Difference between revisions of "ESAT Bibliography Wim-Woo"

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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
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Windmills of the mind, 1978 Amstel Award winning play. 1979. Scenaria, (14): 21.
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Winer, Stan. 2000.  Play gives an outlet to collective betrayal. In: The Sunday Independent, July, 16, 2000: 8.
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Winterbach, W. 1974. Tine Balder is terug in Vlaandere. Rooi rose, 30(13): 46-48. January 23.
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Wintersteen, David 2003. South Africa: the National Arts Festival. Theatre Journal, 55(2): 362-364.
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Witch in my heart. [Literary criticism, Hilda Kuper]. 1972. African studies, 32(2): 149-150.
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With songs in its heart. (Colorado Festival of World Theatre). 2007. American theatre, 24(7): 12.
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Wittenberg, Hermann  2007 Alan Paton's writing for the stage : towards a non-racial South African theatre. South African theatre journal, 21: 307-327.
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Witz, Leslie 1993, “ ‘n Fees vir die oog”: Looking in on the 1952 Jan van Riebeeck Tercentenary Festival fair in Cape Town. South African Historical Journal, (29): 5-27.
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Wixley, Meridy. 1999. R16 million has a history. In: Pretoria News, May 22, 1999: 6.
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Woddis, Carole et al. 1984. Saturday night at The Palace [newspaper reviews for Paul Slabolepszy’s play]. London theatre record, 4(8): 287-289. Apr 9.
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Wolf, Matt 1993. Lightening up (escapism in the South African theater). American theatre, 10(4): 42-44.
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Wood, J.T. 1960. Survey of the control of stage lighting. Proceedings of the convention of the Association of Municipal Electricity Undertakings of Southern Africa, 59-73.
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Wood, Margot 2005. Children’s theatre: in search of an approach to theatre by children, for children. Stellenbosch: University of Stellenbsoch. (M.Dram thesis.)
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Woodrow, Mervyn W. 1970. South African drama in English. Englsih studies in Africa, 13(2): 391-410.
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Woodrow, Mervyn Wilbur 1972. A critical consideration of English plays written in South Africa, with special reference to the emergency of a dominant theme. Pretoria: University of Pretoria. (M.A. thesis).
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Woodyatt, J.R. 1947. Anatomy of 1946’s stage. Libertas. 7(4): 68-69.
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Woolfson, Malcolm 1986. Kleurryke kollig op die Natalse teatergeskiedenis, vertaal deur Mariana Evans. Durban: Natalse Raad vir Uitvoerende Kunste.
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Woolfson, Malcolm 1986. The long road that led to the Natal Playhouse. Durban: Natal Performing Arts Council.
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WOOLFSON, MALCOLM. 1992. But the Melody Lingers On. Johannesburg: Perskor.
  
  

Revision as of 18:05, 6 December 2010

Click on the appropriate letters of the alphabet in the sub-list below.

Waa-Wal Wam-Wel Wem-Wil Wim-Woo Wop-Wz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance


Windmills of the mind, 1978 Amstel Award winning play. 1979. Scenaria, (14): 21.

Winer, Stan. 2000. Play gives an outlet to collective betrayal. In: The Sunday Independent, July, 16, 2000: 8.

Winterbach, W. 1974. Tine Balder is terug in Vlaandere. Rooi rose, 30(13): 46-48. January 23.

Wintersteen, David 2003. South Africa: the National Arts Festival. Theatre Journal, 55(2): 362-364.

Witch in my heart. [Literary criticism, Hilda Kuper]. 1972. African studies, 32(2): 149-150.

With songs in its heart. (Colorado Festival of World Theatre). 2007. American theatre, 24(7): 12.

Wittenberg, Hermann 2007 Alan Paton's writing for the stage : towards a non-racial South African theatre. South African theatre journal, 21: 307-327.

Witz, Leslie 1993, “ ‘n Fees vir die oog”: Looking in on the 1952 Jan van Riebeeck Tercentenary Festival fair in Cape Town. South African Historical Journal, (29): 5-27.

Wixley, Meridy. 1999. R16 million has a history. In: Pretoria News, May 22, 1999: 6.

Woddis, Carole et al. 1984. Saturday night at The Palace [newspaper reviews for Paul Slabolepszy’s play]. London theatre record, 4(8): 287-289. Apr 9.

Wolf, Matt 1993. Lightening up (escapism in the South African theater). American theatre, 10(4): 42-44.

Wood, J.T. 1960. Survey of the control of stage lighting. Proceedings of the convention of the Association of Municipal Electricity Undertakings of Southern Africa, 59-73.

Wood, Margot 2005. Children’s theatre: in search of an approach to theatre by children, for children. Stellenbosch: University of Stellenbsoch. (M.Dram thesis.)

Woodrow, Mervyn W. 1970. South African drama in English. Englsih studies in Africa, 13(2): 391-410.

Woodrow, Mervyn Wilbur 1972. A critical consideration of English plays written in South Africa, with special reference to the emergency of a dominant theme. Pretoria: University of Pretoria. (M.A. thesis).

Woodyatt, J.R. 1947. Anatomy of 1946’s stage. Libertas. 7(4): 68-69.

Woolfson, Malcolm 1986. Kleurryke kollig op die Natalse teatergeskiedenis, vertaal deur Mariana Evans. Durban: Natalse Raad vir Uitvoerende Kunste.

Woolfson, Malcolm 1986. The long road that led to the Natal Playhouse. Durban: Natal Performing Arts Council.

WOOLFSON, MALCOLM. 1992. But the Melody Lingers On. Johannesburg: Perskor.



Click on the appropriate letters of the alphabet in the sub-list below.

Waa-Wal Wam-Wel Wem-Wil Wim-Woo Wop-Wz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance