1): 64 – 72.

Marlin-Curiel, Stephanie 1998. Titel??? TDR, 42(1): 126-

Marlin-Curiel, Stephanie 2001. A little too close to the truth: anxieties of testimony and confession in Ubu and the Truth Commission and A story I am about to tell. South African theatre journal, 15:77-106.

Marlin-Curiel, Stephanie 2001. Rave new world: trance-mission, trance-nationalism, and trans-scendence in the ‘new’ South Africa. TDR, 45(3): 149-168.

Marlin-Curiel, Stephanie 2002. The long road to healing: from the TRC to TfD. Theatre research international, 27: 275-288.

Marneweck, Aja 2006. Visual theatre moves out the box: developing puppetry in South Africa. South African theatre journal,20: 290-295.

Marquard, Davis 1949. Amateur actors can now go to school in South Africa. Outspan. 45(1171): 29. August 5.

Martin, Bob 2008. Highlights & footlights : a tribute to South African stage and screen / by photographer Bob Martin. Cape Town : Double Storey Books.

Martin, C. (2006) ‘Bodies of Evidence’. TDR: The Drama Review 50:3, pp. 7-15

MARTIN, DENIS-CONSTANT. 1999. Coon Carnival: New Year in Cape Town, Past and Present. Cape Town: David Philip Publishers.

MARTIN, Marilyn. 1995. “The Architecture of William Mitcheson Timlin”. Catalogue: William Mitcheson Timlin (1892-1943). Johannes Stegmann Gallery, University of the Free State.

Marx, L. 1990. Aspects of film and television communication, by Pieter J. Fourie. Reviewed in: South African theatre journal, 4(1):159-167.

Marx, L. 1991. Timeshift: on video culture, by Sean Cubitt. Reviewed in: South African theatre journal, 5(1):117-123.

Marx CUBITT, SEAN. Timeshift: On video culture (Lesley) South African Theatre Journal, Vol. 5(1):117-123

Marx FOURIE, PIETER J. Aspects of film and television communication (Lesley) South African Theatre Journal, Vol. 4(1):159-167

Masque, pseud. 1950. Shortcomings of the South African stage. Trek, 14(3): 27-30.

Masques, Monuments and Masons: The 1910 Pageant of the Union of South Africa

Master Harold and the boys. Athol Fugard. 1982. [Dramatic criticiam]. Standpunte, 35(6): 9-14.

MATTERA, Don. 1987. Memory is a Weapon. Johannesburg: Ravan Press.??** Matzhikiza, John. 1999. Resurrecting a vision. In: Mail & Guardian, June 17, 1999: 1.

Matzhikiza, John. 2002. A culture for everyone. In: Weekly Mail & Guardian, July 25, 2002: 28.

MATZKE, CHRISTINE. 1999. Trying to find the stepping-stones: Writing Tigre and Bilen dancing in Eritrea. South African theatre journal, 13(1&2):73-101.

Maufort, Marc Crucible of cultures : Anglophone drama at the dawn of the new millennium / Marc Maufort & Franca Bellarsi (eds.) Bruxelles ; New York : P.I.E.-Peter Lang, c2002 Het via Google by Questia uitgekon maar kon nie die inhoudsopgawe kry om te sien of die boek van toepassing is nie.

Mayer, C. H. (2005) Artificial walls: South African narratives on conflict, difference and identity: an exploratory study in post-apartheid South Africa. Stuttgart: Ibidem-Verlag.

Mazibuko, Doreen 1996. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 219-224.

Mazmane, V. 1978. Literature and politics among Blacks in South Africa. New Classic 5:42-57.

McBurney, Blaine 1987. Theatre and cultural struggle in South Africa. by Robert Mshengu Kavanagh. Reviewed in: Contemporary sociology, 16(3): 391.

McCarthy, C.A. 1990. The formative value of drama presentations on selected student teachers. Durban: University of Durban-Westville. (MA thesis).

McCaul-Dommisse, H. 1973. Hoe sal beeldradio ons lewende toneel raak? Buurman, 3(4): 23-24. June.

