Difference between revisions of "ESAT Bibliography Ar-Az"
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Arendse, Michael. 1999. Gordyn sak op die ou Nico. Insig, (134): 26. Maart. | Arendse, Michael. 1999. Gordyn sak op die ou Nico. Insig, (134): 26. Maart. | ||
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Automatic control in the Nico Malan theatre. 1971. Electronics and instrumentation, 2(5): 17. August. | Automatic control in the Nico Malan theatre. 1971. Electronics and instrumentation, 2(5): 17. August. | ||
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| + | Click on the appropriate letters of the alphabet in the sub-list below. | ||
| + | |||
| + | [[ESAT Bibliography A-Al|A-Al]] [[ESAT Bibliography Am-Ap|Am-Ap]] [[ESAT Bibliography Ar-Az|Ar-Az]] | ||
| + | |||
| + | To return to any other letter, click on the list below | ||
| + | |||
| + | [[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H|H]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S|S]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]] | ||
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| + | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | ||
Revision as of 10:53, 1 December 2010
Click on the appropriate letters of the alphabet in the sub-list below.
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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Arendse, Michael. 1999. Gordyn sak op die ou Nico. Insig, (134): 26. Maart.
Armistead, Claire 1990. Market values. Plays and players, (435): 14-16.
Armstrong, Elizabeth 1961. Pretoria theatre for children. Lantern, 11: 45-50.
Armstrong, Linday 2003. "'Master Harold and the Boys' is masterful." New York Amsterdam News 94.23 (2003): 21
Armstrong, M. 1973. A few teaching experiments. Transvaal educational news, 70(8): 12-14.
Arthur, Michael D. 1993. The waiting is over: South African theatre of transition. Austin: University of Texas. (M.A. thesis).
Arthur, Michael D. and Arthur, Tom 1994. The 1994 Grahamstown Festival. South African theatre journal, 8(2): 163-183.
Arthur, Michael D.1999a. Gay theatres in South Africa Peter Hayes, Pogiso Mogwera, and Jay Pather. In Blumberg, Marcia & Walder, Dennis (eds). South African theatre as/and intervention. Amsterdam: Rodopi. p. 147153.
Arthur, Michael D. 1999b. Think differently: South Africa theatre of/in transition and the Standard Bank National Arts Festival 1992-1996. Austin: University of Texas. (Ph.D. thesis).
Arthur, Thomas H. & Arthur Michael D. 1993. The 1992 Grahamstown Festival. South African theatre journal, 7(1): 88-103.
Arthur, Thomas H. 1990. My children! My Africa! by Athol Fugard. Reviewed in Theatre journal, 42(2): 246-247.
Arthur, Thomas H. 1992 Looking for my relatives: the political implications of “family” in selected work by Athol Fugard and August Wilson. South African theatre journal, 6(2): 5-16.
Arvan, Maxine 1985. The National Drama Library. In Temple Hauptfleisch (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 113-114.
Asch, Leslee 2005. The giraffe that conquered Paris: a unique collaboration between puppet-companies in South Africa and Mali heads to the U.S. American theatre, 22(5): 24-27.
Astbury, Brian 1973. My vrou Yvonne. Sarie Marais, 24(28): 54-59. July 18.
Astbury, Brian 1979. The Space/Die Ruimte/Indawo. Cape Town: Moira and Azriel Fine.
Astbury, Brian 1980a. Irresistable force [Nomhle Nkonyeni]. Fair lady, 15(19): 46-51. March 26.
Astbury, Brian 1980b. Rags to riches: [Rory and Cindy West]. Fair lady, 16(5): 122-124. October 8.
Astbury, Brian 1985. Janet Suzman’s greatest role. Fair lady, 20(8) : 98-100.
Athiemulam, V. 1984. Drama in language teaching. Journal of language teacing, 18(3) : 42-58.
Athol Fugard: an interview. 1984. In Daymond, Margaret J., Jacobs, Johan & Lenta, Margaret 1984. Momentum: on recent South African writing. Pietermaritzburg: University of Natal Press. p. 22-28.
Attridge, Derek & Jolly, Rosemary (eds.). 1998. Writing South Africa: literature, apartheid and democracy, 1970-1995. Cambridge: Cambridge University Press.
Attwell, Eric 1993. Port Elizabethse operahuis : die eerste 100 jaar. Afrikaanse vertaling: Rian Badenhorst en Hester Stegmann.
Aucamp, Hendrik Christoffel Lourens 1982. Stank. Test, 1(1): 8.
Aucamp. Hennie 1983. Dramatisering vir die klaskamer (inleiding tot ‘n stelwerkprojek). Klasgids, 18(3): 95-100.
Aucamp. Hennie 1983. Meer vastigheid en vorm (gedagtes rondom dramatisering en stelwerkopdrag). Klasgids, 18(2): 116-125.
Aucamp. Hennie 1990. Wat is ‘n klassieke kabaretlied ? Tydskrif vir letterkunde, 29(1) : 17-25.
Aucamp, Hennie 1994a. Diary of an erotic life by Frank Wedekind, edited by Gerhard Hay. Reviewed in: South African theatre journal, 8(2):191-198.
Aucamp, Hennie 1994b. Dubbeldop: kabarettekste en -opstelle. Kaapstad: Human & Rousseau.
Aucamp, Hennie 1994c. Die laaste wals, of kabaret as lewensgevoel. Tydskrif vir letterkunde, 32(1): 8-20.
Aucamp, Hennie 1994d. Die sewe doodsondes in kabaretverband. South African theatre journal, 8(2): 5-25.
August, Tyrone 1994. Interview with Gcina Mhlophe. In Gunner, Liz (ed.) Politics and performance: theatre, poetry and song in Southern Africa. Johannesburg: Witwatersrand University Press. p. 273-284.
Auld, Allen 2002. Macbeth: a comparison, directed by Garth Anderson for the Elizabeth Sneddon Theatre, February 2002; directed by Patrick Collyer of Kwasuka Theatre Company for the Dan Pienaar Hall, February/March 2002. Shakespeare in Southern Africa, 14: 52-55.
Automatic control in the Nico Malan theatre. 1971. Electronics and instrumentation, 2(5): 17. August.
Click on the appropriate letters of the alphabet in the sub-list below.
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