Difference between revisions of "ESAT Bibliography F"
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Farber, Tanya. 2000. A barrow-load from Opperman. In: Cue, 2 July, 2000: 16. | Farber, Tanya. 2000. A barrow-load from Opperman. In: Cue, 2 July, 2000: 16. | ||
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Fair play for the players? [Acting profession]. 1979. Scenaria, (13): 3. | Fair play for the players? [Acting profession]. 1979. Scenaria, (13): 3. | ||
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Farmer, Anthony 1981. Thoughts on Applause. Scenaria, Special issue: 33-35. | Farmer, Anthony 1981. Thoughts on Applause. Scenaria, Special issue: 33-35. | ||
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2001;158(4):63. Available from: Academic Search Premier, Ipswich, MA. Accessed | 2001;158(4):63. Available from: Academic Search Premier, Ipswich, MA. Accessed | ||
July 14, 2010. | July 14, 2010. | ||
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Federasie van amateur-toneelverenigings van Suid-Afrika 1952. Transvaalse provinsiale toneelfees. Helikon, 1(3): 20-22. February. | Federasie van amateur-toneelverenigings van Suid-Afrika 1952. Transvaalse provinsiale toneelfees. Helikon, 1(3): 20-22. February. | ||
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February, Vernon. 1981. Mind your colour :the 'coloured' stereotype in South African literature. London: Kegan Paul International. 809.968 FEB | February, Vernon. 1981. Mind your colour :the 'coloured' stereotype in South African literature. London: Kegan Paul International. 809.968 FEB | ||
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Ferguson, Ian 1968. Who’d be an actress in South Africa? Teater S.A., 1(2): 7-8. December. | Ferguson, Ian 1968. Who’d be an actress in South Africa? Teater S.A., 1(2): 7-8. December. | ||
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Ferguson, Ian 1969. Brian Brooke: doyen of South Africa’s entertainers. Teater S.A., 1(3): 10-11. April. | Ferguson, Ian 1969. Brian Brooke: doyen of South Africa’s entertainers. Teater S.A., 1(3): 10-11. April. | ||
− | + | ||
+ | Ferguson, Ian 1978. Three profiles from the South African theatre: Pieter-Dirk Uys, Ken Leech, Robert Mohr. Theatre quarterly, 7(28): 87-94. | ||
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Ferguson, Ian 1993 South African theatre and the future of drama departments. South African theatre journal, 7(2): 54-62. | Ferguson, Ian 1993 South African theatre and the future of drama departments. South African theatre journal, 7(2): 54-62. | ||
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Ferguson, Ian 1997. Drie susters twee, deur Reza de Wet. Reviewed in: South African theatre journal,11(1&2):313-321. | Ferguson, Ian 1997. Drie susters twee, deur Reza de Wet. Reviewed in: South African theatre journal,11(1&2):313-321. | ||
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Ferrinho, H.M. 1973. Theatre as a process of communication for rural development. South African journal of agricultural extension, 2:36-38. | Ferrinho, H.M. 1973. Theatre as a process of communication for rural development. South African journal of agricultural extension, 2:36-38. | ||
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Ferrino, H. 1980. Community theatre. Social work, 16: 164-167. | Ferrino, H. 1980. Community theatre. Social work, 16: 164-167. | ||
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Ferreira, O.J.O. 2006. Anna Neethling-Pohl [1906-1992]: ’n huldeblyk in haar eeufeesjaar. South African journal of cultural histroy, 20(2): 42-54. | Ferreira, O.J.O. 2006. Anna Neethling-Pohl [1906-1992]: ’n huldeblyk in haar eeufeesjaar. South African journal of cultural histroy, 20(2): 42-54. | ||
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Ferreira-Ross, J.D. Dramatic space. Lantern, 31(4): 2-7 | Ferreira-Ross, J.D. Dramatic space. Lantern, 31(4): 2-7 | ||