McDONALD, MARIANNE. 2005*. Athol Fugard's Theatre.***?

McDonald, Marianne 2006. Wearing the third hat: Athol Fugard as director. South African theatre journal, 20: 207-220.

McGibbon, Murray 1986. Theatre in the 21st century : a journey backwards into the future. NEON, (51) : 36-40.

McKay, Kim 1987. The blood knot reborn in the eighties: a reflection of the artist and his times. Modern drama, 30(4): 496-504.

McLaren, J. & Van der Walt, D. 1978. Nasionale toneelbiblioteek en sy dienste. Opvoeding en kultuur, 2(4): 34-35. December.

McLaren, J. 1978. The play’s the thing wherein I’ll catch the conscience of the king: the

McLaren, Robert Mshengu 1992. Theatre on the frontline: the political theatre of Zambukon/Izibuko. TDR, 36(1): 90-114.

McLaren, Robert 1996. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 25-48.

McLuckie, Craig W. 1993. Power, self, and other: the absurd in Boesman and Lena. Twentieth century literature, 39(4): 423.

McLuskie, Kate 1999. Macbeth/Umbatha: Global Shakespeare in a post-colonial market. Shakespeare survey, 52:154-165.

McMurtry Mervyn 1994. The rise of the first Ambassador Bezuidenhout: Pieter-Dirk Uys’s creation of Evita Bezuidenhout, her fictional actuality and his approach to female impersonation. South African theatre journal, 8(2): 79-107.

McMurtry, Mervyn 1995. Adam Leslie and his contribution to satire in intimate review in South African theatre. South African theatre journal, 9(1): 3-27.

McMurtry, Mervyn 1996. Open space: six contemporary plays from Africa edited by Yvette Hutchison & Kole Omotoso and The distance remains and other plays by Robin Malan. Reviewed in: South African theare journal. 10(1): 119-124.

McMurtry, Mervyn 1998. ‘Greeks bearing gifts’: Athol Fugard’s Orestes project and the politics of experience. Modern drama, 41(1): 105-108.

MCMURTRY, MERVYN. 2000. Geographies of research: From “Geographies of Learning”. South African theatre journal,, 14:19-27.

MCMURTRY, MERVYN. 2002. Productions and publication: Issues in the accreditation of creativ activity for tenure and promotion at tertiary institutions in the United States of America. South African theatre journal,16: 80 – 91.

McMurtry, Mervyn E. 2006. Experiencing the ‘living monument’: Athol Fugard’s directing process and the Orestes project. South African theatre journal, 20: 30-47.

McMurtry 1996. ROBIN. The Distance Remains and Other Plays (Mervyn) S outh African Theatre Journal, Vol. 10(1):119-124

McSweeny, Gavin 1977. The Market Theatre. Scenaria, June/July. 10-11.

Mda, Zakes 1983. Commitment and writing in theatre: the South African experience. Classic, 2(1): 13-15.

Mda, Zakes 1993. When People Play People: Development Communication Through Theatre. Johannesburg: Zed Books/Witwatersrand University Books??**.

Mda, Zakes 1994a. Another Theatre of the Absurd. In: Theatre and Performance in Africa, edited by Eckhard Breitinger (ed). Bayreuth African Studies 31, Bayreuth Germany.

Mda, Zakes 1994b. Learning from the ancient wisdom of Africa in the creation and distribution of messages. Current writing, 6(2): 139-150.

Mda, Zakes 1995. Theater and reconciliation in South Africa. Theater magazine, 25(3): 38-45.

Mda, Zakes 1996. ‘Politics and Theatre: current trends in South Africa’. In Davis and Fuchs (eds), Theatre and change in South Africa, Contemporary Theatre studies, 12 Amsterdam, Harwood Academic Publishers

MDA, Zakes 1997. When People Play People in Post-apartheid South Africa. Interview with D. Salter. In: Brecht Yearbook 22:283-303.

