Difference between revisions of "ESAT Bibliography Ar-Az"
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Arendse, Michael. 1999. Gordyn sak op die ou Nico. Insig, (134): 26. Maart. | Arendse, Michael. 1999. Gordyn sak op die ou Nico. Insig, (134): 26. Maart. | ||
| − | Armistead, Claire 1990. Market values. Plays and players, (435): 14-16. | + | Armistead, Claire 1990. Market values. Plays and players, (435):14-16. |
| − | Armstrong, Elizabeth 1961. Pretoria theatre for children. Lantern, 11: 45-50. | + | Armstrong, Elizabeth 1961. Pretoria theatre for children. Lantern, 11:45-50. |
| − | Armstrong, | + | Armstrong, M. 1973. A few teaching experiments. Transvaal Educational News, 70(8):12-14. |
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| − | + | Arthur, Michael D. 1993. The waiting is over: South African theatre of transition. Unpublished master’s thesis. Austin: University of Texas. | |
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| + | Arthur, Michael D. and Arthur, Tom 1994. The 1994 Grahamstown Festival. South African Theatre Journal, 8(2):163-183. | ||
| − | Arthur, Michael D. | + | Arthur, Michael D. 1999b. Think differently: South Africa theatre of/in transition and the Standard Bank National Arts Festival 1992-1996. Unpublished doctoral dissertation. Austin: University of Texas. |
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| + | Arthur, Thomas H. & Arthur Michael D. 1993. The 1992 Grahamstown Festival. South African Theatre Journal, 7(1):88-103. | ||
| − | Arthur, | + | Arthur, Thomas H. 1990. My children! My Africa! by Athol Fugard. Reviewed in Theatre Journal, 42(2):246-247. |
| − | Arthur, | + | Arthur, Thomas H. 1992 Looking for my relatives: The political implications of “family” in selected work by Athol Fugard and August Wilson. South African Theatre Journal, 6(2):15-16. |
| + | Arvan, Maxine 1985. The National Drama Library, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Ttheatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 113-114. | ||
| − | + | Asch, Leslee 2005. The giraffe that conquered Paris: a unique collaboration between puppet-companies in South Africa and Mali heads to the U.S. American Theatre, 22(5):24-27. | |
| − | + | Astbury, Brian 1973. My vrou Yvonne. Sarie Marais, 24(28):54-59. July 18. | |
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| − | Astbury, Brian 1973. My vrou Yvonne. Sarie Marais, 24(28): 54-59. July 18. | ||
Astbury, Brian 1979. The Space/Die Ruimte/Indawo. Cape Town: Moira and Azriel Fine. | Astbury, Brian 1979. The Space/Die Ruimte/Indawo. Cape Town: Moira and Azriel Fine. | ||
| − | Astbury, Brian 1980a. Irresistable force [Nomhle Nkonyeni]. Fair | + | Astbury, Brian 1980a. Irresistable force [Nomhle Nkonyeni]. Fair Lady, 15(19):46-51. March 26. |
| − | Astbury, Brian 1980b. Rags to riches: [Rory and Cindy West]. Fair | + | Astbury, Brian 1980b. Rags to riches: [Rory and Cindy West]. Fair Lady, 16(5):122-124. October 8. |
| − | Astbury, Brian 1985. Janet Suzman’s greatest role. Fair | + | Astbury, Brian 1985. Janet Suzman’s greatest role. Fair Lady, 20(8):98-100. |
| − | Athiemulam, V. 1984. Drama in language teaching. Journal of | + | Athiemulam, V. 1984. Drama in language teaching. Journal of Language Teaching, 18(3) :42-58. |
| − | Athol Fugard: an interview. 1984. In Daymond, Margaret J., Jacobs, Johan & Lenta, Margaret 1984. Momentum: | + | Athol Fugard: an interview. 1984. In Daymond, Margaret J., Jacobs, Johan & Lenta, Margaret (eds.). 1984. Momentum: On Recent South African Writing. Pietermaritzburg: University of Natal Press. 22-28. |
| − | Attridge, Derek & Jolly, Rosemary (eds.). 1998. Writing South Africa: | + | Attridge, Derek & Jolly, Rosemary (eds.). 1998. Writing South Africa: Literature, Apartheid and Democracy, 1970-1995. Cambridge: Cambridge University Press. |
| − | + | Aucamp. Hennie 1983. Dramatisering vir die klaskamer (inleiding tot ‘n stelwerkprojek). Klasgids, 18(3):95-100. | |
| − | Aucamp | + | Aucamp. Hennie 1983. Meer vastigheid en vorm (gedagtes rondom dramatisering en stelwerkopdrag). Klasgids, 18(2):116-125. |
| − | Aucamp. Hennie | + | Aucamp. Hennie 1990. Wat is ‘n klassieke kabaretlied ? Tydskrif vir Letterkunde, 29(1):17-25. |
| − | Aucamp | + | Aucamp, Hennie 1994a. Diary of an erotic life by Frank Wedekind, edited by Gerhard Hay. Reviewed in: South African Theatre Journal, 8(2):191-198. |
| − | Aucamp | + | Aucamp, Hennie 1994b. Dubbeldop: Kabarettekste en -opstelle. Kaapstad: Human & Rousseau. |
| − | Aucamp, Hennie | + | Aucamp, Hennie 1994c. Die laaste wals, of kabaret as lewensgevoel. Tydskrif vir Letterkunde, 32(1):8-20. |
| − | Aucamp, Hennie | + | Aucamp, Hennie 1994d. Die sewe doodsondes in kabaretverband. South African TheatreJjournal, 8(2):5-25. |
| − | + | August, Tyrone 1994. Interview with Gcina Mhlophe. In Gunner, Liz (ed.). Politics and Performance: Theatre, Poetry and Song in Southern Africa. Johannesburg: Witwatersrand University Press. p. 273-284. | |
| + | Auld, Allen 2002. Macbeth: a comparison, directed by Garth Anderson for the Elizabeth Sneddon Theatre, February 2002; directed by Patrick Collyer of Kwasuka Theatre Company for the Dan Pienaar Hall, February/March 2002. Shakespeare in Southern Africa, 14:52-55. | ||
| − | + | Automatic control in the Nico Malan theatre. 1971. Electronics and Instrumentation, 2(5): 17. August | |
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Click on the appropriate letters of the alphabet in the sub-list below. | Click on the appropriate letters of the alphabet in the sub-list below. | ||
Revision as of 12:51, 16 December 2010
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Arendse, Michael. 1999. Gordyn sak op die ou Nico. Insig, (134): 26. Maart.
