Difference between revisions of "Sizwe Bansi is Dead"
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| − | by [[Athol Fugard]], [[John Kani]] and [[Winston Ntshona]]. (The second name is also spelled Banzi and linguistically the latter is apparently the correct usage, though conventional usage has become “Bansi”.) An enormously influential workshopped play about a man (Sizwe) who takes on the identity of a dead man (Robert Zwelenzima), in order to circumvent the apartheid strictures and obtain work. Based on a photograph Fugard had seen and the experiences and recollections of Kani and Ntshona. First performed for one Sunday night on October 15th 1972 at [[The Space]] (Cape Town), directed by Fugard and performed by Kani and Ntshona. Lighting by [[Brian Astbury]] and stage management by [[Bee Berman]]. The first full run in 197*. The production also travelled to **. *** First published by *** 1986. | + | by [[Athol Fugard]], [[John Kani]] and [[Winston Ntshona]]. (The second name is also spelled Banzi and linguistically the latter is apparently the correct usage, though conventional usage has become “Bansi”.) An enormously influential workshopped play about a man (Sizwe) who takes on the identity of a dead man (Robert Zwelenzima), in order to circumvent the apartheid strictures and obtain work. Based on a photograph Fugard had seen and the experiences and recollections of Kani and Ntshona. |
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| + | == The original text == | ||
| + | First performed for one Sunday night on October 15th 1972 at [[The Space]] (Cape Town), directed by Fugard and performed by Kani and Ntshona. Lighting by [[Brian Astbury]] and stage management by [[Bee Berman]]. | ||
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| + | Published in ''Statements : two workshop productions'' devised by [[Athol Fugard]], [[John Kani]], and [[Winston Ntshona]]. Oxford University Press, 1974. | ||
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| + | ==Translations and adaptations== | ||
| + | |||
| + | == Performance history in South Africa == | ||
| + | The first full run in 197*. The production also travelled to **. *** First published by *** 1986. | ||
Performed in the [[Baxter Theatre]] in 1982, directed by [[Athol Fugard]], with [[Winston Ntshona]] and [[John Kani]]. | Performed in the [[Baxter Theatre]] in 1982, directed by [[Athol Fugard]], with [[Winston Ntshona]] and [[John Kani]]. | ||
| + | Presented by Little Theatre Tours at [[The Playroom]], Cape Town, directed by [[Damon Galgut]] from 4 to 9 December 1989 starring [[Linda Mpondo]] (Styles/Buntu) and [[Christopher Gxalaba]] (Sizwe Banzi). Stage manager [[Safoora Cassiem]]. | ||
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| + | == Performances outside South Africa == | ||
In 1972, Fugard directed the play's world premiere in Cape Town, followed the next year by a staging at London's Royal Court Theatre which transferred to the Ambassadors, with Kani as Styles and Buntu and Ntshona as Robert/Sizwe. There, it won The London Theatre Critics award. After six previews, the Broadway production, presented in repertory with The Island, opened on 13 November 1974 at the Edison Theatre, where it ran for 159 performances. Kani and Ntshona jointly won Tony Awards for Best Actor in a Play for their performances in both Sizwe Banzi Is Dead and The Island.[citation needed] They reunited for the production staged at the Royal National Theatre in London in 2007.[3] That year the play was translated into French as ''Sizwe Banzi est mort'' by Marie-Hélène Estienne for a version staged by [[Peter Brook]] at the Barbican Centre and the Festival d'Avignon. | In 1972, Fugard directed the play's world premiere in Cape Town, followed the next year by a staging at London's Royal Court Theatre which transferred to the Ambassadors, with Kani as Styles and Buntu and Ntshona as Robert/Sizwe. There, it won The London Theatre Critics award. After six previews, the Broadway production, presented in repertory with The Island, opened on 13 November 1974 at the Edison Theatre, where it ran for 159 performances. Kani and Ntshona jointly won Tony Awards for Best Actor in a Play for their performances in both Sizwe Banzi Is Dead and The Island.[citation needed] They reunited for the production staged at the Royal National Theatre in London in 2007.[3] That year the play was translated into French as ''Sizwe Banzi est mort'' by Marie-Hélène Estienne for a version staged by [[Peter Brook]] at the Barbican Centre and the Festival d'Avignon. | ||