MDA, Zakes 1998. Current Trends in Theatre-for-Development in South Africa. In: Writing South Africa, edited by Derrick Attridge and Rosemary Jolly. Cambridge: Cambridge University Press.

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Mda, Z. 1994. Another Theatre of the Absurd. In Breitinger, E. (ed) Theatre and Performance in Africa. Bayreuth African Studies 31, Bayreuth Germany.

Mda, Z. 1995. Theater and Reconciliation in South Africa. In Theater 25/3:36-45.

Mda, Zakes 1996. Politics and the theatre: current trends in South Africa. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 193-218.

Mda, Zakes 1998. Current trends in Theatre for Development in South Africa. In: Attridge, Derek and Jolly, Rosemary (eds). Writing South Africa: literature, apartheid, and democracy, 1970-1995. Cambridge: Cambridge University Press. p. 257-264.

Mda, Z. 2002. South African Theatre in an Era of Reconciliation. In: Harding, Frances (ed.) The Performance Arts in Africa. New York: Routledge. 279-289.

Mda, Zakes 2002. South African theatre in an era of reconciliation. In Harding, Frances (ed). The performance arts in Africa: a reader. London: Routledge. p. 279-289.

Mda, Zakes 2005. Südafrikanisches Theater im Zeitalter der Aussöhnung. In: Arndt, Susan & Berndt, Katrin (herausg). .Kreatives Afrika: SchriftstellerInnen über Literatur, Theater und Gesellschaft: eien Festschrift für Eckhard Breitinger. Wuppertal: Peter Hammer Verlag. p. 117-135.

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Morrison, F.E. 1987. Die drama ’n herbesinning. Lyra academica, 2(1): 41-49.

Mosala, Bernadette 1973. Theatre in Soweto. Journal of Commonwealth literature, 8(1): 63-68.

Moses, A. 2009. Totsiens, juffrou Trudie: huldeblyk. Die Huisgenoot, 26(609): 16-17. February 12.

Most modern opera house in the world [Nico Malan]. 1970. Construction in Southern Africa, 15(2): 69-79.

Mother earth [Yvonne Bryceland]. 1978. Scenaria, December/January: 35.

Mouijk (Pseud.) 1945. Children’s theatre. Transvaal educational news. 41(5): 17.

Moulton, S. 1982. Durban’s passion play. South African panorama, 27(8): 18-19.

Mouton, F.A. 2006. Voetligte & applous: die beginjare van die Afrikaanse beroepstoneel, D. Botha: boekresensie. Kleio. Vol 38, Issue 2, Sep Pages: 207-208

Mouton, K. 1982. Voorbereiding vir die vertolkingsaksie: herskep deur herskepping. Teaterforum, 3(1): 26-41. …Bespreking 3(1); 95-97.

Mouton Marisa 1986. Fiksionaliteit in die dramawereld. Literator, 7(3) : 39-51.

Mouton, Marisa. 1986. Gehoordeelname en die deurbreking van die teaterillusie. Acta academica, Nuwe reeks B (3) : 51-66.

Mouton, Marisa 1987. Tyd in die dramateks en in die opvoering. Tydskrif vir literatuurwetenskap, 3(4): 14-22.

Mouton, Marisa 1988a. ’n Bespreking van enkele aspekte in Pieter Fourie se Ek, Anna van Wyk. Literator, 9(1): 14-28.

Mouton, Marisa 1988b. Dramateorie vandag: die bydrae van die drama- en teatersemiotiek. Potchefstroom: Potchefstroomse Universiteit vir C.H.O. (D.Phil. thesis).

Mouton, Marisa 1988c. Die rol en funksie van die didaskalia in Reza de Wet se Diepe Grond. Literator, 9(2): 29-49. August.

Mouton, Marisa 1989. Dramateorie vandag :die bydrae van die drama- en teatersemiotiek. Potchefstroom: Departement Sentrale Publikasies P.U . vir C.H.O.

Moyo, Awelani Lena 2008. Negotiating migrant identities : foreign bodies, synbolic journeys and (sub)liminal landscapes in Composition Z – The House of Stone. South African theatre journal, 22: 84-101.

