Difference between revisions of "'t Zal laat Worden"
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| − | A one-act Dutch comedy with songs by Jan Coenraad Meijer. | + | A one-act Dutch comedy with songs by J.C. Meijer (Jan Coenraad Meijer) [[F.C.L. Bosman]], 1928, wongly lists the author as J.S. Meyer throughout his book - though this may have been an error in his original sources. |
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| + | == The original text == | ||
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Published in Amsterdam by J. Finckensieper, 1801. | Published in Amsterdam by J. Finckensieper, 1801. | ||
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== Performance history in South Africa == | == Performance history in South Africa == | ||
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| + | A very popular piece in the Cape region in the first half of the 19th century. | ||
1826: Performed by [[Tot Nut en Vermaak]] in the [[African Theatre]] Cape Town on 26 August, with ''[[De Onechte Zoon]]'' (Kotzebue). | 1826: Performed by [[Tot Nut en Vermaak]] in the [[African Theatre]] Cape Town on 26 August, with ''[[De Onechte Zoon]]'' (Kotzebue). | ||
Revision as of 06:27, 26 June 2014
A one-act Dutch comedy with songs by J.C. Meijer (Jan Coenraad Meijer) F.C.L. Bosman, 1928, wongly lists the author as J.S. Meyer throughout his book - though this may have been an error in his original sources.
Contents
The original text
Published in Amsterdam by J. Finckensieper, 1801.
Translations and adaptations
Performance history in South Africa
A very popular piece in the Cape region in the first half of the 19th century.
1826: Performed by Tot Nut en Vermaak in the African Theatre Cape Town on 26 August, with De Onechte Zoon (Kotzebue).
1828: Performed by Tot Nut en Vermaak in the African Theatre Cape Town on 18 October, with De Speler, of Revenge-Praag (Iffland).
1829: Performed by Tot Nut en Vermaak in the African Theatre Cape Town on 18 July, with De Verzoening (Kotzebue).
1830: Performed by Tot Nut en Vermaak in the African Theatre Cape Town on 17 July, as afterpiece to Eleonore van Rosalba, of De Puinhoopen van Paluzzi (Pujos and Dabaytua).
1834: Performed in Stellenbosch on 8 November by "Het Hollandsche Tooneellievend en Vereenigd Muzyk Gezelschap" Door Yver Vruchtbaar in the "Schouwburg" (theatre) in Stellenbosch as afterpiece to De Twee Vrymetselaars (Pelletier Volméranges).
1835: Performed by the children's company Kunst en Smaak in the Liefhebbery Toneel ("Amateur Theatre"), Cape Town on 1 August, as afterpiece to De Schaking uit het Serail (Bretzner).
1835:Performed by the children's company Kunst en Smaak in the Liefhebbery Toneel ("Amateur Theatre"), Cape Town on 19 September, as afterpiece to De Hoefsmid (Quétant) and De Twee Jagers en het Melkmeisje (Anseaume).
1836: Performed by Door Yver Vruchtbaar, in the "Schouwburg" (theatre) in Stellenbosch on 23 July, as afterpiece to Eleonore van Rosalba, of De Puinhoopen van Paluzzi (Pujos and Dabaytua).
1844: Performed in Stellenbosch on on 14 June by the joint company "Het Privaat Hollandsch Tooneellievend Gezelschap" playing under the united motto of Tot Nut en Vermaak and Door Yver Vruchtbaar, as their first performance, along with Natuur en pligt, of de zoon rechter over zijnen vader (Kotzebue).
Sources
http://books.google.co.za/books/about/t_Zal_laat_worden.html?id=TigVuwAACAAJ&redir_esc=y
http://www.dbnl.org/tekst/aa__001biog15_01/aa__001biog15_01_0167.php
F.C.L. Bosman, 1928: pp. 237-8, 241-3, 255,
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