ESAT Bibliography B

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Baanbrekers. 1963. Vita musica, 1(2): 18-19.

Bacqua, S. 1997. Investigation of the play Sarafina II: Public Protector’s report. Pretoria: Office of the Public Protector.

Badenhorst, Frik 1978. Die mense van Soetwater. Scenaria, December/January: 39-40.

Bagasie sonder bestemming. [Literary criticism, Jac J. Brits]. 1974. Tydskrif vir geesteswetenskappe, 14: 218-221. September.

Bailes, A. 1984. Puppetry : an art form. Scenaria, (42) : 8-9.

Bailey, Brett 1998. Performing so the spirit may speak. South African theatre journal, 12(1&2): 191-202.

Bain, Keith 1996. The 1996 Standard Bank National Arts Festival, Grahamstown South African theatre journal, 10(2): 135-147.

Bain, Keith 1997. Berkoff, boerewors and box-office betrayal: Standard Bank National Arts Festival 1997. South African theatre journal, 11(1&2): 239-257.

Bain, Keith & Hauptfleisch, Gaerin 1998. Brecht 2001: a photo essay. South African theatre journal, 12(1&2): 212-227.

Bain, Keith 1998. Make believe: Standard Bank National Arts Festival 1998. South African theatre journal, 12(1&2): 139-164.

Bain, Keith 1999. Magical millennium dress rehearsal: 25th anniversary of the Standard Bank National Arts Festival, Grahamstown, 1999. South African theatre journal, 13(1&2): 179-195.

Bain, Keith & Hauptfleisch, Temple 2001. Playing the changes: thoughts on the restructuring of the theatrical system and the arts industry in South Africa after apartheid. South African theatre journal, 15: 8-24.

Bain, Keith 2003. Hypertheatrical performance on the post-apartheid stage. In Wasserman, Herman & Jacobs Sean (eds) Shifting selves: post-apartheid essays on mass media, culture and identity. Cape Town: Kwela Books. p. 145-165.

Baker, G. R. 2001. Negotiated dramaturgy – industrial theatre as communication in the organization. Empangeni: University of Zululand. (D Phil-thesis.) (D Phil dissertation)

Baker, S. 1969. O come all ye faithful [passion plays]. Fair lady, 5(5): 80-92. April 30.

Baleka, Justus 2009. The tempest, Janice Honeyman: theatre review. Shakespeare in Southern Africa, 21(1): 88-89.

Ball, John Agee 2003. The dramatic art of Athol Fugard: from South Africa to the world by Albert Wertheim. Reviewed in Theatre journal, 55(1): 188-190.

Ballantine, C. 1993. Marabi nights: early South African jazz and vaudeville. Johannesburg: Ravan Press.

Balme, Christopher 1996. The performance aesthetics of township theatre: frames and codes. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 65-84.

Balseiro, Isabel 2003. Between Alexandra and Jurassic Park: interview with Professor Es’kia Mphahlele. South African theatre journal, 17: 212-232.

Baneshik, Percy 2006. Taubie Kuschlik – woman of the theatre. Jewish affairs, 61(4): 62-66.

Banham, Martin 1976. African theatre today. London: Pitman.

Banning, Yvonne 1989a. English language usage in South African theatre since 1976. Johannesburg: Witwatersrand University. (MA-thesis.).

Banning, Yvonne 1989b. Ghosts with ears: the WESSA in contemporary drama. English Academy review, 6: 19-27.

Banning, Yvonne 1989c. Sophiatown, by The Junction Avenue Theatre Company. Reviewed in: South African theatre journal, 3(1): 95-102.

Banning, Yvonne 1990 Language in the theatre: mediating realities in an audience. South African theatre journal, 4(1): 12-37.

Banning, Yvonne 1997. (Re)viewing Medea: cultural perceptions and gendered consciousness in reviewers’ responses to the New South African theatre. South African theatre journal, 11(1&2): 55-87.

Banning Yvonne 1998. Oral English in South African Theater of the 1980s. Oral tradition [serial online]. October 1998;13(2):398-421.

Banning, Yvonne 1999. Speaking silences: images of cultural difference and gender in Fleishman and Reznek’s Medea. In Blumberg, M. and Walder, D. (eds.) South African theatre as/and intervention. Cross/Cultures 38. Amsterdam: Rodopi BV. Bladsye (missing in JSG! Jan 2010)

Banning, Yvonne 2002. Footprints on the shore: documenting site-specific community performance. The Freedom Project, Robben Island, April 27th, 2001. South African theatre journal, 16: 137 – 156.

Banning, Yvonne 2003. Learning to act in L 2 English: an ethnographic comparison of two students in a South African university drama department. Research in drama education. 8(2): 183-201.

Banning, Yvonne 2006. Directors Forum: Baxter Theatre, Cape Town, Saturday 19 August 2006. South African theatre journal, 20: 252-254.

Banning, Yvonne 2007. Creating vocal style in a scripted theatre production: issues of visibility, autonomy and integration in vocal practice as research. South African theatre journal, 21: 180-202.

Barber, Karin 1987. Theatre and cultural struggle in South Africa. by Robert Mshengu Kavanagh. Reviewed in: The journal of modern African studies, 25(3): 561-564.

Barker, Julie. 1998. After Nines: An innovative and uplifting jazzy musical, that opens the closet doors on gay and lesbian history in South Africa. In: Vuka SA, July 31, 1998: 6.

Barnard, C. 1968a. Sandra Prinsloo: boerenooi vol prikkel. Huisgenoot, 42(2405): 10-13.

Barnard, C. 1968b. Siegie byna 40 jaar al verkleurmannetjie. Huisgenoot, 42(2397): 24-26. March 8.

Barnard, C. 1968c. Twee vroue speel pop. Huisgenoot, 42(2423): 85. September 6.

Barnard, C.J. 1977. Geselsportret van Sandra Prinsloo. Huisgenoot, 16-19. September 30.

Barnard, G.R. 1984. Jaar van die vuur-os: W.A. de Klerk. Klasgids, 19(2): 14-25. Bespreking en antwoord Teaterforum, 4(1): 124-127. Bespreking. Standpunte, 37(6) : 58-64. Bespreking. Standpunte, 37(6) : 58-64.

Barnard, Rita 2007. Apartheid and beyond: South African writers and the politics of place. Oxford: Oxford University Press.

Barnard, T. 1997. Spel as ekspressie van die rituele in Reza de Wet se Trits. Stellenbosch : Universiteit van Stellenbosch. (M Dram-tesis.)

Barnes, Hazel 1997. Theatre for reconciliation: Desire and South African students. Theatre journal, 49(1): 41-52.

Barnes Hazel 1999. Theatre for reconciliation: David Lan's Desire as an interventionary vehicle. South African Theatre as/and Intervention [e-book]. Amsterdam, Netherlands: Rodopi; 1999:169-180.

Barnes, Hazel 2000. Finding appropriate expression for multiculturalism in a student production. South African theatre journal, 14:28-45.

Barnes, Hazel & Peters, D. 2002. Translating trauma: using arts therapies with survivors of violence. South African theatre journal, 16: 157 – 183.

Barnett, J. & Broer, L.D. 1977. Baxter theatre complex. Planning and building developments, 28: 19-25. September-October.

Barnett, J. & Broer, L.D. 1977. Baxter theatre, University of Cape Town. Architect and builder, 27(11): 2-9.

Barnett, Ursula A. 1983. A vision of order. A study of Black Sout May 3.h African literature (1914-1980). London: Sinclair Browne.

Barney Simon talks about stagecraft. 1985. Theatre crafts, 19(8): 40, 61-62.

Barron, Chris 2007. “Patience Africa: Veteran voice of urban SA”. In: Sunday Times 1 July 2007 (News and Opinion, p 18)

Barron, Chris 2007. “William Pretorius: Critic and lover of the arts”. In: Sunday Times 1 July 2007 (News and Opinion, p 18)

Barrow, Brian & Williams-Short, Yvonne (eds) 1988. Theatre alive! The Baxter story 1977-1987. Cape Town: The Baxter Theatre.

Basson, J 1981. Showroom of the arts [State Theatre, Pretoria]. South African panorama, 26(8): 1-5.

Basson, Marthinus 1998. Boklied programnotas by die opvoering by die KKNK, Oudtshoorn.

Basson, Marthinus 2001. Tydbom verbloem as ’n boek. In: Insig, July 31, 2001.

Bastani, Nava Corinne 2007. A project proposal for the formation of People's Theatre :a community drama project for the moral development and empowerment of the youth in Hout Bay. Stellenbosch: University of Stellenbosch. (M.Phil thesis.)

Bateman, P. 1951. Do we need national theatre? Outspan, 49(1258): 37. April 6.

Bateman, P. 1952a. “Mixed” Cape Town audience – a compromise solution [admitting Coloulereds to the theatres]. Outspan, 51(1332): 53. September 5.

Bateman, P. 1952b. Will National theatre silence the critics? Outspan, 50(1297): 25. January 4.

Bauer, Charlotte. 1994. Into the shadow of the valley of doubt with Lena’s inventor. In: The Sunday Times, November 27, 1994: 17.

Baxter, Veronica 2000 Unizima Lomthawala: Satisfying everyone all of the time in drama and theatre as education. South African theatre journal, 14: 55-72.

Baxter, Veronica and Aitchison, James 2006. The playful theatre of Nicholas Ellenbogen. 1985-1990. South African theatre journal, 20: 48-64.

The Baxter theatre. 1977. Scenaria, August/ September: 12-13.

Baxter theatre. [Air conditioning, heating and ventilation]. 1978. Construction in Southern Africa, 23(6): 54-63. September.

Baxter’s first five years. 1982. Scenaria, 32: 17-19.

Beard, Margot 2002. King Lear: a production of the North West Arts Drama Youth group, directed by Mpulelo Grootboom at the Grahamstown Festival, June/July 2002. Shalespeare in Southern Africa, 14: 59-60.

Bedford, Jacoba W. 1988. The presence of the past in selected works by Pieter-Dirk Uys. MA thesis. Potchefstroom University for C.H.E.

Bekker, S. and Leilde, A. (2003) ‘Is Multiculturalism a Workable Policy in South Africa?’ International Journal on Multicultural Societies (IJMS) Vol. 5, No. 2. bladsye??

Belasting op die toneel. 1945. Huisgenoot, 30(1225): 5. September 14.

Bell, Lynette 1978. An approach to theatre make-up. Scenaria, December/January: 41.

Bell, Suzy. 1997. A loutish, curmudgeonly trio of plays to set tongues wagging. In: Sunday pendent, October 19, 1997: 13.

Belling, Veronica Penkin 2008. Yiddish theatre in South Africa: :a history from the late nineteenth century to 1960. Cape Town : Isaac and Jessie Kaplan Centre for Jewish Studies and Research.

Belling, V. 2006. Yiddish theatre in South Africa. Jewish affairs, 61(4): 5-16.

Bellingan, M.1982. Anneline se maltrapvennoot. Rooi rose, 38(29): 22-5. September 8. Oor Marianne Fassler as kostuumontwerper.

Bellingan M. 2009. Boerseun met flair – kunstenaar. Taalgenoot, 67(10): 42-43.

Belowende begin. [Nasionale toneel se eerste opvoerings]. 1948. Huisgenoot, 32(1353): 15. February 27.

Beneke, J.J.P. 1984. Christine: model van die flitsvertelling. . In: Malan, Charles (ed.) Spel en spieël. besprekings van die moderne Afrikaanse drama en teater. Johannesburg: Perskor. p. 51-63.

Bennett, Vane 1885. Biographical and memorial Sketch of F.A. Disney Roebuck. Cape Town: Saul Solomon and Co.

Benson, Mary 1973 Athol Fugard and “one little corner of the world”. Yale / Theatre, IV, no.1 (Winter 1973): 55-62

Benson, Mary.1977. Keeping an appointment with the future: the theatre of Athol Fugard. Theatre quarterly 7(28): 77-83. Benson, Mary 1997. Athol Fugard and Barney Simon: bare stage, a few props, great theatre. Johannesburg: Ravan Press.

Bensusan, A.D. 1968. Case for the banning of smoking in theatres. Municipal affairs, 33(389): 31-37. January.

Benz, M. 1964. Nuwe vermaaklikheid in Suid-Afrika: bioskoop, teater saam op een verhoog. Brandwag, 28(5): 29. April 3.

Bernstein, Daphne 1972. The History of the Standard Theatre, Johannesburg, with Special Reference to the Contribution of Leonard Rayne. Unpublished B.Dram. Hons Essay, Johannesburg: University of the Witwatersrand.

Berold, Ralph et al. 2000. Interactive drama for environmental educators. Howick: Share-net.

Bertelsen, Eve 1991 Radical Cheek: Film theory and the common viewer. South African theatre journal, 5(1):5-23.

