Difference between revisions of "ESAT Bibliography A"
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Actors must be exciting. Scenaria interviews [[Louis van Niekerk]]. 1984. Scenaria, (46): 29-32. | Actors must be exciting. Scenaria interviews [[Louis van Niekerk]]. 1984. Scenaria, (46): 29-32. | ||
| + | |||
| + | [[Adams, Kendall A]]. 1999. The role of Izangoma in bringing the Zulu goddess back to her people. TDR 43(2): 94-117. | ||
| + | |||
| + | [[Addison, C]]. 2002. Island encounters: intercultural communication in the Western literary tradition. Alternation: journal of the Centre for the Study of Southern African Literature and Languages, 9(1): 74-86. | ||
| + | |||
| + | [[Adler, Tony]] 1993. Return to Paton’s place.([[Alan Paton]]). American theatre, 10(7-8): 8-9. | ||
| + | |||
| + | [[Ahmed, J]]. 1990. Culture in South Africa: the challenge of transformation. In: de Kock, I & Press, K (eds.) Spring is Rebellious. Cape Town: Buchu Books. p. 121-125. | ||
| + | |||
| + | [[Adey, D]]., [[Beeton, R]]., [[Chapman, M]]. and [[Pereira, E]]. (eds) 1986. Companion to South African English literature. Johannesburg: Donker. | ||
| + | |||
| + | Afrikaans Equus 1978. Scenaria, February/March: 44. | ||
| + | |||
| + | Afrikaans stage. 1941. Forum, 3(41): 5. January 4. | ||
| + | |||
| + | Afrikaans stage. 1941 Forum, 3(44): 5. January 25. | ||
| + | |||
| + | Afrikaans theatre: Reddingsdaadbond “protection”. 1941. Forum, 4(4): 31-32. April 26. | ||
| + | |||
| + | Afrikaans urge towards local drama. 1942. Forum, 5(7): 19. March 16. | ||
| + | |||
| + | Afrikaanse Studentebond. 1927. Gedenkboek van die Genootskap van Regte Afrikaners. Potchefstroom: Afrikaanse Studentebond. | ||
| + | |||
| + | Afrikaanse teater in Johannesburg. 1952. Helikon, 1(6): 3. | ||
| + | |||
| + | Afrikaners is plesierig. [Literary criticism, [[André P. Brink]]]. 1974. Tydskrif vir geesteswetenskappe, 14: 217-218. September. | ||
| + | |||
| + | [[Ainslie, J]]. 1982. [[Fugard]] collection in the National English literary museum, Grahamstown. English in Africa, 9(2): 35-39. | ||
| + | |||
| + | [[Akerman, Anthony]] 1977-1978. ‘Prejudicial to the safety of the state’: censorship and the theatre in South Africa. Theatre quarterly, 7(28): 54-57. | ||
| + | |||
| + | [[Akerman, Anthony]] 1977-78. Why must these shows go on? A critique of black musicals made for white audiences. Theatre quarterly 7 (28), 67-70. | ||
| + | |||
| + | [[Akerman, Anthony]] 1993. Designing for a writer’s theatre: interview with Hayden Griffin. South African theatre journal, 7(2): 117-131. | ||
| + | |||
| + | [[Akerman, Anthony]] 1995 The [[Road to Mecca]] in Mexico. South African theatre journal, 9(2):117-136. | ||
| + | |||
| + | [[Akerman, Anthony]] 1996. Theatre in exile. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 89-100. | ||
| + | |||
| + | [[Akerman, Anthony]] 1999. [[Antjie Krog]]’s pen spikes the rawest of nerves without turning to lead. In: The Sunday Independent, October 10, 1999: 11. | ||
Revision as of 14:39, 20 August 2010
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Aaron, G. 1984. Ken Leach. Fair lady, 19(5) : 12. February 22.
Abrahams, L. 1973. Athol Fugard. In Lennox-Short, Alan. English and South Africa. Cape Town: Nasou. p. 86-87.
Accone, Daryl 1991. The 1991 Grahamstown festival: an overview. South African theatre journal, 5(2): 92-103.
Accone, Darryl 1994. The Fringe should be festival’s razor. In: The Star, July 7, 1994: 2.
Accone, Darryl 1996. A gentle broom to sweep Pact clean. In: Sunday Independent, January 7, 1996: 4.
Accone, Darryl 2002. Transformation of Civic proof of Jay’s success. In: Sunday Independent, February 3, 2002: 11.
Accone, Darryl & MacLiam, Garalt. 2000. A true comedy of errors, ending in tragedy. In: The Star, June 21, 2000: 2.
Acoustic design for the Nico Malan theatre. 1972. Plan, 57(8): 34. August.
Acoustical design of the State Theatre Pretoria. 1981. Scenaria, Special issue: 53, 55.
Acoustical design of the Roodepoort civic theatre. 1981. Municipal engineer, 12(1): 99.
Acting is not all glamour. [[[Elizabeth Meyer]]]. 1964. Personality, 135-137. March 19.
Actors must be exciting. Scenaria interviews Louis van Niekerk. 1984. Scenaria, (46): 29-32.
Adams, Kendall A. 1999. The role of Izangoma in bringing the Zulu goddess back to her people. TDR 43(2): 94-117.
Addison, C. 2002. Island encounters: intercultural communication in the Western literary tradition. Alternation: journal of the Centre for the Study of Southern African Literature and Languages, 9(1): 74-86.
Adler, Tony 1993. Return to Paton’s place.(Alan Paton). American theatre, 10(7-8): 8-9.
Ahmed, J. 1990. Culture in South Africa: the challenge of transformation. In: de Kock, I & Press, K (eds.) Spring is Rebellious. Cape Town: Buchu Books. p. 121-125.
Adey, D., Beeton, R., Chapman, M. and Pereira, E. (eds) 1986. Companion to South African English literature. Johannesburg: Donker.
Afrikaans Equus 1978. Scenaria, February/March: 44.
Afrikaans stage. 1941. Forum, 3(41): 5. January 4.
Afrikaans stage. 1941 Forum, 3(44): 5. January 25.
Afrikaans theatre: Reddingsdaadbond “protection”. 1941. Forum, 4(4): 31-32. April 26.
Afrikaans urge towards local drama. 1942. Forum, 5(7): 19. March 16.
Afrikaanse Studentebond. 1927. Gedenkboek van die Genootskap van Regte Afrikaners. Potchefstroom: Afrikaanse Studentebond.
Afrikaanse teater in Johannesburg. 1952. Helikon, 1(6): 3.
Afrikaners is plesierig. [Literary criticism, André P. Brink]. 1974. Tydskrif vir geesteswetenskappe, 14: 217-218. September.
Ainslie, J. 1982. Fugard collection in the National English literary museum, Grahamstown. English in Africa, 9(2): 35-39.
Akerman, Anthony 1977-1978. ‘Prejudicial to the safety of the state’: censorship and the theatre in South Africa. Theatre quarterly, 7(28): 54-57.
Akerman, Anthony 1977-78. Why must these shows go on? A critique of black musicals made for white audiences. Theatre quarterly 7 (28), 67-70.
Akerman, Anthony 1993. Designing for a writer’s theatre: interview with Hayden Griffin. South African theatre journal, 7(2): 117-131.
Akerman, Anthony 1995 The Road to Mecca in Mexico. South African theatre journal, 9(2):117-136.
Akerman, Anthony 1996. Theatre in exile. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 89-100.
Akerman, Anthony 1999. Antjie Krog’s pen spikes the rawest of nerves without turning to lead. In: The Sunday Independent, October 10, 1999: 11.
