Difference between revisions of "ESAT Bibliography A-Al"
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Abrahams, L. 1973. Athol Fugard. In Lennox-Short, Alan. English and South Africa. Cape Town: Nasou. p. 86-87. | Abrahams, L. 1973. Athol Fugard. In Lennox-Short, Alan. English and South Africa. Cape Town: Nasou. p. 86-87. | ||
| − | [[Accone, Daryl]] 1991. The 1991 Grahamstown festival: an overview. | + | [[Accone, Daryl]] 1991. The 1991 Grahamstown festival: an overview. ''South African Theatre Journal’’, 5(2): 92-103. |
Acoustic design for the Nico Malan theatre. 1972. Plan, 57(8): 34. August. | Acoustic design for the Nico Malan theatre. 1972. Plan, 57(8): 34. August. | ||
Revision as of 09:57, 6 December 2010
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Aaron, G. 1984. Ken Leach. Fair lady, 19(5) : 12. February 22.
Abrahams, L. 1973. Athol Fugard. In Lennox-Short, Alan. English and South Africa. Cape Town: Nasou. p. 86-87.
Accone, Daryl 1991. The 1991 Grahamstown festival: an overview. South African Theatre Journal’’, 5(2): 92-103. Acoustic design for the Nico Malan theatre. 1972. Plan, 57(8): 34. August.
Acoustical design of the State Theatre Pretoria. 1981. Scenaria, Special issue: 53, 55.
Acoustical design of the Roodepoort civic theatre. 1981. Municipal engineer, 12(1): 99.
Acting is not all glamour. [Elizabeth Meyer]. 1964. Personality, 135-137. March 19.
Actors must be exciting. Scenaria interviews Louis van Niekerk. 1984. Scenaria, (46): 29-32.
Adams, Kendall A. 1999. The role of Izangoma in bringing the Zulu goddess back to her people. The Drama Review, 43(2): 94-117.
Addison, C. 2002. Island encounters: intercultural communication in the Western literary tradition. Alternation: journal of the Centre for the Study of Southern African Literature and Languages, 9(1): 74-86.
Adler, Tony 1993. Return to Paton’s place (Alan Paton). American Theatre, 10(7-8): 8-9.
Ahmed, J. 1990. Culture in South Africa: the challenge of transformation. In de Kock, I & Press, K (eds). Spring is rebellious. Cape Town: Buchu Books. 121-125.
Adey, D, Beeton, R., Chapman, M & Pereira, E (eds). 1986. Companion to South African English literature. Johannesburg: Ad Donker.
Afrikaans Equus 1978. Scenaria, February/March: 44.
Afrikaans stage. 1941. Forum, 3(41): 5. January 4.
Afrikaans stage. 1941 Forum, 3(44): 5. January 25.
Afrikaans theatre: Reddingsdaadbond “protection”. 1941. Forum, 4(4): 31-32. April 26.
Afrikaans urge towards local drama. 1942. Forum, 5(7): 19. March 16.
Afrikaanse Studentebond. 1927. Gedenkboek van die Genootskap van Regte Afrikaners. Potchefstroom: Afrikaanse Studentebond.
Afrikaanse teater in Johannesburg. 1952. Helikon, 1(6): 3.
Afrikaners is plesierig. [Literary criticism, André P. Brink]. 1974. Tydskrif vir geesteswetenskappe, 14: 217-218. September.
Ainslie, J. 1982. Fugard collection in the National English literary museum, Grahamstown. English in Africa, 9(2): 35-39.
Akerman, Anthony 1977-1978. ‘Prejudicial to the safety of the state’: censorship and the theatre in South Africa. Theatre quarterly, 7(28): 54-57.
Akerman, Anthony 1977-78. Why must these shows go on? A critique of black musicals made for white audiences. Theatre quarterly 7 (28), 67-70.
Akerman, Anthony 1989. The last bastion of freedom under siege: a reflection on theatre. In Campschreur, Willem & Divendal, Joost (eds). Culture in another South Africa. London: Zed Books. p. 50-57.
Akerman, Anthony 1993. Designing for a writer’s theatre: interview with Hayden Griffin. South African theatre journal, 7(2): 117-131.
Akerman, Anthony 1995 The road to Mecca in Mexico. South African theatre journal, 9(2): 117-136.
Akerman, Anthony 1996. Theatre in exile. In Davis, Geoffrey V. & Fuchs, Anne (eds). Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 89-100.
Akerman, Anthony 2003. “Dark Outsiders: Writing the Dramatic Life of Roy Campbell” by Anthony Akerman in English in Africa, Grahamstown. Volume 30 Number 1, May 2003.
Akteur. 1981. My loopbaan, 32: 3-10.
Alcock, David 1999. Somatic emphasis in South African theatre: intervention in the body politic. In Blumberg, Marcia & Walder, Dennis (eds). South African theatre as/and intervention. Amsterdam: Rodopi. p. 49-57.
Alex ’81 [theatrical company]. 1981. Scenaria, (24): 21-22.
Alexander, M. 1951. “Reps” producer traces story of the theatre. Childhood, 30(3): 20.
Alexander, P. 2006. Globalization and new social identities: a jigsaw puzzle from Johannesburg. In Alexander, Peter, Dawson, Marcelle C. & Ichharam, Meera (eds). Globalization and new identities. a view from the middle. Johannesburg: Jacana Media. p. 13-65.
All that glitters is not gold…: Mr Stockton Briggle and Clouds by Angela Godfrey. 1979. Scenaria, (11) : 21-22.
Allan, Jani 1980. 25 years of Maynardville. Scenaria, (16): 17-19.
Allen, Keith 1993. Getting the message across. Animations, 16(3): 15.
Allen, Vivien 1970. Pretoria theatre for children: a progress report. Lantern, 19(4): 28-31.
Allen, Vivien 1990. Du Val tonight! :the story of a showman. Worcester, England: Square One Publications.
Altena, Ina 1972. Nuwe rigtings in die Afrikaanse drama in die sestigerjare. Cape Town: University of Cape Town. (M.A. thesis).
Alvarez-Pereyre, Jacques 1984. Black committed theatre in South Africa. Commonwealth essays and studies (CE&S), 7 (1): 80-93.
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