Beukelaar, J. 1952. Ons toneel is nog baie amateuragtig. Helikon, 1(5): 101-106.

Beukes, Gerhard J. 1944. Gee ons jeugteaters. Huisgenoot, 29(1169): 15. August 18.

Beukes, Gerhard J. 1954. Probleme i.v.m. die Afrikaanse toneelkuns. Tydskrif vir wetenskap en kuns, 14(2): 77-85.

Beukes, Gerhard J. 1975. Vader van Suid-Afrikaanse toneel. [P.P. Breytenbach]. Taalgenoot, 44(2): 5 January.

Beukes, Gerhard J. 1977. Hanekom, Hendrik Andries. Dictionary of South African biography. 3: 372-373. Cape Town: Nasionale Boekhandel.

Beukes, Gerhard J. and Lategan, Felix V. 1961. Skrywers en rigtings. Pretoria: J.L. Van Schaik.

Beyers, Yvonne 2003. Kuns is goud werd: sakeman Deon Opperman verkoop ‘eyeballs’. In: Beeld, September 27, 2003: 7.

Binge, L.W.B. 1960. Ontwikkeling van die Afrikaanse toneelkuns (1832 – 1950).

Binge, L.W.B. 1963. Drama en toneel. Vita musica, 1(4): 8-11.Pretoria: Universiteit van Pretoria. (D Litt-verhandeling.)

Binge, L.W.B. 1961. Pretoria se volksteater – ‚n bittersoet geskiedenis. Huisgenoot, 42(2026): 30-33. January 13.

Binge, L.W.B. 1969. Ontwikkelling van die Afrikaanse toneel (1832-1950). Pretoria: J.L. van Schaik.

Black theatre in South Africa. 1976. International Defence and Aid Fact paper, no.2.

Black, Stephen 1984. Three Plays. Edited by Stephen Gray. Johannesburg: Ad Donker.

Black, Stephen 1985. (1985??) Three plays, edited by Stephen Gray. Johannesburg, Donker.

Blank, Martin 1988. Eugene O’Neill in South Africa: Margaret Webster’s production of A touch of the poet. Theatre survey, 29(1): 113-116.

Blecher, Hilary 1980. Goal oriented theatre in the Winterveld. Critical arts 1(3): 23-39.

Blignaut, Charl. 1998. Walking into a bullet. In: Mail & Guardian, August 27, 1998: 15.

Blignaut, L. 1985. Jana : my stryd om ma en ster te wees [Jana Cilliers]. Huisgenoot, 14-16. Mei 16.

Blignaut, L. 1985. Jana : my stryd om ma en ster te wees [Jana Cilliers]. Huisgenoot, 14-16. Mei 16.

Blignaut, L. 1985. Nuwe Nicola [Roelien Spruyt]. Huisgenoot, 12-13. Augustus 22.

Blight Cecilia 1994. A Shakespeare bibliography of periodical publications in South Africa in 1993. Shakespeare in Southern Africa, 7: 97.

Blight Cecilia 1997. A Shakespeare Bibliography of Periodical Publications in South Africa in 1995. Shakespeare in Southern Africa, 10:91.

Blight Cecilia 1998. A Shakespeare Bibliography of Periodical Publications in South Africa in 1997. Shakespeare in Southern Africa, 11:72.

Blight Cecilia 1999. Shakespeare's Bibliography of Periodical Publication in South Africa in 1998. Shakespeare in Southern Africa [serial online]. January 1999;12:98-99.

Blight Cecilia 2001. A Shakespeare Bibliography of Periodical Publications in South Africa in 1999 and 2000. Shakespeare in Southern Africa, 13:115.

Blight Cecilia 2002. A Shakespeare Bibliography of Periodical Publications in South Africa in 2001. Shakespeare in Southern Africa, 14:77.

Blight Cecilia 2003 A Shakespeare Bibliography of Periodical Publications in South Africa in 2002. Shakespeare in Southern Africa [serial online]. January 2003;15:127-128.

Blight Cecilia 2004. A Shakespeare Bibliography of Periodical Publications in South Africa in 2002. Shakespeare in Southern Africa [serial online]. January 2004;16:101-102.

Bloemfontein opera : structural aspects. 1986. The civil engineer in South Africa, 28(3) : 102-108.

Blood knot. [Dramatic criticism]. 1979. Speak, 1(6): 44.

Bloom, H. 1961. King Kong: An African Jazz Opera, London, Collins.

Blues, T.S. 1995. Drama as a means of facilitating adult learning in rural areas:South African case studies at Akanani. Johannesburg: University of the Witwatersrand. (M.Ed. thesis).

• • Blumberg – moet nog kontroleer en korrigeer (Aug 2010)

Blumberg, Marcia 1991. Languages of violence: Fugard's Boesman and Lena. In Violence in drama. Cambridge: Cambridge University Press. p. 239-249.

Blumberg, Marcia 1992. Athol Fugard: texts and contexts: Athol Fugard : a bibliography, compiled by John Read. Reviewed in: World literature written in English, 32(2): 165-168.

Blumberg, Marcia 1993. Fragmentation and psychosis: Fugard's My children! My Africa! In Madness in drama. Cambridge: Cambridge University Press. p. 241-253.

Blumberg, Marcia 1994. Women journeying at the South African margins: Athol Fugard's The road to Mecca. In Davis, Geoffrey V. (ed.), Southern African writing: voyages and explorations. Amsterdam: Rodopi. p. 39-50.

• • Blumberg, Marcia 1994 Performing Marginalities in the South African Interregnum: Fatima Dike's So What's New and Susan Pam-Grant's Curl Up and Dye.” AUETSA 1993 CONFERENCE PAPERS. Port Elizabeth/ Potchefstroom 1994. 61-71.

Blumberg, Marcia 1995. Re-evaluating otherness, building for difference: South African theatre after the interregnum. South African theatre journal, 9(2): 27-37.

Blumberg, Marcia 1996. Negotiating the in-between: Fugard's Valley song. Journal of literary studies, 12(4): 456-469.

• • Blumberg, Marcia 1997 "Contemporary 'Kitchen' Theatre in Transition: Cooking up Transgression." AUETSA ‘96 (Association of University English Teachers of Southern Africa) Conference Proceedings. Vol 1. Eds. Hermann Wittenberg and Loes Nas.. 122-130.

Blumberg, Marcia 1997. More Market plays, ed. by John Kani; Mooi Street and other moves, by Paul Slabolepsky. Reviewed in: Theatre journal, 49(1): 85-87.

Blumberg, Marcia 1997. Staging AIDS: activating theatres." South African theatre journal, 11(1&2): 155-181.

Blumberg, Marcia 1997. Two continents, no refuge: engendering the problematics of home. Performance research, 2(3): 30-44.

Blumberg, Marcia 1998. Domestic place as contestatory space: the kitchen as catalyst and crucible. New theatre quarterly, 14(3): 195-201.

Blumberg, Marcia 1998. Performing bulimia, engendering dis-ease in the South African body politic: Janine Denison's All the rage. Contemporary theatre review, 9(3): 19-35. Special Issue: Women, Politics and Performance in South African Theatre Today. 9:3 Ed. Lizbeth Goodman. 19-35. Nie in JSG

Blumberg, Marcia 1998. Re-staging resistance, re-viewing women: 1990s productions of Fugard's Hello and goodbye and Boesman and Lena. In: Colleran, Jeanne & Spencer, Jenny (eds.) Staging resistance: essays on political theatre. Ann Arbor, MI: University of Michigan Press. p. 123-145.

Blumberg, Marcia 1999. The AIDS memorial quilt as performance: creating healing narratives. In: Haldan, Duncan & Loppert, Susan (eds.) The arts in health care: learning from experience. London: King’s Fund. p. 58-68.

Blumberg, Marcia & Walder, Dennis. (eds) 1999. South African theatre as/and intervention. Amsterdam: Rodopi.

Blumberg, Marcia 2000. Re-membering history, staging hybridity: Ubu and the Truth Commission. In Wylie, Hal & Lindfors, Bernth (eds.), Multiculturalism and hybridity in African literatures. Trenton, N.J.: Africa World Press. p. 309-318.

Blumberg, Marcia 2001. Puppets doing time in the age of AIDS. In Haedicke, Susan & Nellhaus, Tobin (eds.), Performing democracy: international perspectives on urban community-based performance. Ann Arbor: University of Michigan Press. p. 254-268.

Blumberg, Marcia 2002 Introduction to Fatima Dike’s Glass House. In Banham, Martin, Gibbs, James & Osofisan, Femi (eds.); Plastow, Jane (reviews ed.), African theatre. Women. Oxford: James Curry. p. 132-133.

