Difference between revisions of "ESAT Bibliography D"
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| + | [[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H|H]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S|S]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]] | ||
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Revision as of 13:27, 2 December 2010
Click on the appropriate letters of the alphabet in the sub-list below.
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Dahms, E.K.. 1983. Décor designer. My career, 34 : 17-18.
Dalamba, Yolisa. 2000. Towards and African Renaissance: Some thoughts on the Renaissance Conference September 28 & 29, 1998 and its future implications. Critical Arts 14/1: 44.
DALRO. Wat kan ons opvoer? Deel 1 (Eenbedrywe). Johannesburg: Dramatiese, Artistieke en Letterkundige Regte Organisasie.
Dalrymple, Lynn 1983. Ritual performance and theatre : with special reference to Zulu ceremonial. Durban: University of Natal. (MA thesis).
Dalrymple, Lynn 1987a. Explorations in drama, theatre and education :a critique of theatre studies in South Africa. Durban: University of Natal. (Ph.D. thesis).
Dalrymple, Lynn 1987b Some thoughts on identity, culture and the curriculum and the future of South African theatre. South African theatre journal, 1(2): 20-51.
Dalrymple, Lynn 1989. Drama to the people :the challenge of the 1990's : an
inaugural address delivered on 14 April 1992 at the
University of Zululand. South Africa :
University of Zululand.
Dalrymple, Lynn 1990. From ritual to rationality: a semiotic analysis of schooling rites. South African theatre journal, 4(1): 119-147.
Dalrymple, Lynn I. 1992. Drama to the people: the challenge of the 1990’s. Kwa Dlangeswa: University of Zululand.
Dalrymple, Lynn & Mlungwana, J. 1993. AIDS: drama in the villages: health education in KwaNgwanase. Matlhasedi, 12(2): 36-39.
Dalrymple, Lynn 1995a. Personal perspectives on three conferences: Researching drama and theatre in education (Exeter; Ilitha Arts Education (Grahamstown); Idea ’95: Reflections in the river (Brisbane). South African theatre journal, 9(2):137-146.
Dalrymple, Lynn 1995b. Researching drama and theatre in education in South Africa. South African theatre journal, 9(2): 61-82.
Dalrymple, Lynn 2006. Has it made a difference? Understanding and measuring the impact of applied theatre with young people in the South African context. Research in drama education, 11(2): 201-218.
Daneel, Roeline 2008. Still evolving: the 14th Klein Karoo Nasionale Kunstefees. South African theatre journal, 22: 193-197.
Dannhauser, D. 1985. Two decades of ‘magic’. South African panorama, 30(5) : 32-35.
Darroll, L. 2004. Private investment in public space - redevelopment of the Theatre Precinct, Braamfontein : urban renewal. The urban green file, 9(3): 28-31.
Daugherty J. 2001. A comparison of the use of space in Alfred Jarry's Ubu roi and Jane Taylor's Ubu & the Truth Commission, in Wilson, Rita & Von Maltzan, Carlotta (eds.). Spaces and crossings: Essays on literature and culture in Africa and beyond. New York, NY: Peter Lang. 349-361.
Davidoff, Terri 2006. Deconstructing Jay Pather’s location specific theatre: creating space for transformative dialogue. South African theatre journal, 20: 128-149.
Davids, Nadia 2007. Inherited memories: performing the archive. Cape town: University of Cape Town. (Ph. D. Thesis, Drama).
Davie, Elaine 1978. PACT playwork [children’s theatre]. Scenaria, December/January: 36-37.
Davis, G. 1991. Acting the drama of education. Educamus 37(5): 45-46.
Davis, Geoffrey V. 1995. Theatre for a post-apartheid society. Journal of Commonwealth literature, 30(1): 5.
Davis, Geoffrey V. & Fuchs, Anne 1996a. ‘I will remain an African’: an interview with Maishe Maponya. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 183-192.
Davis, Geoffrey V. & Fuchs, Anne 1996b. ‘An interest in the making of things’: an interview with William Kentridge. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 140-154.
Davis, Geoffrey V. & Fuchs, Anne 1996c. It’s time to have a South African culture: an interview with Ramolao Makhene. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 272-297.
Davis, Geoffrey V. & Fuchs, Anne (eds.) 1996d. Theatre and change in South Africa. Amsterdam: Overseas Publishers Association.
Davis, Geoffrey V. & Fuchs, Anne 1996e. ‘This compost heap of a country’: an interview with Barney Simon. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Australia:: Harwood Academic Publishing. p. 225-241.
DAVIS, Geoffrey V. 1997. Beyond the echoes of Soweto, Five Plays by Matsemela Manaka. The Netherlands: Harwood.
Davis, Geoffrey V. 1999a. Addressing the silences of the past: truth and reconciliation in post-apartheid theatre. In Hutchinson [i.e. Hutchison] Yvette & Breitinger Eckhard (eds.) History and theatre in Africa. Bayreuth, Germany : E. Breitinger ; [Stellenbosch? South Africa] : Centre for Theatre and Performance Studies, University of Stellenbosch, c2000. p. 59-72. Bibliografiese inligting soos in SACat Of net : South African theatre journal, 13(1&2):59-72.
Davis, Geoffrey V. 1999b. “Days of miracle and wonder”: Standard Bank National Arts Festival, Grahamstown, South Africa, July 3-13, 1997. In Fuchs, A. New theatre in francophone and anglophone Africa: a selection of papers held at a conference in Mandelieu, 23-26 June, 1995. p.287-292.
Davis, Geoffrey V. 1999c. Of “undesirability”: the control of theatre in South Africa during the age of Apartheid. In Fuchs, A. New theatre in francophone and anglophone Africa: a selection of papers held at a conference in Mandelieu, 23-26 June, 1995. p.183-208.
Davis, Geoffrey V. 2000. Addressing the silences of the past: truth and reconciliation in post-Apartheid theatre. South African theatre journal, 13(1-2): 59-72.
Davis, Geoffrey V. 2002 “The critical and the dissident, the irreverent and the plaful”: drama in the new South Africa. In Maufort, Marc & Bellarsi, Franca (eds.), Crucible of cultures: Anglophone drama at the dawn of a new Millennium. Brussels. P.I.E. Peter Lang. p. 255-270.
Davis, Geoffrey V. 2005. Role-play in South African theatre, by H. Frank. Reviewed in: English in Africa, 32(2): 253-258.
Davis, I. 1983. Dramatist: Henry Hlope. Informa, 30(6): 8-9.
Davis, L.E. 1979. That controversial opera house: [Pretoria Opera House]. Construction in Southern Africa, 23(10): 24-37. January.
Davis, L.E. 1980. Pretoria Opera House. Professional builder, 4(1): 13-15.
Davis, Myra 1987. Vuka: sharing the image. Critical arts, 4(3): 29-38.
Daymond, Margaret J., Jacobs, Johan & Lenta, Margaret (eds) 1984. Momentum. on recent South African writing. Pietermaritzburg: University of Natal Press.
