Difference between revisions of "ESAT Bibliography A-Al"
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| − | Aaron, G. 1984. Ken Leach. Fair | + | [[G. Aaron|Aaron, G.]] 1984. [[Leach, Ken|Ken Leach]]. ''Fair Lady'', 19(5): 12. February 22. |
| − | Abrahams, L. 1973. Athol Fugard | + | Abrahams, L. 1973. Athol Fugard, in Lennox-Short, Alan. English and South Africa. Cape Town: Nasou. 86-87. |
| + | |||
| + | Accone, Daryl 1991. The 1991 Grahamstown festival: an overview. South African Theatre Journal, 5(2):92-103. | ||
| − | |||
Acoustic design for the Nico Malan theatre. 1972. Plan, 57(8): 34. August. | Acoustic design for the Nico Malan theatre. 1972. Plan, 57(8): 34. August. | ||
| − | Acoustical design of the State Theatre Pretoria. 1981. Scenaria, Special issue: 53, 55. | + | Acoustical design of the State Theatre Pretoria. 1981. Scenaria, Special issue:53, 55. |
| − | Acoustical design of the Roodepoort civic theatre. 1981. Municipal | + | Acoustical design of the Roodepoort civic theatre. 1981. Municipal Engineer, 12(1): 99. |
Acting is not all glamour. [Elizabeth Meyer]. 1964. Personality, 135-137. March 19. | Acting is not all glamour. [Elizabeth Meyer]. 1964. Personality, 135-137. March 19. | ||
| − | Actors must be exciting. Scenaria interviews Louis van Niekerk. 1984. Scenaria, (46): 29-32. | + | Actors must be exciting. Scenaria interviews Louis van Niekerk. 1984. Scenaria, (46):29-32. |
| − | Adams, Kendall A. 1999. The role of Izangoma in bringing the Zulu goddess back to her people. | + | Adams, Kendall A. 1999. The role of Izangoma in bringing the Zulu goddess back to her people. TheDramaReview, 43(2):94-117. |
| − | Addison, C. 2002. Island encounters: | + | Addison, C. 2002. Island encounters: Intercultural communication in the Western literary tradition. Alternation: Journal of the Centre for the Study of Southern African Literature and Languages, 9(1):74-86. |
| − | Adler, Tony 1993. Return to Paton’s place (Alan Paton). American Theatre, 10(7-8): 8-9. | + | Adler, Tony 1993. Return to Paton’s place (Alan Paton). American Theatre, 10(7-8):8-9. |
| − | Ahmed, J. 1990. Culture in South Africa: the challenge of transformation | + | Ahmed, J. 1990. Culture in South Africa: the challenge of transformation, in De Kock, I & Press, K (eds.). Spring is rebellious. Cape Town: Buchu Books. 121-125. |
| − | Adey, D, Beeton, R., Chapman, M | + | Adey, D, Beeton, R., Chapman, M and Pereira, E (eds.). 1986. Companion to South African English literature. Johannesburg: Ad Donker. |
Afrikaans Equus 1978. Scenaria, February/March: 44. | Afrikaans Equus 1978. Scenaria, February/March: 44. | ||
| Line 45: | Line 46: | ||
Afrikaans stage. 1941 Forum, 3(44): 5. January 25. | Afrikaans stage. 1941 Forum, 3(44): 5. January 25. | ||
| − | Afrikaans theatre: Reddingsdaadbond “protection”. 1941. Forum, 4(4): 31-32. April 26. | + | Afrikaans theatre: Reddingsdaadbond “protection”. 1941. Forum, 4(4):31-32. April 26. |
| − | Afrikaans urge towards local drama. 1942. Forum, 5(7): 19. March 16. | + | Afrikaans urge towards local drama. 1942. Forum, 5(7):19. March 16. |
Afrikaanse Studentebond. 1927. Gedenkboek van die Genootskap van Regte Afrikaners. Potchefstroom: Afrikaanse Studentebond. | Afrikaanse Studentebond. 1927. Gedenkboek van die Genootskap van Regte Afrikaners. Potchefstroom: Afrikaanse Studentebond. | ||
| − | Afrikaanse teater in Johannesburg. 1952. Helikon, 1(6): 3 | + | Afrikaanse teater in Johannesburg. 1952. Helikon, 1(6):3. |
| − | |||
| − | |||
| − | |||
| − | |||
| − | + | Afrikaners is plesierig. [Literary criticism, André P. Brink]. 1974. Tydskrif vir Geesteswetenskappe, 14:217-218. September. | |
| − | + | Ainslie, J. 1982. Fugard collection in the National English literary museum, Grahamstown. English in Africa, 9(2):35-39. | |
| − | Akerman, Anthony | + | Akerman, Anthony 1977-1978. ‘Prejudicial to the safety of the state’: censorship and the theatre in South Africa. Theatre Quarterly, 7(28):54-57. |