Blumberg, Marcia 2002. Mapping counter truths and reconciliations: staging testimony in contemporary South Africa. In Maufort, Marc & Bellarsi, Franca (eds.), Crucible of cultures: Anglophone drama at the dawn of a new Millennium. Brussels. P.I.E. Peter Lang. p. 271-284.

• • Blumberg, Marcia 2006. “Simon Nkoli (1957-1998) Anti-apartheid, Gay Rights and HIV/AIDS activist extra-ordinaire” for programme of Orange Clouds, a video cantata by Bongani Ndodana-Breen, John Greyson and Geoffrey Pugen (2006) (Invited).

Blumberg, Marcia 2009. South African theatre beyond 2000: theatricalising the unspeakable. Current writing: text and reception in Southern Africa. 21(1&2): 238-260.

Blumenthal, Sally 1978. Double Fun at The Space. The Cape Times: October 6.

Blumer, Arnold 1977. Betrokke literatuur: die dokumentêre drama. Standpunte, 30(4)-(5): August-October.

Blumer Arnold 1983. Brecht in South Africa. Communications from the International Brecht Society [serial online]. November 1983;13(1):30-38.

Blumer, Arnold 1989a. Oog en spel – opstelle oor die drama by Rina Pretorius. Reviewed in: South African theatre journal, 3(1):105-107.

Blumer, Arnold 1989b States of emergency: Some thoughts on Brecht’s Fear and Misery in the Third Reich. South African theatre journal, 3(1):39-54.

Blumer, Arnold 1990. Organise and act by Astrid von Kotze. Reviewed in: South African theatre journal, 4(2):112-113.

Blumer, Arnold. 1991. Hoe om lewe te blaas in ’n lyk. Vrye Weekblad. 4 Oktober 1991.

Blumer, Arnold 1995 Die Duitse kabaret: ‘n Beknopte oorsig. South African theatre journal, 9(1): 53-68.

Blumer, Arnold 1996. The future of the performing arts councils in a new South Africa. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 260-271.

Blumer, Arnold 1998 Bertolt Brecht’s 100th Anniversary. South African theatre journal, 12(1&2):208-211.

Bobaas van die Boendoe. [Literary criticism, André P. Brink]. 1974. Tydskrif vir gesesteswetenskappe, 14: 215-217. September.

Bode, Peter W. 1981. A history of Souith African theatre, part VIII. Scenaria, (28): 47-48.

Bodie, P.W. 1980. History of South African theatre. Scenaria, (21): 33-34.

Bodie, P.W. 1981. History of South African theatre. Scenaria, (22): 27.

Bodie (?), P.W. 1980. A History of South African Theatre. Unisa Library.

Bodie, P.W. 1982. History of South African theatre. Scenaria, 29-32. Ja-Jul

Bodie, P.W. 1981. History of South African theatre. Scenaria, (28): 33.

Boekkooi, Paul 1989. Nuwe bloed bring woelinge by Naruk (ondersoek na die Uitvoerende Kunsterade). Insig, Februarie 36-39.

Boekkooi, Paul 1997a. Reza de Wet maak geskiedenis. Beeld. 24 Junie: Kalender

Boekkooi, Paul 1997b. Net maar ‘n afskynsel van Fourie se talent: “Crime Babies”. Beeld. 5 Augustus: Plus.

Boekkooi, Paul 1997c. “Tiger” bevestig Fugard se status: “The Captain’s Tiger”. Beeld. 7 Augustus: Plus.

Boekkooi, Paul 1998. Het die vlooie minstens maar gebyt…”Nog ‘n kooi…nog ‘n vlooi”. Beeld. 12 Februarie: Plus.

Boekkooi, Paul. 1994. Wanneer die stormramme aantree. Insig, 02/94: 30.

Boekkooi, Paul. 1994. Twee stukke wat jou sal laat meeleef. Insig, 04/94: 36.

Boekkooi, Paul. 1994. Bevryding die hoofteme in Trits. Insig, 05/94: Bylaag B10.

Boekkooi, Paul. 1994. ATKV: baie nabetragting nodig. Insig, 05/94: 29.

Boekkooi, Paul. 1994. Fees skud alle onderdanigheid af. Insig, 08/94: 29.

Boekkooi, Paul. 1994. Die platteland kry weer toneel. Insig, 09/94: 28.

