ESAT Bibliography L

Click on the appropriate letter of the alphabet below to find the relevant list.

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Lack of stage facilities. 1941. Forum. 4(14): 18 and 4(15): 18. July 5 and 12.

Lack of theatres. 1941. Forum. 4(20): 14. April 16.

Laidler, P.W. 1926. The annals of the Cape stage. Edinburgh: William Bryce.

Lang, R. 1964. Moira Lister: South African actress of many talents. Personality, 60-62. December 24.

Lang, R. 1966. Patrick Mynhardt, actor extraordinary. Personality, 39-47. October 13.

Lang, R. 1968a. Design for two [Aubrey Couling and Raimond Schoop]. Personality, 144-148. November 7.

Lang, R. 1968b. Enter the king [Joe Stewardson]. Personality, 120-127. June 20.

Lang, R. 1968c. Jong kunstenaars in aantog. Sarie Marais, 20(2): 124-125. July 31.

LANGENHOVEN, C J. 1974. Versamelde Werke ("Collected Works"). In 16 volumes (volume 8 contains his plays). Cape Town: Tafelberg. (First published 1933)

Langton, Robert Gore 1986. Macbeth’s Barclaymoan. Plays and players, (399): 14-15.

Larlham, Daniel 2007. Transforming geographies and reconfigured spaces: South Africa’s National Arts Festival. TDR, 51(3): 182-188.

Larlham, Daniel 2008. Sizwe Banzi is dead. Reviewed in Theatre journal, 60(4): 659-661.

Larlham, Daniel 2009. Brett Bailey and Third World bunfight. Theater, 39(1): 6-17.

LARLHAM, PETER. 1981. Black Performance in South Africa. New York University: Unpublished Ph.D Thesis.

Larlham, Peter 1981. Festivals of the Nazareth Baptist Church. TDR, 25(4): 59-74.

Larlham, Peter 1981. Isicathamia competition in South Africa. The drama review, 25(1): 108-112.

Larlham, Peter 1985. Black theater, dance, and ritual in South Africa. Ann Arbor: UMI Research Press.

Larlham, Peter 1991. Theatre in transition: the cultural struggle in South Africa. The drama review, 35(1): 200-211.

Larlham, Peter 1992. The impact of the dismantling of Apartheid on theatre in South Africa. South African theatre journal, 6(2): 43-48.

Larlham, Peter. 1993. It was the best of times, it was the worst of times: reflections on the National Arts Festival in Grahamstown, July 1-11, 1993. South African theatre journal, 7(2): 85-100.

Larlham, Peter 1995. Journey to Grahamstown: the 1995 Standard Bank National Arts Festival. South African theatre journal, 9(2): 103-116.

Lashgari, Deirdre (ed.) 1995. Violence, silence, and anger: women’s writing as transgression. Charlottesville, VA: University Press of Virginia.

Laughing when it hurts. 1998. Economist financial report, 349(8088): 96-97. October 3. Law, Robin 1987. In township tonight! South Africa’s black city music and theatre by David B. Coplan. Reviewed in: The journal of African history, 28(3): 468.

Lawrance Anne 1978. Mime and the actor. Scenaria, April/May: 13-15.

Lawrence, J. 1974. South Africa’s leading lady, [Janet Suzman]. Fair lady, 10(1): 108-116. March 6.

Lawrence, Jeremy. 2003. From a simple plan to a big city success. In: The Star, August 22, 2003: 18.

Laws, Page 1996. South Africa through the prism: festival in Grahamstown, 1996. New theatre quarterly, 12(48): 390-393.

Lazarus, L. 1987. Black theatre, dance and ritual in South Africa, by Peter Larlham. Reviewed in: South African theatre journal, 1(1): 133-135.

Lazarus, L. 1987. In Township Tonight! South Africa’s Black City Music and Theatre, by David B. Copland. Reviewed in: South African theatre journal, 1(1): 136-137.

Leach, Christo 1986. Aletta : masker en gesig [Aletta Bezuidenhout]. De kat, 2(2) : 14-17.

Leach, K. 1978. [South African theatre]. Speak, 1(2): 44-46. March-April.

Leach, K. 1983. [Theatre in South Africa]. Scenaria, (38): 37-39. …discussion (39): 7 Learning to Act in L2 English: An Ethnographic Comparison of the Experience of

Leftwich, C. 1972. He’s got a theatre in his flat. Personality, 68-71. June 2.

LELIEVRE, SAMUEL. Cinema in development and contradiction (Part 1) – A report on African Union Film Festival (Durban, 1 – 6 July 2002) Vol 16: 208 – 215.