| − | Akerman, Anthony | + | Akerman, Anthony 1977-78. Why must these shows go on? A critique of black musicals made for white audiences. Theatre quarterly 7 (28):67-70. |
| − | Akerman, Anthony | + | Akerman, Anthony 1989. The last bastion of freedom under siege: a reflection on theatre, in Campschreur, Willem & Divendal, Joost (eds.). Culture in another South Africa. London: Zed Books. 50-57. |
| − | Akerman, Anthony | + | Akerman, Anthony 1993. Designing for a writer’s theatre: interview with Hayden Griffin. South African TheatreJournal, 7(2):117-131. |
| − | Akerman, Anthony | + | Akerman, Anthony 1995 The road to Mecca in Mexico. South African Theatre Journal, 9(2):117-136. |
| + | Akerman, Anthony 1996. Theatre in exile, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. 89-100. | ||
| − | Akteur. 1981. My loopbaan, 32: 3-10. | + | Akteur. 1981. My loopbaan, 32:3-10. |
| − | Alcock, David 1999. Somatic emphasis in South African theatre: intervention in the body politic | + | Alcock, David 1999. Somatic emphasis in South African theatre: intervention in the body politic, in Blumberg, Marcia & Walder, Dennis (eds.). South African theatre as/and intervention. Amsterdam: Rodopi. 49-57. |
| − | Alex ’81 [theatrical company]. 1981. Scenaria, (24): 21-22. | + | Alex ’81 [theatrical company]. 1981. Scenaria, (24):21-22. |
| − | Alexander, M. 1951. “Reps” producer traces story of the theatre. Childhood, 30(3): 20. | + | Alexander, M. 1951. “Reps” producer traces story of the theatre. Childhood, 30(3):20. |
| − | Alexander, P. 2006. Globalization and new social identities: a jigsaw puzzle from Johannesburg | + | Alexander, P. 2006. Globalization and new social identities: a jigsaw puzzle from Johannesburg, in Alexander, Peter, Dawson, Marcelle C. & Ichharam, Meera (eds.). Globalization and new identities. A view from the middle. Johannesburg: Jacana Media. 13-65. |
| − | All that glitters is not gold…: Mr Stockton Briggle and Clouds by Angela Godfrey. 1979. Scenaria, (11) : | + | All that glitters is not gold…: Mr Stockton Briggle and Clouds by Angela Godfrey. 1979. Scenaria, (11): 21-22. |
| − | Allan, Jani 1980. 25 years of Maynardville. Scenaria, (16): 17-19. | + | Allan, Jani 1980. 25 years of Maynardville. Scenaria, (16):17-19. |
| − | Allen, Keith 1993. Getting the message across. Animations, 16(3): 15. | + | Allen, Keith 1993. Getting the message across. Animations, 16(3):15. |
| − | Allen, Vivien 1970. Pretoria theatre for children: a progress report. Lantern, 19(4): 28-31. | + | Allen, Vivien 1970. Pretoria theatre for children: a progress report. Lantern, 19(4):28-31. |
Allen, Vivien 1990. Du Val tonight! :the story of a showman. Worcester, England: Square One Publications. | Allen, Vivien 1990. Du Val tonight! :the story of a showman. Worcester, England: Square One Publications. | ||
| − | Altena, Ina 1972. Nuwe rigtings in die Afrikaanse drama in die sestigerjare. Cape Town: University of Cape Town | + | Altena, Ina 1972. Nuwe rigtings in die Afrikaanse drama in die sestigerjare. Unpublished master’s thesis. Cape Town: University of Cape Town. |
| − | Alvarez-Pereyre, Jacques 1984. Black committed theatre in South Africa. Commonwealth | + | Alvarez-Pereyre, Jacques 1984. Black committed theatre in South Africa. Commonwealth Essays and Studies (CE&S), 7 (1):80-93. |
Revision as of 10:20, 9 December 2010
Click on the appropriate letters of the alphabet in the sub-list below.
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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Aaron, G. 1984. Ken Leach. Fair Lady, 19(5): 12. February 22.
Abrahams, L. 1973. Athol Fugard, in Lennox-Short, Alan. English and South Africa. Cape Town: Nasou. 86-87.
Accone, Daryl 1991. The 1991 Grahamstown festival: an overview. South African Theatre Journal, 5(2):92-103.
Acoustic design for the Nico Malan theatre. 1972. Plan, 57(8): 34. August.