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Ferrocement provides solution for Playhouse reflectors. 1986. South African construction world, 5(5) : 38-41, 45. | Ferrocement provides solution for Playhouse reflectors. 1986. South African construction world, 5(5) : 38-41, 45. | ||
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FIASCONARO, Gregorio. 1982. I'd Do It All Again. (Ed Hilary Rennie). Cape Town: Books of Africa. | FIASCONARO, Gregorio. 1982. I'd Do It All Again. (Ed Hilary Rennie). Cape Town: Books of Africa. | ||
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Finestone-Praeg, Juanita 2007. Reflective (a)musings on 16 kinds of emptiness…: re-framing research for practice. South African theatre journal, 21: 203-220. | Finestone-Praeg, Juanita 2007. Reflective (a)musings on 16 kinds of emptiness…: re-framing research for practice. South African theatre journal, 21: 203-220. | ||
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Finscham, G. 2002. Reappropriating Shakespeare. New contrast, 30(1): 113-121. | Finscham, G. 2002. Reappropriating Shakespeare. New contrast, 30(1): 113-121. | ||
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Fiona Fraser. 1961. Femina, 18. November 23. | Fiona Fraser. 1961. Femina, 18. November 23. | ||
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Fiona Fraser. 1961. Sarie Marais, 13(6): 25. September 27. | Fiona Fraser. 1961. Sarie Marais, 13(6): 25. September 27. | ||
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First South African. [Dramatic criticism, Fatima Dike]. 1977. Speak, 1(1): 14-17. December. | First South African. [Dramatic criticism, Fatima Dike]. 1977. Speak, 1(1): 14-17. December. | ||
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Fish, Patrick 1991 Malan, the Movie: The BBC version of Rian Malan’s My Traitor’s Heart. South African theatre journal, 5(1):98-108. | Fish, Patrick 1991 Malan, the Movie: The BBC version of Rian Malan’s My Traitor’s Heart. South African theatre journal, 5(1):98-108. | ||
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Fitzmaurice, Susan 1999. Aspects of Afrikaans in South African literature in English. In: Imagined commonwealths: Cambridge essays on Commonwealth and international literature in English. London: Macmillan. | Fitzmaurice, Susan 1999. Aspects of Afrikaans in South African literature in English. In: Imagined commonwealths: Cambridge essays on Commonwealth and international literature in English. London: Macmillan. | ||
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Fleishman, Mark. 1990. Workshop theatre as oppositional form. South African theatre journal, 4(1): 88-118. | Fleishman, Mark. 1990. Workshop theatre as oppositional form. South African theatre journal, 4(1): 88-118. | ||
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Fleishman, Mark 1991. Workshop theatre in South Africa in the 1980s: a critical examination with specific reference to power, orality and the carnivalesque. Cape Town: University of Cape Town, (MA thesis). | Fleishman, Mark 1991. Workshop theatre in South Africa in the 1980s: a critical examination with specific reference to power, orality and the carnivalesque. Cape Town: University of Cape Town, (MA thesis). | ||
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Fleishman, Mark 1996. Physical images in the South African theatre. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 173-182. | Fleishman, Mark 1996. Physical images in the South African theatre. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 173-182. | ||
+ | Fleishman, Mark 1997 Physical images in the South African theatre. South African theatre journal, 11(1&2): 199-214. | ||
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Fleishman, Mark. 1998. Making people’s theatre, by Robert Mshengu Kavanagh. Reviewed in: South African theatre journal, 12(1&2):253-256. | Fleishman, Mark. 1998. Making people’s theatre, by Robert Mshengu Kavanagh. Reviewed in: South African theatre journal, 12(1&2):253-256. | ||