For its first Middle Eastern production, the play was staged at The Mousetrap Theatre, at the New English School, in Jabriya, a popular suburb of Kuwait, with Abdalla Ali as Sizwe/Robert, Charbel Rached as Styles, and Mohamed Mostafa as Buntu. | For its first Middle Eastern production, the play was staged at The Mousetrap Theatre, at the New English School, in Jabriya, a popular suburb of Kuwait, with Abdalla Ali as Sizwe/Robert, Charbel Rached as Styles, and Mohamed Mostafa as Buntu. | ||
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Revivals | Revivals | ||
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| + | == Sources == | ||
[[ESAT Bibliography Ar-Az|Astbury]], 1979. | [[ESAT Bibliography Ar-Az|Astbury]], 1979. | ||
| − | Return to [[ESAT Plays | + | ''Sizwe Banzi is Dead'' theatre programme, 1989. |
| − | + | ||
| − | Return to [[South_African_Theatre/Plays | + | |
| + | == Return to == | ||
| + | |||
| + | Return to [[ESAT Plays 2 S|S]] in Plays I South African Plays | ||
| + | |||
| + | Return to [[South_African_Theatre/Plays]] | ||
| + | |||
| + | Return to [[The ESAT Entries]] | ||
Return to [[Main Page]] | Return to [[Main Page]] | ||
Revision as of 18:41, 13 December 2014
by Athol Fugard, John Kani and Winston Ntshona. (The second name is also spelled Banzi and linguistically the latter is apparently the correct usage, though conventional usage has become “Bansi”.) An enormously influential workshopped play about a man (Sizwe) who takes on the identity of a dead man (Robert Zwelenzima), in order to circumvent the apartheid strictures and obtain work. Based on a photograph Fugard had seen and the experiences and recollections of Kani and Ntshona.
Contents
The original text
First performed for one Sunday night on October 15th 1972 at The Space (Cape Town), directed by Fugard and performed by Kani and Ntshona. Lighting by Brian Astbury and stage management by Bee Berman.
Published in Statements : two workshop productions devised by Athol Fugard, John Kani, and Winston Ntshona. Oxford University Press, 1974.
Translations and adaptations
Performance history in South Africa
The first full run in 197*. The production also travelled to **. *** First published by *** 1986.
Performed in the Baxter Theatre in 1982, directed by Athol Fugard, with Winston Ntshona and John Kani.
Presented by Little Theatre Tours at The Playroom, Cape Town, directed by Damon Galgut from 4 to 9 December 1989 starring Linda Mpondo (Styles/Buntu) and Christopher Gxalaba (Sizwe Banzi). Stage manager Safoora Cassiem.
Performances outside South Africa
In 1972, Fugard directed the play's world premiere in Cape Town, followed the next year by a staging at London's Royal Court Theatre which transferred to the Ambassadors, with Kani as Styles and Buntu and Ntshona as Robert/Sizwe. There, it won The London Theatre Critics award. After six previews, the Broadway production, presented in repertory with The Island, opened on 13 November 1974 at the Edison Theatre, where it ran for 159 performances. Kani and Ntshona jointly won Tony Awards for Best Actor in a Play for their performances in both Sizwe Banzi Is Dead and The Island.[citation needed] They reunited for the production staged at the Royal National Theatre in London in 2007.[3] That year the play was translated into French as Sizwe Banzi est mort by Marie-Hélène Estienne for a version staged by Peter Brook at the Barbican Centre and the Festival d'Avignon. For its first Middle Eastern production, the play was staged at The Mousetrap Theatre, at the New English School, in Jabriya, a popular suburb of Kuwait, with Abdalla Ali as Sizwe/Robert, Charbel Rached as Styles, and Mohamed Mostafa as Buntu.
Revivals
Sources
Astbury, 1979.
Sizwe Banzi is Dead theatre programme, 1989.
Return to
Return to S in Plays I South African Plays
Return to South_African_Theatre/Plays
Return to The ESAT Entries
Return to Main Page