LELIEVRE, SAMUEL. 2002. Cinema in development and contradiction. (Part 2) – A report on Film Congress (Durban, 21 – 23 July 2002) South African theatre journal, 16: 216 – 222.

Lemmer, Andre 1986. ‘The play’s the thing’: some thoughts on the teaching of Shakespeare at school. Shakespeare Society of Southern Africa: occasional papers and reviews. 1(1).

Lemmer, André 1988. Upgrading the study of Shakespeare in Southern African secondary schools: an interim report on the School’s Text Project. Shakespeare in South Africa, 2: 67-77.

Lemmer, André 2001. Shakespeare among South African schoolchildren. Shakespeare in Southern Africa, 13: 75.

Le Page, David. 1995a. Gay and loud. In: Mail & Guardian, September 28, 1995: 34.

Le Page, David. 1995b. A peek into the gutters. In: Mail & Guardian, November 16, 1995: 35.

Le Roux, A.J. 1982. Grimeerontwerp van Report to an academy. Teaterforum, 3(1): 18-25.

Le Roux, B. 1960. Die fatummotief in Leipoldt se dramas. Tydskrif vir letterkunde. 10(2): 64-68.

Le Roux, B. 1963. Enkele gedagtes oor die behaviorisme van woorde op die verhoog. Tydskrif vir letterkunde, Nuwe reeks 1(3): 47-55.

Le Roux, D.S. Gay drama

Le Roux, F.J. 1951. Aantekeninge: Die toneel in Kaapstad. Standpunte, 6(2): 60-62.

Le Roux, Frans 1986. Deon Opperman : hoop vir Afrikaanse toneel. De kat, 1(11) : 42-43.

Le Roux, M. 1995. Experiment for rewards: industrial theatre in the marketplace. Lantern, 44(3): 14-15.

LE ROUX, NIEL. 1989. Van bladsy tot applous (wenke vir ‘n beginner-regisseur). In: Tienertoneel. Kaapstad: Tafelberg: 3-28.

Leshoai, B.L. 1978. Black South African theatrn Ogunba, Oyin; Irele, Abiola; Theatre in Africa. Ibadan: Ibadan University Press. p. 115-130.

Lesson from aloes. [Dramatic criticism]. 1979. Speak, 1(6): 42-43.

Leuvennink, J. 1980. Sandra Kotzé – ‘n hart-en-sielmens. Sarie, 32(10) : 104-110. November 12.

Levenson, Jill L. (ed.); Mehl, Dieter (ed.); Wells, Stanley (fwd.) Shakespeare

Levinger, H.L. 1940. Theatre and audience. Bluestocking. 10(2): 1-3.

Levison, E. 1957. New faces behind the footlights. Milady, 17(7): 16-17. September.

Levitas, M. 1978. Sixty glorious years: the story of Rachel and Harry Turok. Jewish affairs, 33(9): 98-102. September.

Levy, A.M. 1963. South Africans play big role in building Sydney’s opera house. Construction in Southern Africa, 8(6): 35-45.

Levy, E. 1953. Building of a National drama library. South African libraries, 21: 37-40.

Lewis, C. 1972. Yiddish theatre. Jewish affairs, 27(5): 31-32. May.

Lewis, J.H. 1980. Germanicus as tragiese held. Tydskrif vir letterkunde, 18(3): 133-138.

Lewis, J.H. 1984. Jaar van die vuur-os (W.A. de Klerk) Tydskrif vir letterkunde, 22(4) : 136-149.

Lewis, Megan 1998. Standard Bank National Arts Festival. Theatre journal, 50(1): 105-107.

Lewis, Megan & Walen, Denise A. 2000. Performance review. Theatre journal, 52(2): 280.

Lewis, Megan 2008a. Past, present, and future: a tense South Africa performs. PAJ: A Journal of Performance & Art, 30(89): 93-101.

Lewis, Megan 2008b. (Un)patriotic acts of an imagined community: the Klein Karoo Nasional Kunstefees (KKNK). Theatre journal, 60(4): 654-659.

Lewis, Megan 2010. South Africa’s National Arts Festival. Theatre journal, 62(2): 275-280.

Libin, M. (2003) ‘Can the subaltern be heard? Response and responsibility in South Africa’s Human Spirit’. Textual Practice, 17: 1, pp. 119-140.

Lickindorf, Elisabeth 1987. The verse music of Suzman’s Orhello. Shakespeare in Southern Africa, 1: 69-71.

LIEBENBERG, ROZELLE. 1977. Prinsipes van die Kinderdrama in Suid-Afrika. University of Pretoria: Hons. Research Essay (Unpublished)

Lieberfeld, Daniel 1997. Pieter-Dirk Uys: crossing apartheid lines. TDR, 41(1): 61-71.