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Fleishman, Mark 2001. Unspeaking the centre. In Kriger, Robert & Zegeye, Abebe (eds) Culture in the new South Africa: after apartheid. Vol.2. Cape Town: Kwela Books. p. 91-115. | Fleishman, Mark 2001. Unspeaking the centre. In Kriger, Robert & Zegeye, Abebe (eds) Culture in the new South Africa: after apartheid. Vol.2. Cape Town: Kwela Books. p. 91-115. | ||
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Fleishman, Mark & Davids, Nadia 2007. Moving theatre: of the place of theatre in the process of memorializing District Six through an examination of Magnet Theatre’s production Onnest’bo. South African theatre journal, 21: 149-165. | Fleishman, Mark & Davids, Nadia 2007. Moving theatre: of the place of theatre in the process of memorializing District Six through an examination of Magnet Theatre’s production Onnest’bo. South African theatre journal, 21: 149-165. | ||
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Fleishman, Mark 2009. Knowing performance: performance as knowledge paradigm for Africa. South African theatre journal, 23: 116-136. | Fleishman, Mark 2009. Knowing performance: performance as knowledge paradigm for Africa. South African theatre journal, 23: 116-136. | ||
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Fletcher, D. 1976. Etienne Rousseau theatre. South African builder. 55(1): 14-15. January. | Fletcher, D. 1976. Etienne Rousseau theatre. South African builder. 55(1): 14-15. January. | ||
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Fletcher, Jill 1990. Puppetry, a guide for beginners, by Marie Kruger. Reviewed in: South African theatre journal, 4(2):114. | Fletcher, Jill 1990. Puppetry, a guide for beginners, by Marie Kruger. Reviewed in: South African theatre journal, 4(2):114. | ||
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Fletcher, Jill 1994. The Story of theatre in South Africa: a guide to its history from 1780-1930. Cape Town: Vlaeberg. | Fletcher, Jill 1994. The Story of theatre in South Africa: a guide to its history from 1780-1930. Cape Town: Vlaeberg. | ||
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Flockemann, Miki 1991 Gcina Mhlope’s Have you seen Zandile? English or english? The situation of drama in literature and language departments in the emergent post-Availability: | Flockemann, Miki 1991 Gcina Mhlope’s Have you seen Zandile? English or english? The situation of drama in literature and language departments in the emergent post-Availability: | ||
Document Delivery: ISAP Document Delivery: National | Document Delivery: ISAP Document Delivery: National | ||
Apartheid South Africa. South African theatre journal, 5(2): 40-54. | Apartheid South Africa. South African theatre journal, 5(2): 40-54. | ||
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Flockemann, Miki 1994a. Imagining women: cultural representation and gender, edited by F. Bonner, L. Goodman, R. Allen, L. James & C.King. Reviewed in: South African theatre journal, 8(1): 81-83. | Flockemann, Miki 1994a. Imagining women: cultural representation and gender, edited by F. Bonner, L. Goodman, R. Allen, L. James & C.King. Reviewed in: South African theatre journal, 8(1): 81-83. | ||
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Flockemann, Miki 1994b. A situated perspective on contemporary feminist theatres. Studies in theatre production, 10: 31-38. | Flockemann, Miki 1994b. A situated perspective on contemporary feminist theatres. Studies in theatre production, 10: 31-38. | ||
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Flockemann, Miki 1996. From ghosts of the past to cross-cultural love stories for teens. Theatre and fictions of childhood for teaching in the transition. In Wittenberg, Hermann & Nas, Loes (eds.) AUETSA 96 : proceedings of the conference of the Association of University English Teachers of South Africa, University of the Western Cape, 30 June-5 July 1996. Vol 1, p. 131-142. mflockemann@uwc.ac.za | Flockemann, Miki 1996. From ghosts of the past to cross-cultural love stories for teens. Theatre and fictions of childhood for teaching in the transition. In Wittenberg, Hermann & Nas, Loes (eds.) AUETSA 96 : proceedings of the conference of the Association of University English Teachers of South Africa, University of the Western Cape, 30 June-5 July 1996. Vol 1, p. 131-142. mflockemann@uwc.ac.za | ||
