Difference between revisions of "Hennie Aucamp"
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| − | (1934-March 2014) Prolific and highly regarded writer of Afrikaans short stories, poetry, plays, sketches, lyrics. | + | (1934-March 2014) Prolific and highly regarded writer of Afrikaans short stories, poetry, cabarets, plays, sketches, lyrics. |
| + | == Biography == | ||
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| + | Born Hendrik Christoffel Lourens Aucamp on 20 Januarie 1934 in the Eastern Cape town of Dordrecht, raised on the farm Rust-mijn-ziel on the Stormberg highlands, in the district of Jamestown, where he also went to school and matriculated in 1951. He had one sister, Rina. | ||
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| + | == Training == | ||
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| + | Studied at the [[University of Stellenbosch]] from 1952, obtaining a BA degree (1955teaching diploma in 1957, a Masters degree in 1958. In 1963 vertrek hy op ’n studiereis na België, waar hy hom aan die Universiteit van Leeuven toespits op letterkunde-onderrig op hoërskoolvlak. | ||
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| + | == Career == | ||
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| + | From 1959-1962 he taught in Stellenbosch, Jamestown, Cradock and Rondebosch, twice also acting as temporary lecturer in the Education Department at the [[University of Stellenbosch]]. He would later become a permanent lecturer and professor in the faculty of Education at the same university, also teaching creative writing skills. remaining there till his retirement in ***. | ||
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| + | ==Contribution to SA theatre, film, media and/or performance== | ||
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| + | Though he wrote a number of plays, and was an influential critic of theatre and performance, a mentor to new writers and a judge for numerous contests and awards (''inter alia'' for the [[Fleur du Cap Awards]]), his most important contribution to South African theatre must be his espousal of [[Kabaret]], the [[Afrikaans]] verions of the pre-war German, French and Dutch political [[Cabaret|cabaret]] as a vehicle for resistance and protest among [[Afrikaans]] writers. His texts in this regard still remain some of the prime examples of the genre. He was particularly influenced by the Weimar period and the work of [[Bertolt Brecht]]. | ||
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| + | == Awards, etc == | ||
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| + | == Sources == | ||
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| + | http://www.litnet.co.za/Article/hennie-aucamp-1934 | ||
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| + | Go to [[South African Theatre/Bibliography]] | ||
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| + | == Return to == | ||
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| + | Return to [[ESAT Personalities N]] | ||
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| + | Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]] | ||
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| + | Return to [[The ESAT Entries]] | ||
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| + | Return to [[Main Page]] | ||
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| + | Besides a few of short plays (including a youth work ''[[Die Appel]]'' written at 16, and the popular ''[[Jan Blom Dans ‘n Mazurka]]'', ''[[Blomtyd is Bloeityd]]'' , ''[[Sjampanje]]'' 1988), many of his Afrikaans cabarets (styled a [[Kabaret]] in Afrikaans) were developed and produced in association with [[Herman Pretorius]] of the [[University of Stellenbosch Drama Department]] - and have been seminal in establishing the genre and influencing a large number of other writers, and many of the songs have become classic Afrikaans chansons. The cabarets are: ''[[Met permissie gesê]]'' (lit. "Said with your permission")(1980); ''[[Slegs vir Almal]]'' (lit. "Only for everyone")(1986); ''[[Blomtyd is Bloeityd]]'' (1987), ''[[Teen Latenstyd]]'' (1997) ''[[Oudisie!]]'' (1991), ''[[Wie gryp kry ‘n handvol]]'' (1994), and [[Sewe Doodsondes]] ("Seven Deadly Sins") (199*). Aucamp has also written wquaite a subnstantial body of theory around his notions of the cabaret - or [[Kabaret]] as he calls it. He has won the [[Hertzog Prize]] for Literature ** times, and received an Honarary Doctorate from the [[University of Stellenbosch]] in 1999. | ||
== Sources == | == Sources == | ||
Revision as of 06:58, 10 April 2014
(1934-March 2014) Prolific and highly regarded writer of Afrikaans short stories, poetry, cabarets, plays, sketches, lyrics.
Contents
Biography
Born Hendrik Christoffel Lourens Aucamp on 20 Januarie 1934 in the Eastern Cape town of Dordrecht, raised on the farm Rust-mijn-ziel on the Stormberg highlands, in the district of Jamestown, where he also went to school and matriculated in 1951. He had one sister, Rina.
Training
Studied at the University of Stellenbosch from 1952, obtaining a BA degree (1955teaching diploma in 1957, a Masters degree in 1958. In 1963 vertrek hy op ’n studiereis na België, waar hy hom aan die Universiteit van Leeuven toespits op letterkunde-onderrig op hoërskoolvlak.
Career
From 1959-1962 he taught in Stellenbosch, Jamestown, Cradock and Rondebosch, twice also acting as temporary lecturer in the Education Department at the University of Stellenbosch. He would later become a permanent lecturer and professor in the faculty of Education at the same university, also teaching creative writing skills. remaining there till his retirement in ***.
Contribution to SA theatre, film, media and/or performance
Though he wrote a number of plays, and was an influential critic of theatre and performance, a mentor to new writers and a judge for numerous contests and awards (inter alia for the Fleur du Cap Awards), his most important contribution to South African theatre must be his espousal of Kabaret, the Afrikaans verions of the pre-war German, French and Dutch political cabaret as a vehicle for resistance and protest among Afrikaans writers. His texts in this regard still remain some of the prime examples of the genre. He was particularly influenced by the Weimar period and the work of Bertolt Brecht.
Awards, etc
Sources
http://www.litnet.co.za/Article/hennie-aucamp-1934
Go to South African Theatre/Bibliography
Return to
Return to ESAT Personalities N
Return to South African Theatre Personalities
Return to The ESAT Entries
Return to Main Page
Besides a few of short plays (including a youth work Die Appel written at 16, and the popular Jan Blom Dans ‘n Mazurka, Blomtyd is Bloeityd , Sjampanje 1988), many of his Afrikaans cabarets (styled a Kabaret in Afrikaans) were developed and produced in association with Herman Pretorius of the University of Stellenbosch Drama Department - and have been seminal in establishing the genre and influencing a large number of other writers, and many of the songs have become classic Afrikaans chansons. The cabarets are: Met permissie gesê (lit. "Said with your permission")(1980); Slegs vir Almal (lit. "Only for everyone")(1986); Blomtyd is Bloeityd (1987), Teen Latenstyd (1997) Oudisie! (1991), Wie gryp kry ‘n handvol (1994), and Sewe Doodsondes ("Seven Deadly Sins") (199*). Aucamp has also written wquaite a subnstantial body of theory around his notions of the cabaret - or Kabaret as he calls it. He has won the Hertzog Prize for Literature ** times, and received an Honarary Doctorate from the University of Stellenbosch in 1999.
Sources
See South African Theatre Journal Vol.8 No 2 1994 (Special issue: Cabaret, edited by Herman Pretorius)
Go to South African Theatre/Bibliography
Return to
Return to ESAT Personalities A
Return to South African Theatre Personalities
Return to The ESAT Entries
Return to Main Page