Lieberman, Susan 1985. Jumping into madness: South Africa’s Market Theatre against Apartheid. Theatre crafts, 19(8): 38-41, 57-61.

Liefhebber skuilnaam 1956. Afrikaanse toneel: kom ons praat reguit. Helikon, 6(23): 66-69.

Lieskounig, J. 1985. Act it out! : theatrical scenes for language teaching in conversation classes. Journal for language teaching, 19(2): 11-16.

Lighting the stage : a guide to the type of equipment available and its location in the theatre. 1986. Scenaria, (61) : 35-37.

Lijphart-Bezuidenhout, T. 1972. Onderveldse dorpstonele. Standpunte, 25(4): 8-21. April.

Lilley, E. 1979. Founding of the South African association for drama and youth theatre. Crux, 13(3): 8-9. October.

Lincoln, D. 1974. Taking off into Space. Personality, 50-53. June 28.

Lindenberg, Ernst 1961. Leipoldt contra Smith? Standpunte, 14(6): 67.

Lindenberg, Ernst 1962. Duister Leipoldt. Standpunte, 15(4-5): 48-55.

Lindenberg, Ernst 1965. Inleiding tot die Afrikaanse letterkunde. Pretoria: H&R - Academica.

Lindeque, Lydia 1941. Trek op die skerm. Pretoria : Van Schaik.

Lindeque, Lydia 1947. Ons gehoor is soldate. Brandwag, 10(509) – 11(521). July 4 – September 26.

Lindeque, Lydia 1952. Our town should each have a national theatre. Outspan, 50(1300): 33-35. January 25.

Linder, Cynthia 1971. [Four plays: Counsellors, Potluck and Irish stew, Magnus, The festival by H.W.D. Manson]. [Literary criticism]. Contrast, 7(3): 90-96. November.

Lindfors, Bernth 1979. A Zulu View of Victorian London Munger Africana Library Notes: 48

LINDFORS, BERNTH (ED). 1999. Africans on Stage. Cape Town: David Philip.

LINDFORS, BERNTH. 1006. Ira Alridge, The African Roscius. South African theatre journal, 10(1):71-84.

LINDFORS, BERNTH. 1988. The United African twins on tour: A captivity narrative. South African theatre journal, 2(2):16-41.

LINSCOTT, A..P. 1936. R.U.R. In: South African Opinion 14 November: 15

LINSCOTT, A..P. 1937a. Mr van Gyseghem and the Bantu Players. South African Opinion. 23 January: 15

LINSCOTT, A..P. 1937b. Mr van Gyseghem and the Pageant. South African Opinion. 23 January: 15-16

 Literature of Region and Nation Conference, 2-7 August 1996. Saint John, NB: 

Litkie, C.A. 2003. Selected Black African dramatists south of the Zambezi. Stellenbosch: University of Stellenbosch. (D Phil dissertation.)

Liu, Y-K. 1997. A voice to the voiceless : on the development of black drama in South Africa. Preoria: University of Pretoria. (D Phil (Dram) dissertation.)

Liu, Y-K. 1999. Woza Albert! – a play of the age. In Smit, J.A. (ed.), The dancing dwarf from the land of spirits. Durban: CSSALL. p. 170-185.

Living literature. 1972. South African panorama, 17(9): 48-49. September. (In Repertorium onder hofie Coloured people Theatre).

Liu, Yao-Kun 2003. Zakes Mda’s We shall sing for the fatherland: and illustration of African life using European dramatic modes. English in Africa, 30(1): 123-124.

LLOYD, T.C. 1935. The Bantu Tread the Footlights. South African Opinion. 6 March:3-5.

Lodge, J.O. 1976. Baxter theatre in construction. Planning and building developments, 20:70-71. May-June.

Lombard, C.J. 1974. 'n Ondersoek na die jeugtoneel met betrekking tot die eietydse adolessent. Stellenbosch: Universiteit van Stellenbosch. (M (Dram)-tesis.)

LOMBARD, CHRIS. 1985. Die Natalse Raad vir die Uitvoerende Kunste (1964-1983) ["The Natal Performing Arts Council "] In: Temple Hauptfleisch (ed), The Breytie Fe,

Lombard, C. 1983. Rol van ‘n verantwoordelike jeugteater met betrekking tot die eietydse adolessent. Fasette, 2(2) : 4-10.

London, Todd 1986. Theatre focus: Hudson Guild Theatre and Duma Ndlovu. Theatre times, 6(1): 10.