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Flockemann, Miki 1996. Medeas from Corinth and Cape-Town: Cross- Cultural Encounters, Theatre, and the Teaching Context. Alternation 3(1): 82-93. | Flockemann, Miki 1996. Medeas from Corinth and Cape-Town: Cross- Cultural Encounters, Theatre, and the Teaching Context. Alternation 3(1): 82-93. | ||
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Flockemann, Miki 1997. Teaching large classes, reaching across multilingualism: a UWC experiment with playtexts. Journal for language teaching, 31(3): 276-283. | Flockemann, Miki 1997. Teaching large classes, reaching across multilingualism: a UWC experiment with playtexts. Journal for language teaching, 31(3): 276-283. | ||
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Flockemann, Miki 2001 The aesthetics of transformation: Reading strategies for South African theatre entering the new millennium. South African theatre journal, 15:25-39 | Flockemann, Miki 2001 The aesthetics of transformation: Reading strategies for South African theatre entering the new millennium. South African theatre journal, 15:25-39 | ||
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Flockeman, Miki 2002. Translations, Affirmations, Inventions and Subversions: Grahamstown 2002. South African theatre journal, 16: 198 – 207. | Flockeman, Miki 2002. Translations, Affirmations, Inventions and Subversions: Grahamstown 2002. South African theatre journal, 16: 198 – 207. | ||
Fictions of Childhood for Teaching in the Transition By: Flockemann, Miki. pp. | Fictions of Childhood for Teaching in the Transition By: Flockemann, Miki. pp. | ||
FOLEY, ANDREW. 2001 Multiple levels of meaning and liberal existentialism in Athol Fugard’s Boesman and Lena. South African theatre journal, 15:40-55. | FOLEY, ANDREW. 2001 Multiple levels of meaning and liberal existentialism in Athol Fugard’s Boesman and Lena. South African theatre journal, 15:40-55. | ||
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Foord, W. 1981. Dramaspel : die preprimêre en junior primêre kind. Pretoria: Universiteit van Pretoria. (MA thesis). | Foord, W. 1981. Dramaspel : die preprimêre en junior primêre kind. Pretoria: Universiteit van Pretoria. (MA thesis). | ||
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Fourie, C. 1971. Nog ’n vet jaar vir Truk. Sarie Marais, 23(13): 58-62. December 29. | Fourie, C. 1971. Nog ’n vet jaar vir Truk. Sarie Marais, 23(13): 58-62. December 29. | ||
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Fourie, C. 1972a. Eksperiment op planke. Sarie Marais, 24(8): 150-153. October 11. | Fourie, C. 1972a. Eksperiment op planke. Sarie Marais, 24(8): 150-153. October 11. | ||
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Fourie, C. 1972b. Seerkryspel is die liefde. [PG du Plessis]. Sarie Marais, 23(22): 78-84. May 10. | Fourie, C. 1972b. Seerkryspel is die liefde. [PG du Plessis]. Sarie Marais, 23(22): 78-84. May 10. | ||
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Fourie, C. 1977. Magda Beukes het baie vriende nodig. Huisgenoot, 100-101. August 26. | Fourie, C. 1977. Magda Beukes het baie vriende nodig. Huisgenoot, 100-101. August 26. | ||
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Fourie, C. 1978. Drie drama-makers. [Lerina Erasmus]. Huisgenoot, 8-10. December 21. | Fourie, C. 1978. Drie drama-makers. [Lerina Erasmus]. Huisgenoot, 8-10. December 21. | ||
FOURIE, CHARLES J. 1997. Interview with the outsider: Athol Fugard. Mail & Guardian. 15-21 August: Friday. | FOURIE, CHARLES J. 1997. Interview with the outsider: Athol Fugard. Mail & Guardian. 15-21 August: Friday. | ||
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Fourie, Carien. 1994. Casino onder in die Staatsteater moet hom red. In: Beeld, October 15, 1994: 1. | Fourie, Carien. 1994. Casino onder in die Staatsteater moet hom red. In: Beeld, October 15, 1994: 1. | ||