Boekkooi, Paul 1998. Hoekpilaar van die SA verhoog. Die taalgenoot, 67(7): 4-5.

Boekkooi, Paul. 1999. Sê dit maar! Insig, 12/99: 31.

Boekkooi, Paul. 2001. Kits KKNK. Insig, 04/01: 46.

Bolsman, Eric 1994. “Early Hotels in Pretoria” In: Be My Guest, March. ???

Book review Kavanagh Theatre and cultural struggle... Critical arts, 4(1) : 80-84.

Boom in theatre. 1944. Forum. 7(20): 17-19. August 12.

Boonzaier, D.C. 1980. My Playgoing Days – 30 Years in the History of the Cape Town Stage. In: F.C.L. Bosman, Drama en Toneel in Suid-Afrika, Deel 2: 1856 – 1912. (pp.374-439). Pretoria: J.L. van Schaik.

Bosch, Barbara 1995 Powerspeak in Reza de Wet’s Diepe grond. South African theatre journal, 9(1): 79-88.

Bosman, Anston 2005. Shakespeare under the skin. Performance research, 10(3): 85-89.

Bosman, F.C.L. 1928. Drama en Toneel in Suid-Afrika, Deel I ["Drama and Theatre in South Africa. Part I"]: 1652-1855. Amsterdam/Pretoria: J.H. de Bussy.

Bosman, F.C.L. 1951a. The Dutch and English Theatre in South Africa 1800 till today, and the Afrikaans Drama. Pretoria: J.H. de Bussy.

Bosman, F. C. L. 1951b. Hollandse en Engelse toneel in Suid-Afrika, 1800 tot vandag, en, Die Afrikaanse drama : kort oorsigte. Pretoria : De Bussy.

Bosman, F.C.L. 1955a. Die toneel in Suid-Afrika: Hollands, Engels, Afrikaans (1800-1954) (Lesing soos gegee in Nederland, November 1954.) Deel I Helikon, 4(19): 10-17.

Bosman, F.C.L. 1955b. Die toneel in Suid-Afrika: Helikon, 4(20): 54-60.

Bosman, F.C.L. 1969. Drama en Toneel in Suid-Afrika Deel 2 ["Drama and Theatre in South Africa "]1800-1962. Pretoria: J.L. van Schaik.

Bosman, F.C.L. 1970. Sewe beslissende jaartalle in die geskiedenis van die toneel in Suid-Afrika. Tydskrif vir geesteswetenskappe, 10(1): 16-26 (42?).

Bosman, F.C.L. 1980. Drama en Toneel in Suid-Afrika , Deel II ["Drama and Theatre in South Africa. Part II"]: 1856-1916. Pretoria: J.L van Schaik.

Bosman, M. J. van R. 1937. Die voorlopers en die ontstaan van die Afrikaanse toneel in Transvaal. Pretoria: Universiteit van Pretoria. (MA Thesis).

Botha, Bet 1985. Die Christen se verantwoordelikheid by die vertolking van ‘n woordkunswerk. Teaterforum, 6(1): 28-45.

Botha, Danie (Ed). 2006. Voetligte & Applous! Die beginjare van die Afrikaanse beroepstoneel [“Footlights & Applause: The first years of Afrikaans professional theatre”]. Pretoria: Protea BoekeHuisgenoot.

Botha, E. 1961, Twee opvoerings van N.T.O. Standpunte. 17: 66-67.

Botha E. 1989. Anton Chekhov: Reception of a Russian Dramatist in South Africa. The Waking Sphinx: South African Essays on Russian Culture [e-book]. Johannesburg: Lib. Univ. of the Witwatersrand; 1989:168-178.

Botha, E.M. 1980. Plea for poverty. Scenaria, (18): 3. …Discussion and reply. (20): 2 …Discussion (21): 29.

Botha, E.M. 1982. Enkele gedagtes oor ‘n “blitskursus” in toneelskryf. Teaterforum, 3(1): 1-10.

Botha, H. & Smit, W. 1981. State Theatre Pretoria. Architect and builder, 31(12): 2-9.

Botha, Johann. 1998. Vasbyt, daar’s geen beloftes! Insig, 04/98: 28.

Botha Theunis. 1985. Opvoekundige teater : ‘n herwaardering. Teaterforum, 6(1) : 1-19. Teunis ??

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