Long, Kathryn Louise 1985. The past and future with apartheid: the function of temporal elements in eight plays by Athol Fugard. Ann Arbor, MI: University of Michigan. (Ph.D. dissertation).

Loopbaan as teatertegnikus. 1971. My loopbaan, 22:123-124. Augustus.

Loots, Lliane 1995 Colonised bodies: overcoming gender construction of bodies in dance and movement education in South Africa. South African theatre journal, 9(2): 51-59.

Loots, Lliane 1996. “The personal is political”: gender in the context of apartheid South Africa: a look at two women playwrights. South African theatre journal, 10(1): 63-70.

Loots, Lliane 1997. Re-remembering protest theatre in South Africa: a gendered review of the historical and cultural production of knowledge around two plays: The hungry earth and You strike the woman, you strike the rock'. Critical arts, 11(1&2): 142-152.

LOTZ, RAINER E. 1988. Black troubadours in Europe, 1896 – 1915. South African theatre journal, 2(2):42-61.

Loubser, A.E. 1978. Aspekte van Gerhard J. Beukes se dramakuns. Acta academica B, 11: 36-62.

 Louise M.. Durham, NC: Carolina Academic; 2003. xxvii, 315 pp. (book) ???

Louw, A. 1972. Location of theatres in central Cape Town: 1781-1972. Plan, 57(8): 11-12. August.

LOUW, DENISE. 1997. Architect of freedom theatre: Deon Opperman. Flying Springbok. July: 56-61.

Louw, Helena 1989. ‘n Halfeeu op die planke (na aanleiding van die 50-jaar viering van die Akademie vir Dramakuns). De Kat, 5(2): 80-83.

Louw, J. 1970. Bedags stille werkers, saans sterre. Sarie Marais, 22(5): 24-29. September 9. Eoan groep; slegs sang?

Louw, N.P. van Wyk 1932. Oor toneel. Standpunte, 16(6)-17(1).

Louw, P. Eric 1989. State-subsidised theatre following the September 1984 Vaal uprising. South African theatre journal, 3(2): 101-115.

Louw, S. 1984. Nar en sy voorkoms in Bartho Smit se dramas. Tydskrif vir letterkunde, 22(2) : 8-11.

Louw, S. 1985. ‘Goddelike gereg’ : bulhond in Die man met die lyk om sy nek. Standpunte, 38(5) : 37-39.

Louw, S. 1985. Putsonderwater se Maria : skisofreen ? Tydskrif vir geesteswetenskappe, 25 : 195-200.

Louw, S. 1985. Smit-vertalings. Tydskrif vir letterkunde, 23(3) : 55-63.

Louw, Salomi 1986. Koor en illusie in Don Juan onder die Boere. Standpunte, 39(1): 35-38.

Louw, Salomi 1988a. Leuens, deur Corlia Fourie. Reviewed in: South African theatre journal, 2(1): 67-69.

Louw, Salomi 1988b. Moeders en dogters, deur Corlia Fourie. Reviewed in: South African theatre journal, 2(1): 70-71.

Louw, Salomi 1989. Ruimte in die drama: ‘n uitgebreide terminologie. Tydskrif vir literatuurwetenskap, 5(3/4): 262-278.

Louw, Salomi 1991. Die stories agter die storie: Chris Barnard se Piet-my-vrou. Tydskrif vir letterkunde, 29(3): 105-116.

Louw, S. 2006. Ruimte in Brink se Die jogger. Stilet, 18(1) : 1-19.

Louw, W.E.G. 1943. Toneel in Suid-Afrika. Huisgenoot, 27(1095): 15. March 19.

Louw, W.E.G. 1945a. Afrikaanse beroepstoneel. Huisgenoot, 30(1232): 5-7. November 2.

Louw, W.E.G. 1945b. Afrikaanse beroepstoneel. Huisgenoot, 30(1233): 11. November 9.

Louw, W.E.G. 1972. W.E.G. Louw oor toneelkritiek: ‘n vraaggesprek. Tydskrif vir geesteswetenskappe, 12: 151-169. September.

Louw, W.E.G. 1976. Toneeljaar 1975 in die Kaap. Standpunte, 29(1): 50-54. February.

Luther, C. & Maponya, M. 1984. Problems and possibilities : a discussion on the making of alternative theatre in South Africa. English Academy review, 2 : 19-32.

Luther, C.M. 1987. South African theatre: aspects of the collaborative. Leeds: University of Leeds. (PhD. Thesis). Luwes, Nico 1997. International Theatreschool Festival, Amsterdam 1996. South African theatre journal, 11(1&2):226-231.

Click on the appropriate letter of the alphabet below to find the relevant list.

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z