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FOURIE, EUNICE. 1985. Die Sentrum vir SA Teaternavorsing (SESAT). In: Temple Hauptfleisch (ed), The Breytie Book. Randburg: The Limelight Press. p. 123-126. | FOURIE, EUNICE. 1985. Die Sentrum vir SA Teaternavorsing (SESAT). In: Temple Hauptfleisch (ed), The Breytie Book. Randburg: The Limelight Press. p. 123-126. | ||
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Fourie, F. 1976a. Egpaar verruil teater vir TV. Huisgenoot, 12-14,. May 28. | Fourie, F. 1976a. Egpaar verruil teater vir TV. Huisgenoot, 12-14,. May 28. | ||
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Foruie, F. 1976b. Katinka is klaar met ‘kinderlikheid’. Huisgenoot, 10-11. April 30. | Foruie, F. 1976b. Katinka is klaar met ‘kinderlikheid’. Huisgenoot, 10-11. April 30. | ||
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Fourie, F. 1977. ‘Liewe ou lady’ bly een stryk deur besig. [Wena Naudé]. Huisgenoot, 21-22. February 25. | Fourie, F. 1977. ‘Liewe ou lady’ bly een stryk deur besig. [Wena Naudé]. Huisgenoot, 21-22. February 25. | ||
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Fourie, F. 1977. Dulsie skinder darem nie soos ou Leen nie. Huisgenoot, 90-91. September 16. | Fourie, F. 1977. Dulsie skinder darem nie soos ou Leen nie. Huisgenoot, 90-91. September 16. | ||
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Fourie, F. 1977. Sakemanne praat windskeef. [Truk]. Huisgenoot, 16-17. June 24. | Fourie, F. 1977. Sakemanne praat windskeef. [Truk]. Huisgenoot, 16-17. June 24. | ||
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Fourie, F. 1978. Allan [Deyssel] is so halfpad Bat. Huisgenoot, 10. March 10. | Fourie, F. 1978. Allan [Deyssel] is so halfpad Bat. Huisgenoot, 10. March 10. | ||
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Fourie, F. 1978. Sys peel toneel tot die laaste. [Wena Naudé]. Huisgenoot, 88-91. May 26. | Fourie, F. 1978. Sys peel toneel tot die laaste. [Wena Naudé]. Huisgenoot, 88-91. May 26. | ||
Fourie, F. 1977. Almal gek na ‘geplooide ou sjimpansee’ Niehaus. Huisgenoot, 4-5. August 19. | Fourie, F. 1977. Almal gek na ‘geplooide ou sjimpansee’ Niehaus. Huisgenoot, 4-5. August 19. | ||
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Fourie, F. 1977. Moet hom net nie Lammie noem nie! Huisgenoot, 106-107. September 23. | Fourie, F. 1977. Moet hom net nie Lammie noem nie! Huisgenoot, 106-107. September 23. | ||
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Fourie, F. 1977. Tobie Cronjé: die hanswors wat darem ernstig wil wees ook. Huisgenoot, 23. November 4. | Fourie, F. 1977. Tobie Cronjé: die hanswors wat darem ernstig wil wees ook. Huisgenoot, 23. November 4. | ||
Fourie, F. 1980. ‘Nuwe’ Sandra, ‘n nuwe lewe. Huisgenoot, 26-29. September 18. | Fourie, F. 1980. ‘Nuwe’ Sandra, ‘n nuwe lewe. Huisgenoot, 26-29. September 18. | ||
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Fourie, F. 1985. Liesl gebore vir drama. [Liesl van den Bergh]. Huisgenoot, 10-11. April 11. | Fourie, F. 1985. Liesl gebore vir drama. [Liesl van den Bergh]. Huisgenoot, 10-11. April 11. | ||
+ | Fourie, J.J. 1990. Teaterstrategieë aanvullend by letterkunde-onderrig in die sekondêre skool. Stellenbosch: Universiteit van Stellenbosch. (M.Dram thesis). | ||
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Fourie, P. 1962. Teater, toneel en toeskouer. Stellenbosse student, 54-56. | Fourie, P. 1962. Teater, toneel en toeskouer. Stellenbosse student, 54-56. | ||
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Fourie, P. 1964. Kruik vs Nasionale teater, Londen. Stellenbosse student, 103-105 | Fourie, P. 1964. Kruik vs Nasionale teater, Londen. Stellenbosse student, 103-105 | ||
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Fourie, Pieter 1980. [Pieter Fourie on theatrical directing]. Scenaria, (20): 15. | Fourie, Pieter 1980. [Pieter Fourie on theatrical directing]. Scenaria, (20): 15. | ||