Mpe P. 1999. Sol Plaatje, Orality and the Politics of Cultural Representation. Current Writing: Text and Reception in Southern Africa [serial online]. October 1999;11(2):75-91.

Mpofu, Bekizulu. 1996. Hams cooked our goose: Ngema picks up the Sarafina pieces. In: Saturday Independent, December 7, 1996: 6.

Mtuze, P. 1990. Mdledle’s Xhosa translation of Julius Caesar. Shakespeare in Southern Africa, 4(1): 65-72.

MUDIMBE, V. 1988. The Invention of Africa: Gnosis, Philosophy, and the Order of Knowledge. Bloomington and Indianapolis: Indiana University Press.

Müller, Heiner 1987. The wounded Woyzeck. Performing arts journal, 10(3) : 73-75.

Muller, Braam. 1997. Vrugte in die Vrystaat. Insig, 08/97: 17.

Muller, Carol 1994. Nazirite women, ritual performance, and the construction of cultural truth and power. Current wrting, 6(2): 127-138.

Muller, H. 2007. Daaling, my tee’s bitter: Huisgenoot-joernalis neem roerend afskeid van Taliep Petersen: huldeblyk. Huisgenoot, 33(499): 20-21. January 4.

Muller, H. 2009. Talent op ‘n kruispad. Huisgenoot, (654): 118-119. December 24.

Muller, M. 1987. Germanicus. Klasgids, 22(1): 43-57. February.

Muller, Martie 1990. Uys Krige se Ryk weduwee. Tydskrif vir letterkunde, 28(4): 118-137.

Muller, R.P. 1981. Improvisasie tot opvoering : 'n beskouing met spesiale verwysing na die kind. Pretoria: Universiteit van Pretoria. (MA thesis).

Muller, R.P. & De Kock, D.M. 1997. Moving forward looking back: discovering the hidden potential of drama in education. South African journal of higher education, 11(2): 28-34.

Muller, R.P. & De Kock, D.M. 2001. Educating facilitators of an authentic learning approach. South African journal of higher education, 15(1): 205-216.

Munro, M. 1982. Some aspects of visual codes in Fugard. English in Africa, 9(2): 13-25.

Munro, Marth 2001. Towards demystifying voice-building in the next millennium. South African Theatre Journal, 15:107-118

Munro, Marth & Coetzee, Marié-Heleen 2007. Mind the gap: beyond whole-brain learning. South African theatre journal, 21:92-108. OBE, SA, Drama depts

Munro, Marth, Pretorius, Mariana & Munro, Allan 2008. Creativity, emotional intelligence and emotional creativity in student actors: a pilot study. South African theatre journal, 22: 44-61.

Munro, A. 1984. Semiotics : a methodology of drama and theatre analysis, or, The whole wolrd’s a semiotic stage. Teaterforum, 5(2) : 8-32.

Munro, Nan 1946. Theatre and education for leisure. Tramsvaal education news. 42(4): 20-21.

Murray and Stewart’s brilliant management coup. 1971. Business South Africa, 6(3): 35-37. March.

Musiker, Reuben & Musiker, Naomi 2006. Percy Baneshik: doyen of theatre journalists and broadcasters. Jewish affairs, 61(4): 79-80.

MUTLAOTSE, MOTHOBI. 1981. Reconstruction: 90 Years of Black Historical Literature. Johannesburg: Ravan Press.

MUTWA, CREDO. 1974/5. Umlinganiso…the Living Imitation. In: S’ketsh. Johannesburg: 30 – 32.

My ‘miracle’ stage role [Fiona Fraser]. 1961. Personality, 37-41. May 4.

Mynhardt, S. 1951. Kontak met die gehoor. Huisgenoot, 36(1541): 19. October 5.

Mynhardt, S. 1958. Geloofsbelydenis van ‘n toneelspeler. Tydskrif vir wetenskap en kuns, 18(1): 14-16.

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