Acoustical design of the State Theatre Pretoria. 1981. Scenaria, Special issue:53, 55.
Acoustical design of the Roodepoort civic theatre. 1981. Municipal Engineer, 12(1): 99.
Acting is not all glamour. [Elizabeth Meyer]. 1964. Personality, 135-137. March 19.
Actors must be exciting. Scenaria interviews Louis van Niekerk. 1984. Scenaria, (46):29-32.
Adams, Kendall A. 1999. The role of Izangoma in bringing the Zulu goddess back to her people. TheDramaReview, 43(2):94-117.
Addison, C. 2002. Island encounters: Intercultural communication in the Western literary tradition. Alternation: Journal of the Centre for the Study of Southern African Literature and Languages, 9(1):74-86.
Adler, Tony 1993. Return to Paton’s place (Alan Paton). American Theatre, 10(7-8):8-9.
Ahmed, J. 1990. Culture in South Africa: the challenge of transformation, in De Kock, I & Press, K (eds.). Spring is rebellious. Cape Town: Buchu Books. 121-125.
Adey, D, Beeton, R., Chapman, M and Pereira, E (eds.). 1986. Companion to South African English literature. Johannesburg: Ad Donker.
Afrikaans Equus 1978. Scenaria, February/March: 44.
Afrikaans stage. 1941. Forum, 3(41): 5. January 4.
Afrikaans stage. 1941 Forum, 3(44): 5. January 25.
Afrikaans theatre: Reddingsdaadbond “protection”. 1941. Forum, 4(4):31-32. April 26.
Afrikaans urge towards local drama. 1942. Forum, 5(7):19. March 16.
Afrikaanse Studentebond. 1927. Gedenkboek van die Genootskap van Regte Afrikaners. Potchefstroom: Afrikaanse Studentebond.
Afrikaanse teater in Johannesburg. 1952. Helikon, 1(6):3.
Afrikaners is plesierig. [Literary criticism, André P. Brink]. 1974. Tydskrif vir Geesteswetenskappe, 14:217-218. September.
Ainslie, J. 1982. Fugard collection in the National English literary museum, Grahamstown. English in Africa, 9(2):35-39.
Akerman, Anthony 1977-1978. ‘Prejudicial to the safety of the state’: censorship and the theatre in South Africa. Theatre Quarterly, 7(28):54-57.
Akerman, Anthony 1977-78. Why must these shows go on? A critique of black musicals made for white audiences. Theatre quarterly 7 (28):67-70.
Akerman, Anthony 1989. The last bastion of freedom under siege: a reflection on theatre, in Campschreur, Willem & Divendal, Joost (eds.). Culture in another South Africa. London: Zed Books. 50-57.
Akerman, Anthony 1993. Designing for a writer’s theatre: interview with Hayden Griffin. South African TheatreJournal, 7(2):117-131.
Akerman, Anthony 1995 The road to Mecca in Mexico. South African Theatre Journal, 9(2):117-136.
Akerman, Anthony 1996. Theatre in exile, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. 89-100.
Akteur. 1981. My loopbaan, 32:3-10.
Alcock, David 1999. Somatic emphasis in South African theatre: intervention in the body politic, in Blumberg, Marcia & Walder, Dennis (eds.). South African theatre as/and intervention. Amsterdam: Rodopi. 49-57.
Alex ’81 [theatrical company]. 1981. Scenaria, (24):21-22.
Alexander, M. 1951. “Reps” producer traces story of the theatre. Childhood, 30(3):20.
Alexander, P. 2006. Globalization and new social identities: a jigsaw puzzle from Johannesburg, in Alexander, Peter, Dawson, Marcelle C. & Ichharam, Meera (eds.). Globalization and new identities. A view from the middle. Johannesburg: Jacana Media. 13-65.
All that glitters is not gold…: Mr Stockton Briggle and Clouds by Angela Godfrey. 1979. Scenaria, (11): 21-22.
Allan, Jani 1980. 25 years of Maynardville. Scenaria, (16):17-19.
Allen, Keith 1993. Getting the message across. Animations, 16(3):15.
Allen, Vivien 1970. Pretoria theatre for children: a progress report. Lantern, 19(4):28-31.
Allen, Vivien 1990. Du Val tonight! :the story of a showman. Worcester, England: Square One Publications.
Altena, Ina 1972. Nuwe rigtings in die Afrikaanse drama in die sestigerjare. Unpublished master’s thesis. Cape Town: University of Cape Town.
Alvarez-Pereyre, Jacques 1984. Black committed theatre in South Africa. Commonwealth Essays and Studies (CE&S), 7 (1):80-93.
Click on the appropriate letters of the alphabet in the sub-list below.
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
