Difference between revisions of "ESAT Bibliography Ra-Res"
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| − | Rabe, D. de V. 1983. Mimiek: die kuns van die gehoorgestremde. Opvoedkundige | + | Rabe, D. de V. 1983. Mimiek: die kuns van die gehoorgestremde. Opvoedkundige Kultuur, 6(3):26-27. |
Rabe, L. 1985. In Shakespeare se towerwoud. Sarie, 14-16. January 30. | Rabe, L. 1985. In Shakespeare se towerwoud. Sarie, 14-16. January 30. | ||
| − | Rabe, S. 1982. Introduction to the art of stage make-up. Arabesque, 13 : 36. April. | + | Rabe, S. 1982. Introduction to the art of stage make-up. Arabesque, 13:36. April. |
| − | Rabson, J.S. 1979. Psychodrama with alcoholics.: a social work perspective. Social | + | Rabson, J.S. 1979. Psychodrama with alcoholics.: a social work perspective. Social Work, 15:220-221. October. |
| − | + | Racster, Olga 1951. Curtain Up! The Story of Cape Theatre. Cape Town: Juta and Company. | |
| − | + | Raditlhalo, S.I. 2002. South African Theater as/and Intervention, edited by Marcia Blumberg and Dennis Walder; The Drama of South Africa: Plays, Pageants and Publics Since 1910, by Loren Kruger. Reviewed in: Banham, Martin, Gibbs, James & Osofisan, Femi (eds.); Plastow, Jane (reviews ed.), African Theatre. Women. Oxford: James Curry. 171-175. | |
| − | |||
| − | Raditlhalo, S.I. 2002. South African | ||
Raditlhalo S. 2009. Truth in Translation: The TRC and the Translation of the | Raditlhalo S. 2009. Truth in Translation: The TRC and the Translation of the | ||
| − | Translators. Biography: An Interdisciplinary Quarterly | + | Translators. Biography: An Interdisciplinary Quarterly, 32(1):89-101. |
| − | |||
| − | + | Rae, Almeda K. 1971. Dialogue and Characterization in the Plays of Athol Fugard. Unpublished master’s thesis Pretoria: University of Pretoria. | |
| − | + | Rahner, Christiane 2007. “Führt was vor!” Traditionelle “Vorträge” in deutschsprachigen Gemeinden Südafrikas, in Fassel, Horst, Ulrich, Paul S., Schindler, Otto G. (eds.) Deutsches Theater im Ausland vom 17. zum 20. Jahrhundert: Interkulturelle Beziehungen in Geschichte und Gegenwart. Berlin, Germany: Lit. 267-274. | |
| − | |||
| − | Rahner, Christiane 2007. “Führt was vor!” Traditionelle “Vorträge” in deutschsprachigen Gemeinden Südafrikas | ||
Raikes, R. Stage is set. 1971. Personality, 68-75. February 5. | Raikes, R. Stage is set. 1971. Personality, 68-75. February 5. | ||
| − | Raine, Craig. 1980. An interview with Athol Fugard. | + | Raine, Craig. 1980. An interview with Athol Fugard. Quarto, (9):9-14. |
| − | |||
| − | |||
| − | |||
| − | + | Rassool, C. & Witz, L. 1993. The 1952 Jan van Riebeeck Tercentenary Festival: Constructing and Contesting Public National History in South Africa. Journal of African History 34:447-468. | |
| − | + | Rautenbach, Elmarie. 1999. Pieter-Dirk verklap Evita se geheim. Insig, 12/99:24. | |
| − | + | Ravenscroft, A. 1955. Teaching of set books: a play. Ons Eie Boek, 21(1):31-33. | |
| − | + | Raymer, John David 1975. Eight Recent Plays by South African Dramatist Athol Fugard: his Method, his Development as a Playwright, his South African Context, and the Major Influences upon him. Unpublished doctoral dissertation. University of Ohio. | |
| − | + | Raymond, Gerard 1993. Karma of violence. TheaterWeek, 6(306):24-30. June 21. | |
| − | + | Razis, N. 1980. Popular theatre. South African Outlook, 110:102-103. | |
| − | + | Read, John (comp.).1991. Athol Fugard. A Bibliography. Grahamstown: National English Literary Museum. | |
| − | + | Rebirth of Port Elizabeth’s Opera House. 1968. Architect and Builder, 18(2):16-19. | |
| − | + | Reddinsdaadbond propaganda and the stage. 1941. Forum. 4(9):28-29. | |
| − | + | Reinecke, Dennis 1985. Staatsteater Pretoria, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 87-90. | |
Revision as of 11:15, 16 February 2011
Click on the appropriate letters of the alphabet in the sub-list below.