Armistead, Claire 1990. Market values. Plays and players, (435):14-16.
Armstrong, Elizabeth 1961. Pretoria theatre for children. Lantern, 11:45-50.
Armstrong, M. 1973. A few teaching experiments. Transvaal Educational News, 70(8):12-14.
Arthur, Michael D. 1993. The waiting is over: South African theatre of transition. Unpublished master’s thesis. Austin: University of Texas.
Arthur, Michael D. and Arthur, Tom 1994. The 1994 Grahamstown Festival. South African Theatre Journal, 8(2):163-183.
Arthur, Michael D. 1999b. Think differently: South Africa theatre of/in transition and the Standard Bank National Arts Festival 1992-1996. Unpublished doctoral dissertation. Austin: University of Texas.
Arthur, Thomas H. & Arthur Michael D. 1993. The 1992 Grahamstown Festival. South African Theatre Journal, 7(1):88-103.
Arthur, Thomas H. 1990. My children! My Africa! by Athol Fugard. Reviewed in Theatre Journal, 42(2):246-247.
Arthur, Thomas H. 1992 Looking for my relatives: The political implications of “family” in selected work by Athol Fugard and August Wilson. South African Theatre Journal, 6(2):15-16. Arvan, Maxine 1985. The National Drama Library, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Ttheatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 113-114.
Asch, Leslee 2005. The giraffe that conquered Paris: a unique collaboration between puppet-companies in South Africa and Mali heads to the U.S. American Theatre, 22(5):24-27.
Astbury, Brian 1973. My vrou Yvonne. Sarie Marais, 24(28):54-59. July 18.
Astbury, Brian 1979. The Space/Die Ruimte/Indawo. Cape Town: Moira and Azriel Fine.
Astbury, Brian 1980a. Irresistable force [Nomhle Nkonyeni]. Fair Lady, 15(19):46-51. March 26.
Astbury, Brian 1980b. Rags to riches: [Rory and Cindy West]. Fair Lady, 16(5):122-124. October 8.
Astbury, Brian 1985. Janet Suzman’s greatest role. Fair Lady, 20(8):98-100.
Athiemulam, V. 1984. Drama in language teaching. Journal of Language Teaching, 18(3) :42-58.
Athol Fugard: an interview. 1984. In Daymond, Margaret J., Jacobs, Johan & Lenta, Margaret (eds.). 1984. Momentum: On Recent South African Writing. Pietermaritzburg: University of Natal Press. 22-28.
Attridge, Derek & Jolly, Rosemary (eds.). 1998. Writing South Africa: Literature, Apartheid and Democracy, 1970-1995. Cambridge: Cambridge University Press.
Aucamp. Hennie 1983. Dramatisering vir die klaskamer (inleiding tot ‘n stelwerkprojek). Klasgids, 18(3):95-100.
Aucamp. Hennie 1983. Meer vastigheid en vorm (gedagtes rondom dramatisering en stelwerkopdrag). Klasgids, 18(2):116-125.
Aucamp. Hennie 1990. Wat is ‘n klassieke kabaretlied ? Tydskrif vir Letterkunde, 29(1):17-25.
Aucamp, Hennie 1994a. Diary of an erotic life by Frank Wedekind, edited by Gerhard Hay. Reviewed in: South African Theatre Journal, 8(2):191-198.
Aucamp, Hennie 1994b. Dubbeldop: Kabarettekste en -opstelle. Kaapstad: Human & Rousseau.
Aucamp, Hennie 1994c. Die laaste wals, of kabaret as lewensgevoel. Tydskrif vir Letterkunde, 32(1):8-20.
Aucamp, Hennie 1994d. Die sewe doodsondes in kabaretverband. South African TheatreJjournal, 8(2):5-25.
August, Tyrone 1994. Interview with Gcina Mhlophe. In Gunner, Liz (ed.). Politics and Performance: Theatre, Poetry and Song in Southern Africa. Johannesburg: Witwatersrand University Press. p. 273-284.
Auld, Allen 2002. Macbeth: a comparison, directed by Garth Anderson for the Elizabeth Sneddon Theatre, February 2002; directed by Patrick Collyer of Kwasuka Theatre Company for the Dan Pienaar Hall, February/March 2002. Shakespeare in Southern Africa, 14:52-55.
Automatic control in the Nico Malan theatre. 1971. Electronics and Instrumentation, 2(5): 17. August
Click on the appropriate letters of the alphabet in the sub-list below.
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
