Difference between revisions of "Thuthula - Heart of the Labyrinth"
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| − | Inspired by the poem ''Thuthula'' by JJR Jolobe, well-known Xhosa writer of the 1920s, the play tells the tragic romantic story, set in the early 19th century, of a beautiful young woman, Thuthula, with whom both the acting Xhosa monarch King Ndlambe and his nephew Prince Ngqika fell in love at the same time. When she married them both it divided the Xhosa nation, led to conflict between the two clans and resulted in the bloody Battle of Amalinde in 1818. | + | Inspired by the poem ''Thuthula'' by JJR Jolobe, well-known Xhosa writer of the 1920s, the play tells the tragic romantic true-life story, set in the early 19th century, of a beautiful young woman, Thuthula, with whom both the acting Xhosa monarch King Ndlambe and his nephew Prince Ngqika fell in love at the same time. When she married them both it divided the Xhosa nation, led to conflict between the two clans and resulted in the bloody Battle of Amalinde in 1818. |
==Translations and adaptations== | ==Translations and adaptations== | ||
Revision as of 11:02, 10 March 2014
by Chris Zithulele Mann (1980?), published in the journal Shakespeare in Southern Africa, 2009.
Contents
Performance history in South Africa
First staged as a student production in Grahamstown in 1980, directed by Janet Buckland. On the main stream at the Grahamstown Festival 2003 as a large-scale production with a professional cast of 27 Xhosa performers, again directed by Janet Buckland.
Subject
Inspired by the poem Thuthula by JJR Jolobe, well-known Xhosa writer of the 1920s, the play tells the tragic romantic true-life story, set in the early 19th century, of a beautiful young woman, Thuthula, with whom both the acting Xhosa monarch King Ndlambe and his nephew Prince Ngqika fell in love at the same time. When she married them both it divided the Xhosa nation, led to conflict between the two clans and resulted in the bloody Battle of Amalinde in 1818.
Translations and adaptations
Sources
[Van Heerden (2008)][1]. p 149.
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