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To return to any other letter, click on the list below
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Rabe, D. de V. 1983. Mimiek: die kuns van die gehoorgestremde. Opvoedkundige Kultuur, 6(3):26-27.
Rabe, L. 1985. In Shakespeare se towerwoud. Sarie, 14-16. January 30.
Rabe, S. 1982. Introduction to the art of stage make-up. Arabesque, 13:36. April.
Rabson, J.S. 1979. Psychodrama with alcoholics.: a social work perspective. Social Work, 15:220-221. October.
Racster, Olga 1951. Curtain Up! The Story of Cape Theatre. Cape Town: Juta and Company.
Raditlhalo, S.I. 2002. South African Theater as/and Intervention, edited by Marcia Blumberg and Dennis Walder; The Drama of South Africa: Plays, Pageants and Publics Since 1910, by Loren Kruger. Reviewed in: Banham, Martin, Gibbs, James & Osofisan, Femi (eds.); Plastow, Jane (reviews ed.), African Theatre. Women. Oxford: James Curry. 171-175.
Raditlhalo S. 2009. Truth in Translation: The TRC and the Translation of the Translators. Biography: An Interdisciplinary Quarterly, 32(1):89-101.
Rae, Almeda K. 1971. Dialogue and Characterization in the Plays of Athol Fugard. Unpublished master’s thesis Pretoria: University of Pretoria.
Rahner, Christiane 2007. “Führt was vor!” Traditionelle “Vorträge” in deutschsprachigen Gemeinden Südafrikas, in Fassel, Horst, Ulrich, Paul S., Schindler, Otto G. (eds.) Deutsches Theater im Ausland vom 17. zum 20. Jahrhundert: Interkulturelle Beziehungen in Geschichte und Gegenwart. Berlin, Germany: Lit. 267-274.
Raikes, R. Stage is set. 1971. Personality, 68-75. February 5.
Raine, Craig. 1980. An interview with Athol Fugard. Quarto, (9):9-14.
Rassool, C. & Witz, L. 1993. The 1952 Jan van Riebeeck Tercentenary Festival: Constructing and Contesting Public National History in South Africa. Journal of African History 34:447-468.
Rautenbach, Elmarie. 1999. Pieter-Dirk verklap Evita se geheim. Insig, 12/99:24.
Ravenscroft, A. 1955. Teaching of set books: a play. Ons Eie Boek, 21(1):31-33.
Raymer, John David 1975. Eight Recent Plays by South African Dramatist Athol Fugard: his Method, his Development as a Playwright, his South African Context, and the Major Influences upon him. Unpublished doctoral dissertation. University of Ohio.
Raymond, Gerard 1993. Karma of violence. TheaterWeek, 6(306):24-30. June 21.
Razis, N. 1980. Popular theatre. South African Outlook, 110:102-103.
Read, John (comp.).1991. Athol Fugard. A Bibliography. Grahamstown: National English Literary Museum.
Rebirth of Port Elizabeth’s Opera House. 1968. Architect and Builder, 18(2):16-19.
Reddinsdaadbond propaganda and the stage. 1941. Forum. 4(9):28-29.
Reinecke, Dennis 1985. Staatsteater Pretoria, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 87-90.
Click on the appropriate letters of the alphabet in the sub-list below.
Ra-Res Ret-Ric Rid-Rol Rom-Rop Ros-Rot Rou-Rz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