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Fox, R. 1971. Joseph Stone auditorium: Eoan group cultural centre, Athlone, Cape. Plan, 56(5): 11-14. March. | Fox, R. 1971. Joseph Stone auditorium: Eoan group cultural centre, Athlone, Cape. Plan, 56(5): 11-14. March. | ||
Franscis, Benjy 1979. Black writing: problems and prospects of a tradition: writing for the theatre today. S'ketsh' Winter: 10-11. | Franscis, Benjy 1979. Black writing: problems and prospects of a tradition: writing for the theatre today. S'ketsh' Winter: 10-11. | ||
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Francis, Benjy 1980. At this stage [production and direction]. Wietie, 2: 24-26. | Francis, Benjy 1980. At this stage [production and direction]. Wietie, 2: 24-26. | ||
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Francis, Kati 2006. Theatre of struggle and transformation: A critical investigation into the power of oral traditions as used by director Mark Fleishman. South African theatre journal, 20: 102-127. | Francis, Kati 2006. Theatre of struggle and transformation: A critical investigation into the power of oral traditions as used by director Mark Fleishman. South African theatre journal, 20: 102-127. | ||
Frank, Haike 2004. Role-play in South African theatre. Bayreuth : Breitinger. | Frank, Haike 2004. Role-play in South African theatre. Bayreuth : Breitinger. | ||
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Fraser, F. 1964. All South Africa’s a stage. Femina, 96-105. September 24. | Fraser, F. 1964. All South Africa’s a stage. Femina, 96-105. September 24. | ||
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French, Leslie 1957. Vigour in South Africa. International theatre annual, 2: 146-151. | French, Leslie 1957. Vigour in South Africa. International theatre annual, 2: 146-151. | ||
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FRIEDMAN, Gary. 1992. Puppetry and AIDS Education. In: Progress (Summer): 38-39. | FRIEDMAN, Gary. 1992. Puppetry and AIDS Education. In: Progress (Summer): 38-39. | ||
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Friedman, Gary 1986. Puppets against apartheid: from a series of letters, papers and press cuttings. Animations, 9(3): 48-49. | Friedman, Gary 1986. Puppets against apartheid: from a series of letters, papers and press cuttings. Animations, 9(3): 48-49. | ||
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Friedman, Hazel. 1996. A pity about the power-play. In: Mail & Guardian, August 15, 1996: 26. | Friedman, Hazel. 1996. A pity about the power-play. In: Mail & Guardian, August 15, 1996: 26. | ||
FRINGE BENEFITS. 1988 Interviews with Three Playwrights: Wayne Robbins, Norman Coombes & Deon Opperman. South African theatre journal, 2(2):105-109. | FRINGE BENEFITS. 1988 Interviews with Three Playwrights: Wayne Robbins, Norman Coombes & Deon Opperman. South African theatre journal, 2(2):105-109. | ||
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Fry, T. 1981. Sun City entertainment centre – a race against time. Electrical engineer, 31-35. September. [electronic sound control] | Fry, T. 1981. Sun City entertainment centre – a race against time. Electrical engineer, 31-35. September. [electronic sound control] | ||
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From Ghosts of the Past to Cross-Cultural Love Stories for Teens: Theatre and | From Ghosts of the Past to Cross-Cultural Love Stories for Teens: Theatre and | ||
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Fuchs, Anne 1990. Playing the Market. The Market Theatre. Johannesburg 1976-1986. London: Harwood Academic Publishers. | Fuchs, Anne 1990. Playing the Market. The Market Theatre. Johannesburg 1976-1986. London: Harwood Academic Publishers. | ||
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Fuchs, Anne 2000. The threshold of the stage : South African storytelling and drama. Anglophonia: French journal of English studies, 7: 139-146. | Fuchs, Anne 2000. The threshold of the stage : South African storytelling and drama. Anglophonia: French journal of English studies, 7: 139-146. | ||
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Fugard, Athol 1983. Notebooks :1960-1977. Johannesburg: Donker. | Fugard, Athol 1983. Notebooks :1960-1977. Johannesburg: Donker. | ||
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Fugard, Athol 1987. A place with the pigs. Theater magazine, 19(1): 51-69. | Fugard, Athol 1987. A place with the pigs. Theater magazine, 19(1): 51-69. | ||
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Fugard, Athol 1990. Scenes from a censored life. American theatre, 7(8): 30-35, 68-69. | Fugard, Athol 1990. Scenes from a censored life. American theatre, 7(8): 30-35, 68-69. | ||
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Fugard, Athol 1993. Playland. American theatre, 10(3): 1-13. | Fugard, Athol 1993. Playland. American theatre, 10(3): 1-13. | ||
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Fugard, Athol. 1994. Cousins. Johannesburg: Witwatersrand University Press. | Fugard, Athol. 1994. Cousins. Johannesburg: Witwatersrand University Press. | ||
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Fugard, Athol 2010. Zkaes Mokae: 1934-2009. (In memoriam). American theatre, 27(1): 23-24. | Fugard, Athol 2010. Zkaes Mokae: 1934-2009. (In memoriam). American theatre, 27(1): 23-24. | ||
Fugard on acting, actors on fugard. 1978. Theatre quarterly, 7(28): 83-87. | Fugard on acting, actors on fugard. 1978. Theatre quarterly, 7(28): 83-87. | ||
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Funny man 1999. Economist financial report, 352(8127): 79. July 10. | Funny man 1999. Economist financial report, 352(8127): 79. July 10. | ||
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Fysh, Robert 1979. Dianne Britz: a profile. Scenaria, (15): 28-29. | Fysh, Robert 1979. Dianne Britz: a profile. Scenaria, (15): 28-29. | ||
Revision as of 10:21, 23 August 2010
Click on the appropriate letter of the alphabet below to find the relevant list.
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Farber, Tanya. 2000. A barrow-load from Opperman. In: Cue, 2 July, 2000: 16.
Fair play for the players? [Acting profession]. 1979. Scenaria, (13): 3.
Farmer, Anthony 1981. Thoughts on Applause. Scenaria, Special issue: 33-35.
Fatima Dike. 1085. Alpha, 23(4) : 1. May.
Fear and Laughing In South Africa. Time Europe [serial online]. July 23, 2001;158(4):63. Available from: Academic Search Premier, Ipswich, MA. Accessed July 14, 2010.
Federasie van amateur-toneelverenigings van Suid-Afrika 1952. Transvaalse provinsiale toneelfees. Helikon, 1(3): 20-22. February.
February, Vernon. 1981. Mind your colour :the 'coloured' stereotype in South African literature. London: Kegan Paul International. 809.968 FEB
Ferguson, Ian 1968. Who’d be an actress in South Africa? Teater S.A., 1(2): 7-8. December.
Ferguson, Ian 1969. Brian Brooke: doyen of South Africa’s entertainers. Teater S.A., 1(3): 10-11. April.
Ferguson, Ian 1978. Three profiles from the South African theatre: Pieter-Dirk Uys, Ken Leech, Robert Mohr. Theatre quarterly, 7(28): 87-94.
Ferguson, Ian 1993 South African theatre and the future of drama departments. South African theatre journal, 7(2): 54-62.
Ferguson, Ian 1997. Drie susters twee, deur Reza de Wet. Reviewed in: South African theatre journal,11(1&2):313-321.
Ferrinho, H.M. 1973. Theatre as a process of communication for rural development. South African journal of agricultural extension, 2:36-38.
Ferrino, H. 1980. Community theatre. South African outlook, 110: 109-111. July.
Ferrino, H. 1980. Community theatre. Social work, 16: 164-167.
Ferreira, O.J.O. 2006. Anna Neethling-Pohl [1906-1992]: ’n huldeblyk in haar eeufeesjaar. South African journal of cultural histroy, 20(2): 42-54.
Ferreira-Ross, J.D. Dramatic space. Lantern, 31(4): 2-7
Ferrocement provides solution for Playhouse reflectors. 1986. South African construction world, 5(5) : 38-41, 45.
Ffrangcon-Davies and Marda Vanne team up. 1941. Forum. 4(7): 29-30. March 24.
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